#Camron and the crew get into a bunch of topics this week. They start off talking about #50Cent's new #Diddy documentary on #Netflix and some of the wild stories in it. Cam also shares a crazy story about running into Alpo at a restaurant during COVID. They discuss why Cam finally decided to get his teeth fixed after all these years. He even talks about his friendship with #MacMiller and how cool he was. The episode wraps up with a funny story about carrying cash through the airport.

This guy -

i believe it was Young Trey

most underrated producer ever

Gloating cocky bitch and ruining a funky beat -



Dissed recently by Em -



''Do not test like an essay (why?)
'Cause like where my homies out West stay (yeah)
We can just say (what?)
I'm like a R-A-P-E-R (yeah)
Got so many S-As (S-As), S-As (huh)
Wait, he didn't just spell the word, "Rapper" and leave out a P, did he? (Yep)
R.I.P., rest in peace, Biggie
And Pac, both of y'all should be living (yep)
But I ain't tryna beef with him (nope)
'Cause he might put a hit on me like , "Keefe D, get him"

Dissed by Jeru 90s -



''If I recall correctly I last saw hip-hop down at Bad Boy
We'll see if Puff knows whassup
Cuz he's the one gettin' him drunk and fuckin' his mind up
We go to the office, he's nowhere to be found
So we snatch up Jay Black and beat his bitch ass down
Now where's Hip-Hop? A'ight, a'ight
He confessed Suge came and took him from Puff last night
He said he'd give him up if a real nigga came to retrieve 'em
So we went to L.A. later that evenin'
When we got there, everything was a'ight
And we brought Hip-Hop back home that night
One day''

Brother Love, haha -

Keefe D — the man long connected to 2Pac’s death and who Diddy allegedly hired — is now pleading for Diddy’s help. Referring to Diddy by his nickname “Brother Love,” he publicly asks, “Show me some love.”

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Sean Combs: The Reckoning review – you can see why the musician is fighting to ban this horrific documentary




Netflix’s series feels like the point of no return for the rapper and mogul. It’s so thorough in its harrowing detail that it will surely block any chance he ever had of a return to stardom

*****

Sean Combs: The Reckoning might not be available on Netflix for long. On Monday, lawyers on behalf of Combs sent a cease and desist letter to the streamer, demanding that the series be withdrawn based on the inclusion of footage that they claim violates copyright, and involves discussions of “legal strategy that were not intended for public viewing”.

After watching the series, you can see why Combs might be rattled. This is a man whose fall from grace last year was sudden and comprehensive, and yet Sean Combs: The Reckoning feels like the moment of no return for him. It does such a thorough job of laying out and backing up so many horrific allegations that his way back to stardom is surely blocked for ever.

Combs – variously known throughout his career as Puffy, Puff Daddy, P Diddy, Diddy and Love AKA Brother Love – is serving a 50-month prison sentence for transportation to engage in prostitution. Additionally, he faces a tidal wave of civil cases from former girlfriends, employees and associates, hitting him with a laundry list of accusations that includes (but is not limited to) rape, sex trafficking, false imprisonment and physical abuse.

Many of these allegations are addressed in Sean Combs: The Reckoning. And while this means that the series isn’t a pleasant watch, it does feel like a grimly necessary one. Over the course of four episodes, the director, Alexandria Stapleton, paints a pattern of behaviour that starts to feel horribly inevitable.

We meet Combs as a hungry youngster, willing to work longer and push harder in his thirst for success. We see him grow into an all-powerful mogul, before making the leap to becoming a rapper himself; draped in furs, swigging champagne from the bottle, J-Lo on his arm. We see his uncanny sense of timing, watching him pivot to reality TV fame at precisely the moment his music career starts to wane. But, at the same time, the series paints a picture of a rise fuelled by darkness.

There’s his lacklustre planning and lack of insurance for the overattended basketball game in 1991 that resulted in nine people dying in a stampede. There’s talk of him demanding employees sign over their stake in his business, holding baseball bats over their heads. There was a shooting in 1995, in which Combs allegedly attempted to bribe a driver with $50,000 to claim ownership of the gun (he denies this).

And then there are the allegations of sexual assault from women. We meet Joi Dickerson-Neal, who says that Combs drugged and sexually assaulted her in 1991, taping the act in order to show it at parties. We meet the singer Aubrey O’Day, who only learns that she was allegedly drugged and raped by Combs after reading it in a witness statement several years after the fact. We meet Rodney Jones, a music producer who claims he was drugged and sexually assaulted in a home riddled with hidden cameras.

One figure we don’t meet is Cassie Ventura, who nevertheless forms the centre of gravity in The Reckoning. It was CCTV footage of Combs punching, kicking and dragging Ventura through a hotel corridor that first brought the walls crashing down on him, and the series is highly insistent that this was far from a one-off event. Ventura sued Combs for rape and domestic violence in 2023, and reportedly received a $20m settlement.

However, what caused Combs to demand Netflix remove the series is something even more eye-opening: footage filmed in the week before his arrest. Knowing that he was about to face the music, Combs apparently hired a videographer to follow him, in order to plead his innocence in the court of public opinion. At one point he talks to a lawyer on the phone, telling them that the narrative is slipping away from him on social media and demanding “somebody that’ll work with us that has dealt in the dirtiest of dirty business”.

Thankfully, the existence of The Reckoning seems to suggest that the arch manipulator has finally been outmanoeuvred. Although there are certainly elements of this story that have not been told – Combs’s infamous “freak-off” parties are presented as an afterthought, and none of their long line of celebrity attendees are mentioned – the series does what is most needed right now. If Combs is able to uncancel himself in the face of evidence this damning, it will be nothing less than a miracle.

Sean Combs: The Reckoning is on Netflix now

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dope cover

eminem got a lot of his style from red

only right red redoes this in homage

This shit is hard AF. Eminem & Redman need an album together.

Definitely the hottest shit out and most this forum still posting about Daz and his 25 albums he’s dropped and how he’s mad at snoop again.

Sccit hasn’t even seen this yet because he’s busy watching new Tim Robinson shows

I kinda always knew puffy was this guy. I think mst of us who have been paying attention kinda already knew. But this is just confirming what we already knew. Puff is the ultimate villain. This is his origin story. The puffy autobiographical movie has potential to be epic. He wanted to be like Suge and Death Row. He wanted PAC but couldn’t have him. So what did he do? He took them down copied them and made his empire even bigger. Epic

The record with King T and Tash is very dope

Proper album discussion formats for future reference:

YOGISOUL & NAMEK - MOSS ANGELES (Official Discussion)

 

album's very unjoyable. Music is good. Namek's voice and flow remind me of Shade Sheist.

That's a sweet chariot he crusing in, just like the one on the 'Based On True Story' cover -