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Started by abusive - Last post by abusive

Where you @ Tizony?



Started by The Predator - Last post by astra4322

maybe not the new generation but most of this forum does

True

Started by killagee - Last post by mtbsm

damn it's great hearing kmg and having visuals of him

Started by The Predator - Last post by HighEyeCue

Dude nobody listens to ice cube

maybe not the new generation but most of this forum does

Started by Jay_J - Last post by AftermathBeats

I know what you mean, although my reasoning is based on the media outlets ( on IG for example) covering for these individuals.  Although they do have a die-hard fan base,  that's basically where it stops.

DPG has a fan base worldwide, I come from Germany, there 90s Hip Hop runs best in the clubs no matter what age. Above all, the name Snoop Dogg is behind it again and he has the largest fan base in the world, his concerts are always sold out

Started by The Predator - Last post by doggfather

worth to read?

7   Tha G-Spot / Re: Rainbow Marketon Yesterday at 11:57:11 PM

Started by Space RockStar SkyStalker Machine - Last post by Space RockStar SkyStalker Machine

Started by doggfather - Last post by The Predator

Ghost fav cereals -

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Started by The Predator - Last post by The Predator

4th member of Wu to put a book out (Rza, Rae, U-God) -

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Rise of a Killah Review



Book: Rise of a Killah : My Life in the Wu-Tang
Author: Ghostface Killah
Publisher: St. Martin’s Press
Year: 2024
Rating: 3 out of 5 stars

Synopsis : “Dennis Coles – aka Ghostface Killah – is a co-founder of the Wu-Tang Clan, a legendary hip hop group who established themselves by breaking all the rules, taking their music to the streets during hip hop’s golden era on a decade-long wave of releasing anthem after classic anthem, and serving as the foundation of modern hip hop. An all-star cast who formed like Voltron to establish the pillars that serve as the foundation of modern hip hop and released seminal albums that have stood the test of time
Rise of a Killah is Ghost’s autobiography, focusing on the people, places, and events that mean the most to him as he enters his fourth decade writing and performing. It’s a beautiful and intense book, going back the the creative ferment that led to Ghost’s first handwritten rhymes. Dive into Ghost’s defining personal moments, his battles with his personal demons, his journey to Africa, his religious viewpoints, his childhood in Staten Island, and his commitment to his family (including his two brothers with muscular dystrophy), from the Clan’s early successes to the pinnacle of Ghost’s career touring and spreading his wings as a solo artist, fashion icon, and trendsetter.
Exclusive photos and memorabilia, as well as graphic art commissioned for this book, make Rise of a Killah both a memoir and a unique visual record, a “real feel” narrative of Ghost’s life as he sees it, a one of a kind holy grail for Wu-Tang and Ghost fans alike.”

Review : Chronicling his life, from formative childhood years growing up in the West Brighton projects, to being introduced to kung-fu movies in his early teens, to forming the Wu-Tang Clan, crafting his Toney Stark persona, and everything in between, Ghostface Killah takes the reader on journey into stardom and the drive to simply make it in Rise of a Killah. It would be difficult to listen to music or engage with pop culture without encountering Wu-Tang clan, either having listened to their music or running into one of their cult-like followers. However, for someone like me, who has listened to their music over the years and enjoyed their work, though isn’t a die-hard fan, this book felt a little lacking. This book is very clearly geared toward the ride or die fans, the fans who’ve followed Ghostface and Wu-Tang Clan, who know the ins and outs, the ups and downs of the Clan and are familiar with the intricacies already – prior to reading the book – but I’ll get into that.



Rise of a Killah reads like a conversation, and that’s because it is a conversation. This book has been transcribed, and while I’ve enjoyed that style of reading in the past, there were very few moments during the course of this book that I didn’t feel this would be better suited as a docu-series. I enjoyed reading Ghostface’s story, he is, and has been, open and vulnerable about things that were, and continue to be, hard topics for people to talk about. I found it invaluable to read about his experiences with his mental health struggles, with how he wishes friends would reach out when they see those they’re close to having a hard time, and the way he found peace through speaking openly with RZA about what he was experiencing. During a time when it wasn’t nearly as acceptable to speak about your mental health or wellness, Ghostface leaned into being open with those around him – much the same way his lyrics spoke to things people weren’t rapping about at the time, like growing up in the projects and buying welfare cheese. He talks about the pressure he felt from a young age, living with a single parent and two wheelchair bound brothers, both of whom had muscular dystrophy, and how that helped shape his experience and push him into spaces with people he might otherwise not have come into contact with.

However, there were so many instances in the book that felt like partial stories, partial retellings, so many aspects left out, that the book felt lacking, at times even incomplete. And don’t get me wrong, I understand not everything can or should be included in an autobiography, I’m not naive – I just wish there had been more meat on the bone here. For example, toward the end of the book, Ghostface’s manager, Mike Caruso, speaks with the transcriber, going back in time and sharing his side of how things were happening mostly with the Def Jam label. Ghostface had already covered the years that Caruso was covering, yet we got infinitely more detail and more interesting stories from him than we did from Ghostface. I don’t think this is a poorly told story, but I do think the format choice is wrong for the impact the stories could be making. I found myself thinking over and over again that this would be the perfect documentary or docu-series, I would thoroughly enjoy watching this, having moments where the narrative could cut away and more details could be provided; at the end of the day, if I wanted to full understand this book, I’d have to spend as much time googling things as I did reading it. Had this been less of a transcribed conversation and more of a video interview, I think the impact would have been monumental. Instead, it falls a bit flat and leaves me with more gaping holes than I had before I read it.

I think the final release of the book will be a huge deal for fans of Ghostface and Wu-Tang Clan, it’s filled with photos, illustrations, and lyrics that will have fans drooling. The book talks a lot about Ghostface’s iconic wardrobe choices, from the diamond studded robes to his gold armbands, and details how colors impact his mental state in a way that profoundly influences his work. This is a great book for those fans who have been with Wu-Tang Clan since the inception, who collect every piece of merch, attend every show they can, and know all the infinite details.



Advice : If you’re a die-hard Wu-Tang Clan or Ghostface Killah fan, this is it. You’re going to want to mark your calendar for May 14th 2024 and be sure to grab a copy. If, however, you aren’t a day one fan, this might end up feeling confusing and hard to read. It definitely has its audience, but I think the broader appeal might be lost.

Started by The Predator - Last post by Soopafly DPGC

I used to be obsessed with the whole “race” narrative in my Malcolm X phase but now I see it as a hoax just like globe earth and coward-19

…but aside from that I have to say Cube has aged well and not sold out like his homie Dre throwin up devil horns

And then one day you'll be making posts saying "back in my flat earth phase".
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