It's August 27, 2025, 08:28:15 AM
Quote from: OG Classic Material on June 20, 2013, 03:15:20 PMQuote from: Russell Bell on June 20, 2013, 03:13:10 PMQuote from: OG Classic Material on June 20, 2013, 03:11:18 PMQuote from: Russell Bell on June 20, 2013, 03:05:07 PMQuote from: OG Classic Material on June 20, 2013, 02:19:32 PMQuote from: Russell Bell on June 20, 2013, 02:11:26 PMQuote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.that's not exactly what you said fool. my statement had nothin' to do wit him placin' his loyalty to the streets over his artists or him bein' a bad businessman it was about him bein' fair and leavin' the street shit in the streets. he wasn't a bad businessman because death row sold millions of records and was worth 125 million in 4 years he just implemented his own rules to the business and fucked off his artists in the process. that is what i said. reading is important.i try to read everyday.keeps your mind sharp n all that.keep readin' it's more beneficial for you than trollin'.well some of us need it more than othersyup.Why do some of you always have to argue about stupid petty shit all the time on posts?Cant you just come on here and discuss the topics your interested in without having to take up nearly a full page arguing about"you said the same thing that i just said" and things like that? If you like to argue and fight then go out to a bar a do it with a real human being....although i doubt you keyboard warriors would do that!!Chill out guys
Quote from: Russell Bell on June 20, 2013, 03:13:10 PMQuote from: OG Classic Material on June 20, 2013, 03:11:18 PMQuote from: Russell Bell on June 20, 2013, 03:05:07 PMQuote from: OG Classic Material on June 20, 2013, 02:19:32 PMQuote from: Russell Bell on June 20, 2013, 02:11:26 PMQuote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.that's not exactly what you said fool. my statement had nothin' to do wit him placin' his loyalty to the streets over his artists or him bein' a bad businessman it was about him bein' fair and leavin' the street shit in the streets. he wasn't a bad businessman because death row sold millions of records and was worth 125 million in 4 years he just implemented his own rules to the business and fucked off his artists in the process. that is what i said. reading is important.i try to read everyday.keeps your mind sharp n all that.keep readin' it's more beneficial for you than trollin'.well some of us need it more than othersyup.
Quote from: OG Classic Material on June 20, 2013, 03:11:18 PMQuote from: Russell Bell on June 20, 2013, 03:05:07 PMQuote from: OG Classic Material on June 20, 2013, 02:19:32 PMQuote from: Russell Bell on June 20, 2013, 02:11:26 PMQuote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.that's not exactly what you said fool. my statement had nothin' to do wit him placin' his loyalty to the streets over his artists or him bein' a bad businessman it was about him bein' fair and leavin' the street shit in the streets. he wasn't a bad businessman because death row sold millions of records and was worth 125 million in 4 years he just implemented his own rules to the business and fucked off his artists in the process. that is what i said. reading is important.i try to read everyday.keeps your mind sharp n all that.keep readin' it's more beneficial for you than trollin'.well some of us need it more than others
Quote from: Russell Bell on June 20, 2013, 03:05:07 PMQuote from: OG Classic Material on June 20, 2013, 02:19:32 PMQuote from: Russell Bell on June 20, 2013, 02:11:26 PMQuote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.that's not exactly what you said fool. my statement had nothin' to do wit him placin' his loyalty to the streets over his artists or him bein' a bad businessman it was about him bein' fair and leavin' the street shit in the streets. he wasn't a bad businessman because death row sold millions of records and was worth 125 million in 4 years he just implemented his own rules to the business and fucked off his artists in the process. that is what i said. reading is important.i try to read everyday.keeps your mind sharp n all that.keep readin' it's more beneficial for you than trollin'.
Quote from: OG Classic Material on June 20, 2013, 02:19:32 PMQuote from: Russell Bell on June 20, 2013, 02:11:26 PMQuote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.that's not exactly what you said fool. my statement had nothin' to do wit him placin' his loyalty to the streets over his artists or him bein' a bad businessman it was about him bein' fair and leavin' the street shit in the streets. he wasn't a bad businessman because death row sold millions of records and was worth 125 million in 4 years he just implemented his own rules to the business and fucked off his artists in the process. that is what i said. reading is important.i try to read everyday.keeps your mind sharp n all that.
Quote from: Russell Bell on June 20, 2013, 02:11:26 PMQuote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.that's not exactly what you said fool. my statement had nothin' to do wit him placin' his loyalty to the streets over his artists or him bein' a bad businessman it was about him bein' fair and leavin' the street shit in the streets. he wasn't a bad businessman because death row sold millions of records and was worth 125 million in 4 years he just implemented his own rules to the business and fucked off his artists in the process.
Quote from: OG Classic Material on June 20, 2013, 01:08:35 PMQuote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.Do you even read posts, or just look at the names to see if its someone whos made fun of you? Thats exactly what I said, pretty much.
Quote from: Jimmy H. on June 20, 2013, 11:07:18 AMQuote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here. death row could have continued to be bigger if suge had of kept the street shit out of the business and been fair to his artists. he really didn't give a fuck about any of the death row artists they were all a payday to him if you look at the circumstances.
Quote from: Infinite African Westcoastin 2012 and 13' on June 19, 2013, 01:48:52 PMAlso, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told. But Interscope was a much bigger set-up than something like Death Row. You could have artists on there that never even communicated with each other. I think Suge's ultimate error, and again, this is just the opinion of someone who wasn't there, was in not just finding ways to keep all these artists, even the ones who hated each other, working and putting out product. If there was a way for Dre, Pac, and Snoop build their own individual camps/sub-labels at Death Row, they could have basically run music into the year 2000 and beyond. The one comment Suge made publicly was that "It was always going to be a jealousy of Tupac because the artists knew I was going to side with him." Even if Pac's your best artist and the one you are most loyal to on a personal level, that's a comment that, even in hindsight, that seems like a bad look for a CEO to make. But I could be wrong here.
Also, another irony is that Dre and Pac and Suge were all still label mates even when they were beefing. They were still all under Interscope... so I wonder how the Death Row/Dre beef was playing out with the Interscope execs. These are some stories I've never heard told.