Author Topic: 10 Reasons Bush Wants To Ban Moore Film  (Read 409 times)

Montana00

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Re:10 Reasons Bush Wants To Ban Moore Film
« Reply #15 on: May 21, 2004, 04:25:51 AM »
You're late rampart...

Moore already admitted that was just a publicity stunt.

dammit im slow
 

LazyLatino

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Re:10 Reasons Bush Wants To Ban Moore Film
« Reply #16 on: May 21, 2004, 05:49:19 PM »
You're late rampart...

Moore already admitted that was just a publicity stunt.


When did he do that?
« Last Edit: May 21, 2004, 05:49:51 PM by LazyLatino »
 

Woodrow

Re:10 Reasons Bush Wants To Ban Moore Film
« Reply #17 on: May 21, 2004, 07:21:56 PM »
He didn't "admit" it, but it's obvious that's what it was.

http://news.independent.co.uk/world/americas/story.jsp?story=51890

Moore accused of publicity stunt over Disney 'ban'
By Andrew Gumbel in Los Angeles
07 May 2004


Less than 24 hours after accusing the Walt Disney Company of pulling the plug on his latest documentary in a blatant attempt at political censorship, the rabble-rousing film-maker Michael Moore has admitted he knew a year ago that Disney had no intention of distributing it.

The admission, during an interview with CNN, undermined Moore's claim that Disney was trying to sabotage the US release of Fahrenheit 911 just days before its world premiere at the Cannes film festival.

Instead, it lent credence to a growing suspicion that Moore was manufacturing a controversy to help publicise the film, a full-bore attack on the Bush administration and its handling of national security since the attacks of 11 September 2001.

In an indignant letter to his supporters, Moore said he had learnt only on Monday that Disney had put the kibosh on distributing the film, which has been financed by the semi-independent Disney subsidiary Miramax.

But in the CNN interview he said: "Almost a year ago, after we'd started making the film, the chairman of Disney, Michael Eisner, told my agent he was upset Miramax had made the film and he will not distribute it."

Nobody in Hollywood doubts Fahrenheit 911 will find a US distributor. His last documentary, Bowling for Columbine , made for $3m (£1.7m), pulled in $22m at the US box office.

But Moore's publicity stunt, if that is what is, appears to be working. A front-page news piece in The New York Times was followed yesterday by an editorial denouncing Disney for censorship and denial of Moore's right to free expression.

Moore told CNN that Disney had "signed a contract to distribute this [film]" but got cold feet. But Disney executives insists there was never any contract. And a source close to Miramax said that the only deal there was for financing, not for distribution.
 

Montana00

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Re:10 Reasons Bush Wants To Ban Moore Film
« Reply #18 on: May 21, 2004, 08:42:49 PM »
But the fact hasnt changed that Disney wont distribute the film because of the reasons moore gave right?
 

S.J

Re:10 Reasons Bush Wants To Ban Moore Film
« Reply #19 on: May 22, 2004, 06:34:06 AM »
It was not a publicity stunt.

Quote
Friday, May 7th, 2004
When You Wish Upon A Star… by Michael Moore


Dear Friends,

Thank you for all the incredible letters of support as my film crew and I once again slog our way through the corporate media madhouse. Does it ever end? Are we ever going to get control of our "free press" again? Can you wish upon a star?

The Disney spin machine has been working overtime dealing with this censorship debacle of theirs. I don't think they thought they would ever be outed. After all, they know that all of us are supposed to adhere to the unwritten Hollywood Code: Never tell the public how business is done here, never let them have a peek at the man behind the curtain.

Disney has been hoping for nearly a year that they could keep this thing quiet. As I promised on Wednesday, here are the details behind my sordid adventure with the Magic Kingdom:

In April of 2003, I signed a deal with Miramax, a division of the Walt Disney Co., to finance and distribute my next movie, Fahrenheit 9/11. (The original financier had backed out; I will tell that story at a later date.) In my contract it is stated that Miramax will distribute my film in the U.S. through Disney's distribution arm, Buena Vista Distribution. It also gives Miramax the rights to distribute and sell the movie around the world.

A month later, after shooting started, Michael Eisner insisted on meeting with my agent, Ari Emanuel. Eisner was furious that Miramax signed this deal with me. According to Mr. Emanuel, Eisner said he would never let my film be distributed through Disney even though Mr. Eisner had not seen any footage or even read the outline of the film. Eisner told my agent that he did not want to anger Jeb Bush, the governor of Florida. The movie, he believed, would complicate an already complicated situation with current and future Disney projects in Florida, and that many millions of dollars of tax breaks and incentives were at stake.

But Michael Eisner did not call Miramax and tell them to stop my film. Not only that, for the next year, SIX MILLION dollars of DISNEY money continued to flow into the production of making my movie. Miramax assured me that there were no distribution problems with my film.

But then, a few weeks ago when Fahrenheit 9/11 was selected to be in the Cannes Film Festival, Disney sent a low-level production executive to New York to watch the film (to this day, Michael Eisner has not seen the film). This exec was enthusiastic throughout the viewing. He laughed, he cried and at the end he thanked us. "This film is explosive," he exclaimed, and we took that as a positive sign. But “explosive” for these guys is only a good word when it comes to blowing up things in movies. OUR kind of “explosive” is what they want to run from as fast as they can.

Miramax did their best to convince Disney to go ahead as planned with our film. Disney contractually can only stop Miramax from releasing a film if it has received an NC-17 rating (ours will be rated PG-13 or R).

According to yesterday's New York Times, the issue of whether to release Fahrenheit 9/11 was discussed at Disney's board meeting last week. It was decided that Disney should not distribute our movie.

Earlier this week we got the final, official call: Disney will not put out Fahrenheit 9/11. When the story broke in the New York Times, Disney, instead of telling the truth, turned into Pinocchio.

Here are my favorite nuggets that have come out of the mouths of their spinmeisters (roughly quoted):

"Michael Moore has known for a year that we will not distribute this movie, so this is not news." Yes, that is what I thought, too, except Disney kept sending us all that money to make the movie. Miramax said there was no problem. I got the idea that everything was fine.

"It is not in the best interests of our company to distribute a partisan political film that may offend some of our customers." Hmmm. Disney doesn't distribute work that has partisan politics? Disney distributes and syndicates the Sean Hannity radio show every day? I get to listen to Rush Limbaugh every day on Disney-owned WABC. I also seem to remember that Disney distributed a very partisan political movie during a Congressional election year, 1998—a film called The Big One… by, um… ME!

"Fahrenheit 9/11 is not the Disney brand; we put out family oriented films." So true. That's why the #1 Disney film in theaters right now is a film called, KILL BILL, VOL. 2. This excellent Miramax film, along with other classics like Pulp Fiction, have all been distributed by Disney. That's why Miramax exists -- to provide an ALTERNATIVE to the usual Disney fare. And, unless they were NC-17, Disney has distributed them.

"Mr. Moore is doing this as a publicity stunt." Michael Eisner reportedly said this the other day while he was at a publicity stunt cutting the ribbon for the new "Tower of Terror" ride (what a pleasant name considering what the country has gone through recently) at Disney's California Adventure Park. Let me tell you something: NO filmmaker wants to go through this kind of controversy. It does NOT sell tickets (I can cite many examples of movies who have had to change distributors at the last minute and all have failed). I made this movie so people could see it as soon as possible. This is a huge and unwanted distraction. I want people discussing the issues raised in my film, not some inside Hollywood fracas surrounding who is going to ship the prints to the theaters. Plus, I think it is fairly safe to say that Fahrenheit 9/11 has a good chance of doing just fine, considering that my last movie set a box office record and the subject matter (Bush, the War on Terror, the War in Iraq) is at the forefront of most people's minds.

So what will happen to my movie? I still don't know. What I do know is that I will make sure all of you see it by hook or crook. We are Americans. There are a lot of screwed up things about us right now, but one thing that most of us have in common is that we don't like someone telling us we can't see something. We despise censors, and the worst censors are those who would dare to limit thoughts and ideas and silence dissent. THAT is un-American. If I have to travel across the country and show it in city parks (or, as one person offered yesterday, to show it on the side of his house for the neighborhood to see), that is what I will do.

More to come, stay tuned.

Yours,
Michael Moore
www.michaelmoore.com
But I'm a do it like this so your crew will know
Tie your leg to a car, tie the other to a pole
Talk shit and laugh cause I got the gift of gab
Hop in the car, hit the gas, watch your ass split in half
-Rappin Ron
 

Woodrow

Re:10 Reasons Bush Wants To Ban Moore Film
« Reply #20 on: May 22, 2004, 12:47:29 PM »
It was not a publicity stunt.
What is it then?

Here's Moores M.O.

1. Wait for the tragic murder of people (high schools or office buildings, either will work)

2. Make politically biased, misleading, and fraudulent documentaries playing on the general ignorance and cynicism of the American public.

3.PROFIT!!

"If you're going to dedicate your career to ranting about the excesses of American capitalism, you probably shouldn't weigh 450 pounds." -Greg Giraldo on Michael Moore