West Coast Connection Forum
DUBCC - Tha Connection => Outbound Connection => Topic started by: Sccit on October 08, 2024, 04:20:49 AM
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https://www.instagram.com/p/DA14694RfC-/?igsh=MWQ1ZGUxMzBkMA==
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Sweet. Better be working with Erick Sermon on there otherwise it won't feel like a Muddy Waters album.
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Sweet. Better be working with Erick Sermon on there otherwise it won't feel like a Muddy Waters album.
word
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I like the fact of a new Redman album. Sequel though? It just brings up expectations which are rarely met. Agree that Sermon needs to be all over this. Hopefully he didn't veer of from this album of Legends he's been working on and finished that first before starting involvement on this!
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Hopefully his new feature on Xzibit album will kick start releasing his own music!
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Nice cover by the way.
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Album cover is neat.
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Redman never disappoints!
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Less than half way through this and it's defo a top ten album for me in a year that gave us some really strong albums from well established artists. Really great production and a strong roster of guest artists; Method Man, Faith Evans, Shaq, Kid Capri, Lords Of The Underground, KRS-One, Snoop and loads more.
Redman really came in with a last minute AOTY contender. Great fun, skits are all great and don't kill the flow of the music.
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Lalala (Feat. Method Man) oh my fucking gosh, they are back!listening to the snippets
Tacklist
01. MW2 Welcome
Prod. By
02. Da Fuck Goin On
Prod. By
03. Whuts Hot (Feat. Oran Juice Jones II)
Prod. By
04. Jersey
Prod. By
05. Fat Shirley (Skit)
Prod. By
06. Lalala (Feat. Method Man)
Prod. By
07. Dont You Miss
Prod. By
08. Ignant
Prod. By
09. Uncle Quilly
Prod. By
10. Aye
Prod. By
11. Hoodstar (Feat. Faith Evans & Kid Capri)
Prod. By
12. Dont Wanna C Me Rich
Prod. By
13. Im on Dat Bullshit
Prod. By
14. Da Trunk (Skit)
Prod. By
15. Pop da Trunk
Prod. By
16. Gheddo Motivation (Feat. Oran Juice Jones II)
Prod. By
17. Dynomite (Feat. Sheek Louch)
Prod. By
18. Wave
Prod. By
19. My Weed’s Been Taken (Skit)
Prod. By
20. Kush (Feat. Snoop Dogg)
Prod. By
21. Booyaka Shot
Prod. By
22. Goofy (Feat. Ke Turner)
Prod. By
23. Obama Stick Up (Feat. Affion Crockett)
Prod. By
24. 1 O’ Clock
Prod. By
25. Lite It Up (Feat. Naughty by Nature, Queen Latifah, Rah Digga, Shaquille O'Neal, Lords of the Underground, Lady Luck, Artifacts, Heather B, Channel Live & Nikki D)
Prod. By
26. Wudeytauknbout
27. Why U Mad (Feat. Mr. Cream & Runt Dawg)
Prod. By
28. Soopaman Luva 7 (Skit)
Prod. By
29. Soopaman Luva 7 (Feat. Melanie Rutherford)
Prod. By
30. Soopaman Luva 7 Continue
Prod. By
31. Looka Here (Feat. KRS-One)
Prod. By
32. Smoke Wit Me
Prod. By
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Kush?
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Just in time for Christmas 8)
(https://94hiphop.com/wp-content/uploads/2024/12/Muddy-Waters-Too-400x400.jpg)
01. MW2 Welcome
02. Da Fuck Goin On
03. Whuts Hot (Feat. Oran Juice Jones I))
04. Jersey
05. Fat Shirley (Skit)
06. Lalala (Feat. Method Man)
07. Dont You Miss
08. Ignant
09. Uncle Quilly
10. Aye
11. Hoodstar (Feat. Faith Evans & Kid Capri)
12. Don’t Wanna C Me Rich
13. I’m On Dat Bullshit
14. Da Trunk (Skit)
15. Pop Da Trunk
16. Gheddo Motivation (Feat. Oran Juice Jones II)
17. Dynomite (Feat. Sheek Louch)
18. Wave
19. My Weed’s Been Taken (Skit)
20. Kush (Feat. Snoop Dogg)
21. Booyaka Shot
22. Goofy (Feat. Ke Turner)
23. Obama Stick Up (Feat. Affion Crockett)
24. 1 O Clock
25. Lite It Up (Feat. Naughty by Nature, Queen Latifah, Rah Digga, Shaquille O'Neal, Lords of the Underground, Lady Luck, Artifacts, Heather B, Channel Live & Nikki D)
26. Wudeytauknbout
27. Why U Mad (Feat. Mr. Cream & Runt Dawg)
28. Soopaman Luva 7 (Skit)
29. Soopaman Luva 7 (Feat. Melanie Rutherford)
30. Soopaman Luva 7 Continue
31. Looka Here (Feat. KRS-One)
32. Smoke Wit Me
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Def gonna check this.
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FIRE 🔥
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wow, well this one was a lot better than anyone expected it to be.
happy he released a very lengthy album in todays 2-verse attention span era/tiktok era.
loads of good songs on here - great features and doesn't really lag at all!
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Iti is ok. Bit boring.
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wow, well this one was a lot better than anyone expected it to be.
happy he released a very lengthy album in todays 2-verse attention span era/tiktok era.
loads of good songs on here - great features and doesn't really lag at all!
And it doesn't feel like an 80 minute album either. Most albums of that length just drag these days but this didn't at all.
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Da Fuck Goin On / Whuts Hot (Feat. Oran Juice Jones II) / Jersey, the sound reminds me more of Malpractise, but then Lalala (Feat. Method Man) comes along. Let's be honest, people after the first listen to the rewind reload, clearly a typical mef red piece, but what do you want? For me it's just a memory of A-YO (Feat. Saukrates) and you immediately feel like unpacking the old classics like Do What Ya Feel (Feat. Method Man), How high 1 & 2 or Big Dogs (Feat. Redman) have always been a good team! then Dont You Miss, suits me very well
Ignant good track I like the Atari beat style
Dont Wanna C Me Rich / that tribe sample DOPE
Im On Dat Bullshit / dont like the track
Pop Da Trunk / has the drive from early days again
Kush (Feat. Snoop Dogg) / I would have liked a different beat, but there's nothing about it that blows me away
Booyaka Shot / dope track
Goofy (Feat. Ke Turner) / nice production by Mike & Keys aka The Futuristiks
Why U Mad (Feat. Mr. Cream & Runt Dawg) / horny production , I would have expected something like that on the Snoop album
For me it's just a good album, some tracks sound more like MAlpractise, but a successful project
and with all the skits, of course it took 80 minutes, but I think he did a pretty good job, 1-2 skits might have helped the missionary even more
Lalala (Feat. Method Man) / for me it's just the 90s vibe
and be honest with yourself, I remember it was around the turn of 2000, we went to the club and then my DJ colleague played The Piece Maker (Feat. Gang Starr) from the Tony Touch album, it was just a great time HEADNICKER
There could have been a few more Erick Sermon productions on there
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AYE is a vibe!
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Does everyone really like this album? I think there are a few really good tracks but most of it is kind of bland and the beats don’t move me. I’ve always been a fan of Redman too.
When you listen to this next to Missionary, for example, it’s like no contest how sub par this album sounds.
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Does everyone really like this album? I think there are a few really good tracks but most of it is kind of bland and the beats don’t move me. I’ve always been a fan of Redman too.
When you listen to this next to Missionary, for example, it’s like no contest how sub par this album sounds.
Bro you were just complaining about sccit comparing everything to Hibernation Shivers now look at you doing the same thing comparing a Redman album to missionary
To me they’re not really comparable. Two different feels. Redman always created an atmosphere through all the little skits and I enjoy his sense of humor. Yeah the beats might not all be amazing but Redmans charisma and character make up for it.
I thought Kush with Snoop was a highlight
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Bro you were just complaining about sccit comparing everything to Hibernation Shivers now look at you doing the same thing comparing a Redman album to missionary
To me they’re not really comparable. Two different feels. Redman always created an atmosphere through all the little skits and I enjoy his sense of humor. Yeah the beats might not all be amazing but Redmans charisma and character make up for it.
I thought Kush with Snoop was a highlight
Bro aside from this response, I’m going to make ONE fucking post in this thread commented on the album. I’m not about to post 500 times in here like your boy Scitt in the Missionary thread.
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Bro aside from this response, I’m going to make ONE fucking post in this thread commented on the album. I’m not about to post 500 times in here like your boy Scitt in the Missionary thread.
:fisherlol: :ohwell: :high:
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Bro aside from this response, I’m going to make ONE fucking post in this thread commented on the album. I’m not about to post 500 times in here like your boy Scitt in the Missionary thread.
99% of your posting history this past year is in the missionary thread u fuck
you have posts in there where u sound suicidal over other posters not likin it
relax
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Havnt heard Reggie in a bit going to give it that long ride his albums are like dope movies Rollercoaster Malpracice was a dope ass concept the Jerry Springer skits … Docs Da Name with the News Reporting from the Bricks in Jersey …
Looking forward to this and the Jaqboi beats this passed year have been hard as fuc!!
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https://www.youtube.com/v/U8r9hID9Pk4 (https://www.youtube.com/watch?v=U8r9hID9Pk4)
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I like this. I always forget how good of a rapper Redman is. Even my wife was impressed. She's mostly country music now. But she was saying it's nice to hear and old artist staying true to what he does. He's not trying to do mumble rap or whatever they're doing now lol.
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Redman - Muddy Waters Too | Review
(https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcSc_xUu5VjbgbDNY_VN7VXFpB6-_VCY9jXVjQ&s)
Redman’s Muddy Waters Too is a triumphant return for the Brick City legend, dropping nearly three decades after his classic 1996 album Muddy Waters. For many, that original LP remains his magnum opus—a gritty, funk-fueled showcase of charisma, humor, and bars. To see Redman come so close to matching it after almost 30 years is nothing short of remarkable. At 32 tracks and 80 minutes, this project is massive, yet it never drags—a rarity in today’s EP-dominated landscape. Redman bucks the trend of brevity and delivers quality and quantity, giving us a proper full-length experience.
From the jump, Funk Doc Spock sounds energized, confident, and in top form. His humor, wordplay, and wit are as sharp as ever, while his flow feels timeless. Whether it’s the hard-hitting opener “Da Fuck Goin’ On?”, the soulful Jersey anthem “Don’t You Miss,” or the stoner-friendly “Kush” with Snoop Dogg, Redman navigates a range of moods without missing a beat. Tracks like “Lite It Up,” an epic posse cut featuring Queen Latifah, Naughty by Nature, Rah Digga, and more, underline his dedication to the culture.
Despite a lineup of producers—Erick Sermon, Rockwilder, Khrysis, Rick Rock, and Redman himself, among others—the album feels surprisingly cohesive. The beats balance classic boom bap with modern touches, creating a gritty yet polished soundscape. Highlights like “Dynomite” with Sheek Louch and “Pop da Trunk” show Red’s versatility, shifting between funky, hardcore, and even trap-inspired beats with ease.
Redman’s infamous love of skits is present but doesn’t interrupt the flow too much, making the album more enjoyable as a whole. This year saw plenty of veterans drop strong projects, but Muddy Waters Too is the standout. Redman proves he can still hang with the best, delivering a long-awaited sequel that’s fun, consistent, and deeply rooted in Hip Hop. For those craving an album with personality, humor, and bars galore, this is a must-listen. Props to Reggie Noble for showing us all how it’s done.
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I celebrate the album is really fun to listen to
and with the singles
1990 Now
I Love Hip Hop
Jane
Tear It Up
Ya!
He could have put them on the album too
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Very good album although I liked alternate cover more ;D
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Redman - Muddy Waters Too | Review
When Redman dropped Muddy Waters back in 1996, it was an instant classic. Packed with funky beats, sharp rhymes, and that unmistakable Reggie Noble humor, the album became a staple of 90s Hip Hop. It’s widely regarded as Redman’s magnum opus, the project that solidified him as one of the most dynamic, creative, and flat-out entertaining MCs of his era. Now, almost three decades later, Redman returns with Muddy Waters Too, a sequel that carries the weight of nostalgia without getting lost in it.
First off, this isn’t Detox. Redman promised this album for years, but unlike Dre’s elusive project, Muddy Waters Too actually arrived—and not only does it live up to expectations, it smashes them. Coming in at a hefty 32 tracks with a runtime of over 80 minutes, Redman does what most artists these days won’t even attempt: he gives listeners a full-course meal when everyone else is serving appetizers. This isn’t a quick-hit EP dressed up as an album; it’s a proper, ambitious full-length project. And while that might sound overwhelming in today’s world of short attention spans, Redman makes it worth every minute.
Redman’s career spans more than 30 years, and his ability to stay consistent while remaining true to himself is nothing short of remarkable. Hailing from Newark, New Jersey, Redman broke into the game as part of EPMD’s Hit Squad and quickly became one of Def Jam’s most valuable players. Known for his gritty yet funky style, razor-sharp wordplay, and comedic edge, Redman became a Hip Hop legend through projects like Whut? Thee Album and Dare Iz a Darkside. Of course, Muddy Waters cemented his icon status, and his chemistry with Method Man (see: Blackout! albums) further showed his versatility. Through it all, Redman never conformed to trends—he stayed Reggie, whether the industry liked it or not.
On Muddy Waters Too, Redman sounds energized and fully in control. From the opening track “Da F*** Goin’ On?” it’s clear he’s still got that hunger. His flow is sharp, his punchlines hit hard, and his humor—always a defining trait—is present throughout the album. Whether he’s poking fun at himself, flexing his lyrical chops, or addressing haters, Redman sounds like he’s having the time of his life. And that energy is infectious. It feels like Redman took his time to create a project that reflects everything we love about him: funky beats, hilarious skits, and pure Hip Hop.
Speaking of beats, Muddy Waters Too pulls together a diverse group of producers, including Erick Sermon, Rockwilder, Khrysis, Teak Underdue, and Redman himself. Despite the variety of contributors, the album has a surprisingly cohesive sound. It leans heavily into that 90s flavor, but it doesn’t feel dated. Tracks like “Jersey,” a soulful anthem repping Redman’s hometown, and “Don’t You Miss,” a nostalgic reflection on Hip Hop’s golden era, are dripping with vintage vibes. But Redman isn’t stuck in the past—songs like “I’m on Dat Bullsh*t” and “Gheddo Motivation” dabble in modern trap elements without feeling forced. It’s a careful balance, and Redman nails it.
One of the album’s standout qualities is its ability to shift moods without losing focus. Take “Pop da Trunk,” where eerie synths and handclaps create a menacing atmosphere, and contrast it with “Lite It Up,” a massive posse cut featuring New Jersey heavyweights like Naughty by Nature, Rah Digga, and even Queen Latifah. Both tracks feel like essential parts of the same story, even though their vibes are worlds apart. And then there’s “Kush,” featuring Snoop Dogg, which is the perfect stoner anthem. Redman and Snoop’s chemistry is as natural as ever, and the track’s hazy production feels tailor-made for a late-night smoke session.
Of course, no Redman album would be complete without his signature Soopaman Luva saga. The seventh installment doesn’t disappoint, delivering a funky, cinematic ride that’s part superhero spoof, part lyrical flex. It’s split into three parts across the album, giving listeners time to savor its wild, imaginative storytelling. Redman has always had a knack for turning absurdity into art, and this is no exception.
For those who’ve been following Redman’s career, Muddy Waters Too feels like a gift. Tracks like “Looka Here,” featuring the legendary KRS-One, remind us of Redman’s roots while showing that he can still hang with the best of them. And “Wave,” a smooth, laid-back joint, proves that Redman hasn’t lost his ability to create music that’s perfect for riding out to. Even the skits—something we’ve historically been lukewarm on—work surprisingly well here. They don’t disrupt the flow, and they add a layer of personality that’s been missing in a lot of modern albums.
Muddy Waters Too is FUN. In an era where so much music feels overly serious or calculated, Redman delivers an unapologetically entertaining album. There’s humor, braggadocio, and a sense of freedom that’s refreshing. Tracks like “Booyaka Shot,” where Redman aggressively calls out fake people, and “Goofy,” where he and Ke Turner clown on weirdos, are prime examples of this. It’s clear Redman isn’t trying to fit into anyone else’s mold—he’s making music on his own terms, and it works.
2024 has been a big year for Hip Hop veterans. Legends like LL Cool J, MC Lyte, and Masta Ace have all dropped critically acclaimed projects, but Redman’s Muddy Waters Too might be the strongest of them all. It’s a reminder that age isn’t a barrier to making great music. If anything, Redman sounds more comfortable in his skin than ever before. While many artists from his era have faded into obscurity or struggled to adapt, Redman proves he’s still a force to be reckoned with.
At 80 minutes, Muddy Waters Too is a marathon compared to a lot of today’s bite-sized projects, but that’s part of its charm. Redman bucks the trend of short ‘albums’ and delivers something that feels substantial. Sure, it might be too much for listeners with TikTok attention spans, but for those who appreciate value for money, this is it. And the best part? It never drags. Redman keeps the energy high and the content engaging from start to finish.
Ultimately, Muddy Waters Too is everything fans could’ve hoped for. It’s nostalgic without being stuck in the past, funny without being gimmicky, and packed with enough quality content to satisfy even the most die-hard Redman heads. It’s a rare feat for an artist to drop a sequel to their best album almost 30 years later and come so close to matching its greatness, but Redman does exactly that. This album reminds us why Redman is one of the greatest ever to do it. Funk Doctor Spock is back, and Hip Hop is better for it.
8.5/10
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this is a phuckin good album! 8) 8) 8) 8)
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https://www.youtube.com/v/fHUctcR5VtA (https://www.youtube.com/watch?v=fHUctcR5VtA)
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https://www.youtube.com/v/z512CwWFpoo (https://www.youtube.com/watch?v=z512CwWFpoo)
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this is a phuckin good album! 8) 8) 8) 8)
i dont have time to listen to 32 songs. can you tell your favorites please?
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The singles (videos are in this thread imo), the jersey posse cut, the method man and the Snoop tracks.
This one aint longer than the regular redman albums.
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https://www.youtube.com/v/t-h9fWMbDcQ (https://www.youtube.com/watch?v=t-h9fWMbDcQ)
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https://www.youtube.com/v/E9YfkbpJkbA (https://www.youtube.com/watch?v=E9YfkbpJkbA)
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One of the best albums if not the best.
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https://www.youtube.com/v/H4e2vHGU2IY (https://www.youtube.com/watch?v=H4e2vHGU2IY)
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Still no cd’s?
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no! :(
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Worth remembering the album is almost 2 minutes too big to fit on 1 CD so unless he cut something or split it over 2 which would up the cost I can't see a release for it.
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https://www.youtube.com/v/CqUcYV-cx8M&pp=ygUGcmVkbWFu (https://www.youtube.com/watch?v=CqUcYV-cx8M&pp=ygUGcmVkbWFu)
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https://www.youtube.com/v/Jhhnxz6h9SQ&pp=0gcJCYYJAYcqIYzv (https://www.youtube.com/watch?v=Jhhnxz6h9SQ&pp=0gcJCYYJAYcqIYzv)
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https://www.youtube.com/v/Jhhnxz6h9SQ&pp=0gcJCYYJAYcqIYzv (https://www.youtube.com/watch?v=Jhhnxz6h9SQ&pp=0gcJCYYJAYcqIYzv)
Probably my favorite song off the album 8)