One listen through and it is cool. Not super special, but I'll take it.
It's November 24, 2025, 08:56:07 PM
Started by Sccit - Last post by gfunk2024
Started by Sccit - Last post by D-TalkX
Indictment (my favorite by so far)
Fresh Outta Jail
Smokin On The Best
The Streets Will Miss U
are dope jointz.
rest is boring. at least better than previous albums.
These are my favs as well, especially The Streets Will Miss U.....The rest is filler for sure, but unlike some, I'd rather have 3 or 4 decent songs as opposed to nothing.
Started by Marco - Last post by Bossplaya369
"Cali Chronic"
Started by Petey - Last post by Petey
im back and im on demon time. where is hoverhands?
Started by killagee - Last post by Sccit
c-dubb sounds different
Started by killagee - Last post by killagee
Started by doggfather - Last post by gfunk2024
Daz claimed on a recent podcast (can't remember which) that after 35 years, copyrights expire and rights go back to the original grantee. That's what's happening with Daz and a bunch of his early Death Row stuff, he's getting publishing rights back to stuff he produced/rapped on 35 years ago, stuff from Chronic, Doggystyle, soon All Eyez on Me....and something about Snoop asking Daz to reup and resign the songs back over to Death Row and Daz told him NO and is letting the copyrights revert back to him.
Again, don't know if it's actually true or not, just reporting what Daz said. BUT, that 35 year copyright law is in fact true, so he's at least correct in that sense. Not sure if he's fully correct with how that will play into his musical contributions.
Here's an interesting link about it, haven't really read into it much: https://www.songwriteruniverse.com/gosainkaplanrecapture123/
Snoop never got the publishing rights with death row. He only got the name and the branding.
Started by Marco - Last post by Marco

I was listening to Bad Boy’s catalogue and found this one of the most slept albums in Hip-Hop.
For me, this group worked very well, everything fit together perfectly (the flows, rhymes and hooks). The beats of several heavyweight producers like Kanye West, The Neptunes, Just Blaze & Dame Grease are incredible. Especially Kanye and Grease beats.
Nas feature on Kanye's beat was really good too.
Bad Boy Records and So So Def were GREAT at this time.
The album is fantastic from start to the bottom

What do y’all think of this album?
Started by doggfather - Last post by Soopafly DPGC
lmao that literally never happened
Daz claimed on a recent podcast (can't remember which) that after 35 years, copyrights expire and rights go back to the original grantee. That's what's happening with Daz and a bunch of his early Death Row stuff, he's getting publishing rights back to stuff he produced/rapped on 35 years ago, stuff from Chronic, Doggystyle, soon All Eyez on Me....and something about Snoop asking Daz to reup and resign the songs back over to Death Row and Daz told him NO and is letting the copyrights revert back to him.
Again, don't know if it's actually true or not, just reporting what Daz said. BUT, that 35 year copyright law is in fact true, so he's at least correct in that sense. Not sure if he's fully correct with how that will play into his musical contributions.
Here's an interesting link about it, haven't really read into it much: https://www.songwriteruniverse.com/gosainkaplanrecapture123/
Started by geezy - Last post by b.laden
This is exactly what we should expect and hope for.i hope it too
The music industry is still a business. Spending a bunch of marketing dollars on a Kurupt album in 2025 isn't a good business decision.
Snoop could maybe use some connections for a feature or two, but I mostly just want Battlecat to dictate the direction.

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