May 2010: Elano > Los Angeles

[Elano]

cool story bro

Its not a story bro 

[Jaydc]

So basically elano is going to become a roadie for some shitty band and suck them off after shows

[Muhfukka]

So basically elano is going to become a roadie for some shitty band and suck them off after shows

except in reality hes going to remain in his mom's attic in italy

[Elano]

So basically elano is going to become a roadie for some shitty band and suck them off after shows

except in reality hes going to remain in his mom's attic in italy

in reality you are going to remain in salinas with your retarded brother and your crack addict mother,but talk about me all day if you want,asshole 

[Elano]

So basically elano is going to become a roadie for some shitty band and suck them off after shows

no,its your mother job   

[acgrundy]

San Pedro is a hella nice area...

what is your job?  You better be making decent money to afford to live there...

How the hell did you just get hooked up w/ a job when you live in a different country and real unemployment in CA is in the high teens.  Haha, to be honest man, that job may very well not be around come May.

Moving to CA from a different country is not exactly the smartest thing to do right now.  This forum is EXTREMELY biased towards CA.  Smart people know that CA is going down the drain.  I was born and raised in CA, lived here my whole life.  This state is going to fucking shit.

[Elano]

San Pedro is a hella nice area...

what is your job?  You better be making decent money to afford to live there...

In the beginning i'll be the assistant to this friend of mine that works as backline technician for various agencies around cali (and in the past ny,miami and london).
With "assistant" i mean that i'll not work immediately as backline technician because i need to be on some technical things that i don't know at the moment.
Like i've said before i will live in san pedro just for the first couple of months,of course i'll not live in a mansion on the beach (i'm not an armenian drug lord).

How the hell did you just get hooked up w/ a job when you live in a different country and real unemployment in CA is in the high teens.  Haha, to be honest man, that job may very well not be around come May.

Thanks to this friend of mine that works in this business since 15 years ago,in May this agency will change some of the staff,and thanks to this contact i got the hook up.

Moving to CA from a different country is not exactly the smartest thing to do right now.  This forum is EXTREMELY biased towards CA.  Smart people know that CA is going down the drain.  I was born and raised in CA, lived here my whole life.  This state is going to fucking shit.

Don't worry i'll not sell my house here where i live,i'll move to california but like i've said i'll be there rarely (i should travel for work for something like 9/10 months a year).

[Jaydc]

HAHAHAHAHAHHAHAHA you know damn well you dont own no fucking house

[Elano]

HAHAHAHAHAHHAHAHA you know damn well you dont own no fucking house

shut up asshole,you know nothing 

[Elano]

What is the work like?

Roadies, known also as backstage crew and sound or lighting technicians, play an essential part in staging live music concerts, festivals and events. Usually highly skilled technical specialists, they set up all the equipment that artists and performers need, including the sound and lighting equipment, musical instruments and special effects. During performances, the crew is on hand to respond to any technical and equipment issues that arise, before packing away and securing equipment when the show finishes.

The size of the backstage crew will depend on the standing of the band/artist and the scale of a performance and venue. Some work alone doing varied tasks, whilst others perform very specialist crew duties. Responsibilities could include:

    * driving, loading and unloading vans, trailers and buses
    * lifting and carrying equipment and sets, often using fork lift trucks
    * security of instruments, equipment and performers
    * installation of sets and sound equipment, sometimes using specialist equipment like cherry-pickers to install lights on towers and scaffolding
    * setting up visual displays, including large screens and computer/live film feeds and video links
    * rigging up electrical wiring and lighting
    * setting up pyrotechnics (fireworks) and laser displays
    * conducting sound level checks
    * tuning and maintaining instruments before and during the show.

Roadies may also be given specific duties, such as making travel arrangements, organising catering and refreshments for backstage crew and artists, and co-ordinating backstage passes.

The role involves working alongside many different people, including:

    * sound engineers
    * stage, lighting and sound designers
    * health and safety specialists
    * security personnel
    * artists, performers and their management teams.

Working as a roadie, can be very physically demanding and pressured, as sets must be put up and dismantled quickly and safely within set times.
Hours and environment

Roadies need a flexible attitude to working hours. On tour they work long hours, often finishing in the early hours of the morning. Weekend work is normal. It is usual to work seven consecutive days perhaps for several weeks when on tour, and the job often involves travelling long distances between venues. However, there are rest days between gigs, and there can be long breaks between tours.

Most roadies work on short-term contracts, typically lasting around three months.

Venues they might work in include indoor and outdoor concert arenas, clubs, theatres, sports arenas and stately homes or parks. Touring would involve travelling around the whole of the UK, possibly overseas. The job often requires staying away from home for long periods, sometimes sleeping in the tour bus.

Heavy lifting, bending, climbing, and working in cramped, noisy conditions is typical. Some may be required to work at heights.
Salary and other benefits

These figures are only a guide and there is no formal salary scale for roadies. Most are self-employed and may not be in full-time work all year around, so income will vary immensely.

    * An unskilled roadie may earn the equivalent of around £12,500 a year.
    * Roadies with technical audio or electrical skills may earn £21,000 or more.
    * Those with specialist technical skills may earn £30,000, or more.

Rates of pay often depend on skills and experience and they may receive living allowances on top of income. The Roadcrew Provident Syndicate is a branch of the GMB trade union, established to help protect the working rights of self-employed roadies.
Skills and personal qualities

A roadie should be:

    * physically strong and practical
    * an excellent communicator and enjoy working in a large team
    * comfortable working at heights
    * calm when under time pressure
    * fully aware of health and safety requirements
    * punctual and fully committed to the job
    * reliable and self disciplined
    * able to read personalities quickly and prioritise tasks efficiently
    * at ease following instructions
    * prepared to travel.

Interests

It helps to be interested in:

    * technology and electronics
    * music
    * practical, manual work.

Getting in

Most roadies are self-employed. Because of licensing laws, entrants need to be at least 18 years old.

Getting some practical backstage work experience, even at local theatre productions, can be a great way to network and gain contacts. Individual artists and bands, tour managers, equipment hire companies and large venues may hire local crew for one-off gigs or tours. More local crew opportunities exist in London and large towns and cities where there are more live entertainment venues. Music promoters usually recruit touring crews. Touring roadies will usually be offered a contract for a set duration and will accompany the artist or band on tour in the UK and overseas.

There is always strong competition for vacancies. Working on short-term contracts means that many roadies are likely to face periods of unemployment.

Entry routes

There are no set entry qualifications for roadies. It may be an advantage to have some experience in electronics, sound production, music technology or lighting. Taking a theatre course in stage management, stage lighting and sound engineering may also help roadies who want to specialise. Although not essential for entry, they certainly make candidates more employable.

Alternatively, the creative apprenticeship in technical theatre or music (live events and promotion) focuses on introducing people to working backstage in theatre or live music events settings.

Apprenticeships and Advanced Apprenticeships provide structured training with an employer and pay at least £95 per week from August 2009. A recent survey found that the average wage for apprentices was £170 a week. Entry to Employment (e2e) can help to prepare those who are not yet ready for an Apprenticeship. In addition, Young Apprenticeships may be available for 14-16-year-olds.

The Production Services Association (PSA) operates a Safety Passport scheme for the technical event production sector involving a one-day course that deals with issues including manual handling, workplace transport and general backstage hazards in this sector. Taking a first aid certificate is also advisable.

Crew travelling overseas need a passport. It can be useful to speak a second language. A full driving licence is helpful and a large goods vehicle (LGV) licence or passenger service vehicle (PSV) licence an advantage for roadies wanting to drive tour buses and lorries.
Training

Roadies mostly learn on the job alongside experienced crew. This practical training may be complemented by short training courses and technical qualifications in areas such as:

    * rigging
    * lighting
    * pyrotechnics
    * video work
    * operating a fork lift truck or cherry-picker
    * health and safety working at heights.

The National Skills Academy for Creative & Cultural Skills has been recently set up to ensure people working in the sector have both the skills required for entry and continuing professional development (CPD). Focusing on offstage skills and qualifications, it is working closely with many organisations to develop a recognised training framework, including membership organisations, such as:

    * PSA
    * Association of British Theatre Technicians (ABTT)
    * Professional Lighting and Sound Association (PLASA).

Getting on

Experienced roadies may progress to supervising small teams. Some may become road crew or tour managers, or use their music skills and contacts to move into band management and promotional work.

Taking further qualifications, such as the Edexcel BTEC Level 5 Professional Diplomas in light and sound: technical theatre management, live sound and stage sound, may aid progression.

With further technical skills, roadies might move into lighting or sound roles in other fields, including theatre, film or television.

[Furor Teutonicus]

I thought you were a graphic designer

[Muhfukka]

hahaha elamo is constantly calling people on here immigrants and yet hes (supposedly) coming to america to work a minimum wage manual labor job

[the ghost]

What band you working for Elano?  Or just working at one Venue?

[Elano]

I thought you were a graphic designer

yes. what's the problem ? i can't change ?

[Elano]

What band you working for Elano?  Or just working at one Venue?

I just have to wait until May to know it,but from what i've heard i'll not work for a specific venue.