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Author Topic: C.V.: Paris  (Read 1731 times)

Lincoln

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Re:CV: Paris
« Reply #15 on: September 09, 2003, 07:06:48 PM »
Quote from: tnp on September 09, 2003, 11:37:45 AM
Quote from: DocFunk on July 14, 2003, 08:15:02 AM
Quote from: Dr._Lincoln A.K.A Gun Doggy Tang Chasa on July 13, 2003, 08:13:02 PM
The Thug In Me is from Black Bossalini aka Dr Bombay From Da Bay and also appears on Hits.
Thanks! Need to check that one out.
Does anyone have C-Funk's album which he dropped on Paris' Scarface Records? P-Dog might have produced some joints on there too.

Good call. Picked this up today.

C-Funk: 3 Dimensional Ear Pleasure
Scarface Records 1995

1. 3-D Intro
2. Keep Rollin'
3. Don't You Know?
4. Lime In Ya Coconut
5.Chill & Kick Back
6. Get Off My Sack
7. Whoop Whoop, Yeah Yeah

all songs produced by Paris

Thanks G
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Most hip-hop is now keyboard driven, because the majority of hip-hop workstations have loops and patches that enable somebody with marginal skills to put tracks together,...

Unfortunately, most hip-hop artists gravitated towards the path of least resistance by relying on these pre-set patches. As a result, electric guitar and real musicians became devalued, and a lot of hip-hop now sounds the same.

Paris
 

Lincoln

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Re:C.V.: Paris
« Reply #16 on: September 12, 2003, 10:38:46 AM »
Added - Public Enemy w/Paris - Gotta Give The Peeps What They Need (Paris Mix)
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Most hip-hop is now keyboard driven, because the majority of hip-hop workstations have loops and patches that enable somebody with marginal skills to put tracks together,...

Unfortunately, most hip-hop artists gravitated towards the path of least resistance by relying on these pre-set patches. As a result, electric guitar and real musicians became devalued, and a lot of hip-hop now sounds the same.

Paris
 

Halu Sination

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Re:C.V.: Paris
« Reply #17 on: September 14, 2003, 02:14:04 PM »
can u give the production listing for "unleashed" cuz some of those beats were damn near close to amazing
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Lincoln

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Re:C.V.: Paris
« Reply #18 on: September 14, 2003, 07:37:43 PM »
Quote from: Krayzie Mofo Guy on September 14, 2003, 02:14:04 PM
can u give the production listing for "unleashed" cuz some of those beats were damn near close to amazing

All the Paris tracks were produced by him. I Can't remember who made them for wack-ass Jet & Nuttso
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Most hip-hop is now keyboard driven, because the majority of hip-hop workstations have loops and patches that enable somebody with marginal skills to put tracks together,...

Unfortunately, most hip-hop artists gravitated towards the path of least resistance by relying on these pre-set patches. As a result, electric guitar and real musicians became devalued, and a lot of hip-hop now sounds the same.

Paris
 

Lincoln

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Re:C.V.: Paris
« Reply #19 on: September 26, 2003, 08:19:21 PM »
Updated with Sonic Jihad tracklist....
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Most hip-hop is now keyboard driven, because the majority of hip-hop workstations have loops and patches that enable somebody with marginal skills to put tracks together,...

Unfortunately, most hip-hop artists gravitated towards the path of least resistance by relying on these pre-set patches. As a result, electric guitar and real musicians became devalued, and a lot of hip-hop now sounds the same.

Paris
 

IKON

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Re:C.V.: Paris
« Reply #20 on: September 27, 2003, 09:23:17 PM »
that C Funk cd has some of the best production ever!!!!!  some funk that only paris can bring, y'all should definitely check it out
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tnp

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Re:C.V.: Paris
« Reply #21 on: October 13, 2003, 05:02:05 PM »
Paris - Street Soldier (Street Fighter Soundtrack) 1994 Vocals and Production
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Lincoln

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Re:C.V.: Paris
« Reply #22 on: October 14, 2003, 04:25:12 PM »
Quote from: tnp on October 13, 2003, 05:02:05 PM
Paris - Street Soldier (Street Fighter Soundtrack) 1994 Vocals and Production

Also on Unleashed ;) Dope ass track, beats so damn dope & he's spitting real shit.
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Most hip-hop is now keyboard driven, because the majority of hip-hop workstations have loops and patches that enable somebody with marginal skills to put tracks together,...

Unfortunately, most hip-hop artists gravitated towards the path of least resistance by relying on these pre-set patches. As a result, electric guitar and real musicians became devalued, and a lot of hip-hop now sounds the same.

Paris
 
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