It's June 17, 2024, 12:04:28 AM
I disagree. Producers such as quik and battlecat have constantly been improving the west coast sound. We don't have a hit becuz of the labels. It's all about the labels...if we could get major labels...I believe we would have a hit in an instant. For an example quik's album Trauma...imagine if he was on a major label...I have little doubts he would have blown up. I think people are underestimatin the importance of havin major labels behind us. We been improvin our sound, been havin new rappers come out wit lyrical skills...it's just the MAJOR LABELS.
The problem is rappers today grew up on rap and dont really have an ear for MUSIC, they have an ear and a mind for lyrics, but are lost when it comes to the actual music aspect of it. Couple that with the fact that damn near every body is some low budget rapper using off brand beats from their local bedroom fruity loop beat man because they either cant or wont pay for quality and there you have it. Seriously, how can Dre and Rick Rock be the only Cali producers capable of making hits? Cali is the most populated state in the country and you mean to tell me only 2 guys have any talent? I dont think so.
if we could get major labels...I believe we would have a hit in an instant. For an example quik's album Trauma...imagine if he was on a major label...I have little doubts he would have blown up. I think people are underestimatin the importance of havin major labels behind us. We been improvin our sound, been havin new rappers come out wit lyrical skills...it's just the MAJOR LABELS.
Fans -> Emcees/ProducersThe emcee's and Producers aren't changing up cuz the fans aren't changing up. Look at Dubcc, the moment something G-Funk comes about, people go nuts. Anything different is described as "Wack," "East Coast," or get's no attention. The South isn't making Bass Music no more and you don't see fans hanging on to that. You don't see the East Coast making Boom Bap, nor do you see their fans hanging on it. The West Coast fans need to mature and realize that G-Funk died years ago. It's not coming back.
I think Rick Rock is the best overall producer on the west as far as makin commercial and club type of shit.
If I was a label exec I couldve got Quik a plaque for Traumaits all in the labels hands...but that doesnt absolve the west coast rap industryi think the biggest problem with the west that the west themselves can deal with is HUSTLEmotherfuckers still think its the 90s where South Central Cartel could go gold off one videohustle hustle hustletravel, tour, promote, collaborate, push ya product, etc etcthe systems against u. so work the system to your favour
Dayum...even though there have been several threads like this, it's always hard to come up with a consensus. I think we gotta agree that most of us will NEVER agree, and that there are definitely two sides to the argument that both hold a lotta substance, and I have caught myself arguin for both sides at different times.I'll act as two opposing sides, using the views I always see, and some things I've noticed myself.Side 1:"The west is dead because our sound hasn't evolved at all, and because people aren't willing for it to change. The South, East, Midwest have all evolved a whole lot since the 90s, and that's why they are still big. West coast fans only seem to want one type of sound, and we gotta admit that it was great while it lasted but it's time to move on. We can't hate on cats for attemptin to bring a new sound."Side 2:"Just as most things in the business world, it's never about the quality or how good somethin actually is, but how it is promoted and marketed. Therefore, if the companies chose to promote the west coast sound, it would still be seen as hot. The sound of the west coast has definitely evolved from the 90s, and you can't diss the G-Funk sound because our sound should still have a similar vibe to it. Yeah the east has evolved since the 90s, but the same way they were heavily sample based then, they still are...they just use samples in a different way. The same way the south had energy in the 90s with Miami Bass sound, they still have energy, but it's morphed into the crunk sound. So it's not fair to knock the west coast for havin a funk influenced sound, because if our music that was hot the last few years was played on BET and all else, people around the nation would still love it and check for it. We shouldn't really try to change our sound, because that's not us, and it's not gonna appeal to people if we are just makin music that sounds like them. Whether it's because The West was blackballed because of Biggie, or because the east coast and south just have a larger market of consumers, our sound is only hated on because it's not heard enough. It's proof that our sound could still appeal, because Jay-Z has had songs like "Change the Game", Lil Jon had "Play no games", and TI had "My life" which were huge in the east and south, but definitely had a modernized west coast g-funk sound and vibe to it."So with that.....I feel that both sides have strong points, and it's really a hard call to make. True, people around the country aren't checkin for our sound and feel it is washed up, but many of them are biased, and it's proven when they end up likin songs that are from their own artists but sound west coast, and when west coast songs actually do get pumped hard. I remember when "How we do" first came out on the net in September or October 05...I would take it to parties down here in Florida, and people would be like "what is this shit? This is west coast, turn it off"...but 3 months later, after it's #1 on 106 and Park, EVERYBODY down here was lovin the hell out of it!! People from the south were actin like it was their own song, and would drive around playin it loud as hell. So that there makes it seem as if marketing is the main reason that west coast music gets hated on. As far as fans on the west, there are two different sides, at least speakin for black people in LA. To me, the 23 and under crowd seem to be much more influenced by the east and south, and the younger, the worst their influence is. People my age have much more west coast pride than younger cats, but even at that, it's only a select few of us who were usually raised by older cousins or people in the neighborhood who played west coast music. People who are younger tend to not like much of anything west coast that is new, and many of them don't really appreciate the older rap. I got 18 year old homeboys who don't think Kam is a legend, and say that they have NEVER heard any Kam songs, even though I am sure they would remember one or two if I played em. As far as 23+, it seems like the older the person is, the more they like older west coast music. Bad thing is, it's hard to find balance because the older cats are only checkin for west coast music that sounds old, and the younger cats are primarily checkin for whatever is hot on radio, which is usually south and east coast music. With that, the exact same thing happens for many producers and rappers in LA. Most younger cats ALL sound east coast as hell, and most older cats ALL sound 90s as hell and don't sound modern at all. So if I could say anything...I would say it is a combination of what goes on on both sides. Personally, if I was DJ Quik, I woulda used my own money to help promote my album, because the return woulda been much better. Look at how Kanye paid a million to get that Jesus Walks video finished, and look at the effect that one video had for his career. For the Bay, it does seem like they are finally startin to make moves in the mainstream. But if I could advise anything, I would advise them to pump their shit and promote it in the south and east, and do what they can to get radio play and all else around there if it's attainable. Even though I am from LA, I have to admit The Bay deserves to have their sound pumped nationwide a lot more than LA does right now. The Bay sound is definitely radio ready, and all it needs is promotion. LA needs a few more years to find our own style...everybody wants to be NY right now.