Author Topic: JADAKISS - Y4L (New Album Produced By Daz Dillinger Coming Soon) (Read 436 times)

Eddz · « **Reply #15 on:** November 09, 2025, 11:10:37 PM »

This will either be really good or really bad and I'm leaning to the later.

What we need is a Jadakiss album produced by either The Alchemist or Hit-Boy.

geezy · « **Reply #16 on:** **Yesterday** at 08:09:21 PM »

If this happens, it's best chance for Daz to reintroduce impressive as a very good producer.

Because we all know Jadakiss will deliver on the mic but can we trust Daz production to be top notch and fresh?

Sccit · « **Reply #17 on:** **Yesterday** at 08:12:52 PM »

Quote from: geezy on Yesterday at 08:09:21 PM

If this happens, it's best chance for Daz to reintroduce impressive as a very good producer.

Because we all know Jadakiss will deliver on the mic but can we trust Daz production to be top notch and fresh?

he needs soopafly or mike dean.. or sccit & siavash on the co-production

gfunk2024 · « **Reply #18 on:** **Today** at 06:57:14 AM »

This won't ever happen.

My guess is that Daz is going to want to be paid regardless of how well the album sells. They will never come to an agreement.

LostSkanless · « **Reply #19 on:** **Today** at 11:04:13 AM »

Is Daz a dope producer, Yes. But Daz along with the rest of the producers at Death Row benefited from Dr. Dre's sounds and his musicians (Tony Greene, Ricky Rouse, Butch & Barney). DJ Jam told me along time ago that Dr. Dre would be done with a session and everyone would run to get the studio after Dr. Dre left to get all the presets so they could get that super clean sound. I thought Daz did a great job on "R.A.W.", cause it was his first album Daz pretty much did everything on his own. Even the engineers that worked with Dr. Dre everyone wanted to work with them cause they knew they had the Dr. Dre secrets on presets and mixing a song. Daz still makes nice beats but the sound and mixing is not there. Hopefully they get a good budget and can go in a nice studio and get that sound back.

geezy · « **Reply #20 on:** **Today** at 11:13:42 AM »

Quote from: Sccit on Yesterday at 08:12:52 PM

he needs soopafly or mike dean.. or sccit & siavash on the co-production

I agree, I don't trust Daz's solo work....someone that take the process and quality serious needs to be with him to make this above average

geezy · « **Reply #21 on:** **Today** at 11:17:34 AM »

Quote from: LostSkanless on Today at 11:04:13 AM

Is Daz a dope producer, Yes. But Daz along with the rest of the producers at Death Row benefited from Dr. Dre's sounds and his musicians (Tony Greene, Ricky Rouse, Butch & Barney). DJ Jam told me along time ago that Dr. Dre would be done with a session and everyone would run to get the studio after Dr. Dre left to get all the presets so they could get that super clean sound. I thought Daz did a great job on "R.A.W.", cause it was his first album Daz pretty much did everything on his own. Even the engineers that worked with Dr. Dre everyone wanted to work with them cause they knew they had the Dr. Dre secrets on presets and mixing a song. Daz still makes nice beats but the sound and mixing is not there. Hopefully they get a good budget and can go in a nice studio and get that sound back.

I guess difference between good beat makers and a producer that can put everything together top to bottom and make it sound quality