West Coast Connection Forum
DUBCC - Tha Connection => West Coast Classics => Topic started by: Will_B on February 24, 2011, 01:07:47 AM
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Found this profile of the multi-talented Musician/Producer/Executive/Agent/Actor/Stunt Driver/Pilot!!!! :laugh:
(http://img130.imageshack.us/img130/52/stuey006.jpg)
Musician of 13 instruments fluently, Singer, Writer, Composer, Scorer, Producer, Engineer, Artist, Extreme motorcycle stunt rider, Race car driver (Ferrari Club, Team Lamborghini, Team Jordan-Ducatis), All around athlete, General Manager (Luxury Ride Inc., Luxury Ride Motor sports, VIP Executive Limousine Service), Entertainment Director of VIP Services (Beverly Hills Rent A Car). Manager for Nickelodeons Kel Mitchell. Vice President (Uprize Music). Executive Producer (The Green Giantz).
Training begins early:
Age 5:
Violinist at the Ozanam Strings Orchestra in Pittsburgh Pa. Classical and Rhythmic music was taught under the direction of the Pittsburgh Symphony. I toured with the orchestra as the youngest violinist, Made television appearances at Mr. Rogers Neighborhood at PBS Studios. I also was musically trained at home by my parents in percussions at first.
Age 10:
I was taught five instruments, Violin, Drums, Piano, Bass Guitar, and Trumpet. I was active in public school music programs and athletic events.
Age 12:
Amassed to playing all brass instruments and began to play basketball and baseball for my school. I created my own rock band with close neighborhood friends as we made our own music and lyrics as well as playing cover tunes. We soon added synthesizers and drum machines to our instrument list which turned us into playing funk music. By the time I was in my teens, I was added the acting roster to the television pilot Equal Justice playing a civil rights activist for one season. During that time I formed a new band and started arranging, writing, and recording our music in my basement music room that was fully equipped. I then learned track recording and program synthesis. Most of my music was a mixture of RnB, Hip Hop and Pop. Then I moved to Los Angeles to produce for and with Dr. Dre in 1994. I was fortunate to land an exclusive production deal with Jimmy Iovine and Dr. Dre to produce a new era of music that changed the sound of west coast hip hop. I brought the orchestral feel to west coast musical recordings.
Murder Was The Case CD 1994
Producers include: Dr. Dre, Dat Nigga Daz, Priest "Superfly" Brooks, D.J. Quik, Sam Sneed, Stu-B-Doo
Friday soundtrack 1995
Song: Keep Their Headz Ringin
Artist: Dr. Dre
Production: Stu-B-Doo
Comments
Presents…The Aftermath
Dr. Dre Presents…The AftermathReleased in the fall of "1996"; Dr. Dre Presents…The Aftermath is a compilation album assembled by Dr. Dre shortly after leaving Death Row Records, and was the first release on his then newly established Aftermath Entertainment Record label which was certified platinum shortly after.
Featured on the album are a bevy of novice acts and producers who were among the earliest signees of Aftermath- particularly Dre’s protégé Stu-B-Doo, also known as Stuart Bullard was the one responsible for bringing a new heavily Orchestrated sound to the new label. Stu-B-Doo previousley known as Stu Fingas from Sam Snead’s Street Scholars production family in Pittsburgh Pa., was imported to Los Angeles to exclusively produce everything for Dr. Dre’s Aftermath Ent. Other producers from Pittsburgh were soon recruited to Aftermath from Sam Sneads camp to help in assisting in production and development of the highly anticipated record label. Dr. Dre , himself, meanwhile is heard on the album—performing, “Been There, Done That”, which became the disc’s most noted. Another one of the album's stand-out moments is the Stu-B-Doo produced track, “East Coast / West Coast Killas”, performed by Nas, RBX, KRS-One and B-Real, under the banner of "Group Therapy". The track (and its multi-coastal line-up) was an answer to, and snubbed, the existing "East Coast-West Coast hip hop rivalry" of the day.
Testamonial
I became an active producer/scorer for Landmark Ent. Group in 1999 through 2002 revising the sound applications to the existing theme attractions like Terminator 2 3D, Jurassic Park the Ride for Universal Studios Florida/Hollywood etc. and new attractions like The Mask 3D in Barcelona Spain and The Grammy Exposition in Atlanta Ga. My urban /orchestral production did well for our generation today and the future. I also became instrumental in bringing major talent to Landmark Ent.
Source
http://www.suitepage.com/stuart
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props
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How many people have claimed that they've produced "Keep Their Heads Ringin" and "Been There, Done That" now?
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Thats what i call hustlin boi
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dre shoulda kept cats like that around today.
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How many people have claimed that they've produced "Keep Their Heads Ringin" and "Been There, Done That" now?
Well 'Heads Ringin' is credited as co-prod by Sam Sneed, and keys by Stu 'Fingas' Bullard aka Stu-B-Doo anyway.
And BTDT is credited as a Dre and Bud'da production...and Dre's lyrics were done by J-Flexx
So everyone had a hand in these on paper...who else claimed credit?