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Quote from: abusive on January 13, 2016, 10:56:40 PM^I think what Suge was talking about was making the beats that would be used for the songs, not producing the songs. blablabla "beatmakin ainīt producinī" ... dre is jus bossn around while others work hard.. donīt get me started listing buncha people who worked wit dre n never got what they deserved (credit on paper or the money).
^I think what Suge was talking about was making the beats that would be used for the songs, not producing the songs.
Quote from: ThaīPrince on January 14, 2016, 02:57:09 AMQuote from: abusive on January 13, 2016, 10:56:40 PM^I think what Suge was talking about was making the beats that would be used for the songs, not producing the songs. blablabla "beatmakin ainīt producinī" ... dre is jus bossn around while others work hard.. donīt get me started listing buncha people who worked wit dre n never got what they deserved (credit on paper or the money).If some cat from the Swan made a beat then he produced the beat. If Dre got the beat and did his thing with it along with adding the artist to it, then Dre produced the song. What's so hard to understand about that? If you have a list then post it, that's what this thread is about.
Quote from: abusive on January 14, 2016, 12:36:12 PMQuote from: ThaīPrince on January 14, 2016, 02:57:09 AMQuote from: abusive on January 13, 2016, 10:56:40 PM^I think what Suge was talking about was making the beats that would be used for the songs, not producing the songs. blablabla "beatmakin ainīt producinī" ... dre is jus bossn around while others work hard.. donīt get me started listing buncha people who worked wit dre n never got what they deserved (credit on paper or the money).If some cat from the Swan made a beat then he produced the beat. If Dre got the beat and did his thing with it along with adding the artist to it, then Dre produced the song. What's so hard to understand about that? If you have a list then post it, that's what this thread is about. If you made a beat and it was reconstructed to the point where it barely sounds anything like it originally did, then you didn't really produce the beat, u just provided a foundation to work with. Laying a foundation is the easy part .. For instance, I can fuck a random girl and 9 months later a baby will pop out. Now, the real job is in raising the kid and molding him into who he will become. Bottom line, Dre exerts a majority of the energy into any production he's involved with. The perks of being a perfectionist producer.
Quote from: Sccit on January 14, 2016, 01:53:04 PMQuote from: abusive on January 14, 2016, 12:36:12 PMQuote from: ThaīPrince on January 14, 2016, 02:57:09 AMQuote from: abusive on January 13, 2016, 10:56:40 PM^I think what Suge was talking about was making the beats that would be used for the songs, not producing the songs. blablabla "beatmakin ainīt producinī" ... dre is jus bossn around while others work hard.. donīt get me started listing buncha people who worked wit dre n never got what they deserved (credit on paper or the money).If some cat from the Swan made a beat then he produced the beat. If Dre got the beat and did his thing with it along with adding the artist to it, then Dre produced the song. What's so hard to understand about that? If you have a list then post it, that's what this thread is about. If you made a beat and it was reconstructed to the point where it barely sounds anything like it originally did, then you didn't really produce the beat, u just provided a foundation to work with. Laying a foundation is the easy part .. For instance, I can fuck a random girl and 9 months later a baby will pop out. Now, the real job is in raising the kid and molding him into who he will become. Bottom line, Dre exerts a majority of the energy into any production he's involved with. The perks of being a perfectionist producer. You just want Dre to have all of the production credit. The irony.
I know bro. Hence three pages of back and forths.
Quote from: abusive on January 15, 2016, 11:42:12 AMI know bro. Hence three pages of back and forths. Werent u just cryin about personal insults?? I mean I don't get what you're tryin to say wit that last post. Elaborate.
Because you said that someone who makes a beat and gives it to Dre doesn't deserve production credit while at the same time arguing that Dre doesn't take production credit from people. But if someone gives Dre a beat and he doesn't give you production credit, not matter how much the track is altered, then that's exactly what he's doing. /Threadlol You're so busy arguing trying to defend your idol that you obviously didn't realize that you're talking out of both sides of your mouth at the same damn time. Matter of fact I don't think you even fully comprehend what's being discussed here. Anyway, no, nothing's wrong with me, I'm not scary or biter. You're just wrong! Remember that when you go back and forth with me it's always chess not checkers and it's never personal.
Up until this point all you have said is that Dre is the producer they just made the beat, this person is lying, laying a foundation is the easy part, Dre is the mastermind, he comes up with magic, we don't get what dre does, he's the session player not the producer etc. Now after three pages you are saying what I have been saying all along, something you never once said until now and that's they deserve credit. 'I never said they don't deserve credit' That's basically what you've been arguing for the past three pages in various ways. Scott Storch doesn't deserve production credit because he just played the keys? Even though the keys not only go into the production but is a major part of the production? Don't act like I moved the goal post here, you did. My arguments have been consistent throughout this thread. Quoting Suge, posting the Storch video giving examples etc. is better than romantic notions of Dre sitting in the studio waving a magic wand turning rocks into gold. https://www.youtube.com/v/HlSgWRJAAlghttps://www.youtube.com/v/43xMOLjskK0