It's August 23, 2025, 03:47:26 PM
3) I actually like having a booklet and seeing who produced what and what was sampled.
from reading this thread..it sounds like buying album is similar to play lotto...never know exactly what you get..may come out wack.if people wanna burn cd..let them.....maybe because they cheapskate...however, it can be a sign that the artists are wack.and they to step up.
Quote from: KURUPTION-81 on June 26, 2006, 12:44:27 PM3) I actually like having a booklet and seeing who produced what and what was sampled.Haha im terrible for that, i read liner notes all the way through - its a sad habit, but i love it
because of limewire.
I've bought too many albums in my life. If I don't think I'll listen to it a lot in the future (i.e. too many garbage on the album) or if it doesn't fit in my collection, I will not buy it.
OK.. so the industry claims album sales are down, blaming it on bootlegging etc. Now i'm not gonna claim it doesn't happen etc.. but what improvements can be made to combat this? and what reasons stop you buying albums? add your own/comment on other peoples additions..I'll kick it off with 2..1) Selling wack albums through a strong lead single. So many times back in the day I bought albums off of a strong single which turned out to be wack. People don't want to be ripped off.. if the single is tight, they expect the album to be comparable. I wanna know the albums solid before I buy it. The internet is clueing people up on poor product. 2) Putting out different versions of albums. Example. I forgot a DVD edition of J5s Power In Numbers was coming out so I copped the normal version. Now i'm pissed off. Another variant of this is when a 'special edition' comes out a month or two after the drop to boost sales.. either with videos, bonus tracks or some other shit. Thats shitting on the early adopters in my book! how come people who buy it two months later get a better deal than the guy who bought it the day it came out? and the third similar example.. bonus tracks on foriegn version. for example.. 213.. europe got an extra track.. aint that some shit?3) The over milking of formulas.. If a debut sells well an artist is expected to repeat ad infinitum.. I'm sick of weak sophmore efforts stifled by people being forced to follow the formula of their last album "a song like this, a song like that".. people want something new!