Dre & No Doubt

[Ant]

and the official answer is that its Andre 3000

i got the song, nothing special

[DreSnoop00]

as long as the song sounds tight, then its cool
but yeah Dr. Dre working with outkast would be tight as fuck

[Don Jacob]

Ive already said this a million times...


EarthoneIII = Dre, Big Boi and Mr DJ, hence the 3...


and dont tell me this isnt true, Ive heard Andre and Big Boi saying this before in some interview...

ummm you might've been high when you heard this or your just talking out your ass because if you look on your stankonia booklet  and look under the production credits for Gangsta SHit it says

produced by carl mo for earthtone III productions plus theres three or 4 other guys that were named on MTV all  of which were NOT andre 3000 andre benjamen or Big Boi or atwon patterson

[Now_Im_Not_Banned]

here are some possibilties Jake...


1.EarthtoneIII productions can be something completly different than the actual production crew EarthtoneIII...

2.Carl Mo could be Mr DJ's real name

3.The 4 other guys named on MTV could be people who play insturments for EarthtoneIII, like Mike Elizando does for Dre...



shit there are many more possibilities...but ask any outkast head, shit even make a thread about this, and you will see the 3 memebers of earthtoneIII are: Big Boi, Andre, and MR DJ....


Why in the hell would they have a III in there name anyways? Let me guess, they just randomly felt like placing a 3 after their name, even though theres 5 members in the group...Jake, theres no beef, your my homeboy and all, but your wrong on this...I know so many heads that have been saying the 3 memebers were Mr DJ, Big Boi and Andre 3000, and until you give me legit proof, i wont belive u...peace

[the408figga]

here are some possibilties Jake...




Why in the hell would they have a III in there name anyways? Let me guess, they just randomly felt like placing a 3 after their name, even though theres 5 members in the group...Jake, theres no beef, your my homeboy and all, but your wrong on this...I know so many heads that have been saying the 3 memebers were Mr DJ, Big Boi and Andre 3000, and until you give me legit proof, i wont belive u...peace

you got me rollin with that... haaah!

[AxxL]

go to toogangsta.net to hear it....Its not anything special,to be honest,its crap

[Don Jacob]

here some proof and  a review i found

Truly a supergroup, Dungeon Family includes members of Outkast and Goodie Mob along with production by Organized Noize and Earthtone III (ET3) — some of the most creative rap artists the South has to offer. And since this album follows Outkast's extremely celebrated Stankonia album and the subsequent year of nonstop touring, it arrived with plenty of enthusiasm. However, despite the wealth of talent on Even in Darkness, you can't help feeling a little disappointed — the end result isn't quite equal to the sum of its parts. Don't blame the producers, though. Organized Noize and ET3 offer some of their most creative tracks to date, taking Dirty South flourishes light years into the future. In particular, ET3's "Crooked Booty" and Organized Noize's "Trans DF Express" stand out, with both production teams going out of their way to bring a sci-fi, electronica-style sound to hip-hop with plenty of synth flourishes. But as wonderful as this album's production is, the songwriting is lacking. Everyone wants to rap on this album — over a dozen Family members, to be precise — but no one seems interested in writing songs. Potential hit singles like "Trans DF Express" and "6 Minutes (Dungeon Family It's On)" feature hooks, as do most of the other songs, yet the hooks don't hook you — they're simply there because the song needs a hook. They're added-on ornament rather than the foundation of the song, and, worse, they're gimmicky re-treads of endlessly recycled motifs (interpolations of "Trans Europe Express" and "The Show"). And that's really what makes Even in Darkness a slightly disappointing album — there's creative production and some impressive rhyming but no "Ms. Jackson"-quality songwriting. It's as if everyone's too busy fighting over the microphone for anyone to sit down and write some well-crafted songs. Still, even if this album feels like a disappointment in the aftermath of Stankonia's brilliance, it's still one of the most creative rap albums of 2001. Even when these guys are giving halfhearted efforts, they're still years ahead of their peers. — Jason Birchmeier


if outkast was apart of that group they'd say so


heres another review:

Stankonia was OutKast's second straight masterstroke, an album just as ambitious, just as all-over-the-map, and even hookier than its predecessor. With producers Organized Noize playing a diminished role, Stankonia reclaims the duo's futuristic bent. Keyboardists/producers Earthtone III helms most of the backing tracks, and while the live-performance approach is still present, there's more reliance on programmed percussion, otherworldly synthesizers, and surreal sound effects. Yet the results are surprisingly warm and soulful, a trippy sort of techno-psychedelic funk. Every repeat listen seems to uncover some new element in the mix, but most of the songs have such memorable hooks that it's easy to stay diverted. The immediate dividends include two of 2000's best singles: "B.O.B." is the fastest of several tracks built on jittery drum'n'bass rhythms, but Andre and Big Boi keep up with awe-inspiring effortlessness. "Ms. Jackson," meanwhile, is an anguished plea directed at the mother of the mother of an out-of-wedlock child, tinged with regret, bitterness, and affection. Its sensitivity and social awareness are echoed in varying proportions elsewhere, from the Public Enemy-style rant "Gasoline Dreams" to the heartbreaking suicide tale "Toilet Tisha." But the group also returns to its roots for some of the most testosterone-drenched material since their debut. Then again, OutKast doesn't take its posturing too seriously, which is why they can portray women holding their own, or make bizarre boasts about being "So Fresh, So Clean." Given the variety of moods, it helps that the album is broken up by brief, usually humorous interludes, which serve as a sort of reset button. It takes a few listens to pull everything together, but given the immense scope, it's striking how few weak tracks there are. It's no wonder Stankonia consolidated OutKast's status as critics' darlings, and began attracting broad new audiences: its across-the-board appeal and ambition overshadowed nearly every other pop album released in 2000


again they'd say something if they were in ETIII

[Now_Im_Not_Banned]

that proves my point homie...theres no legit proof, maybe the reviewers thought it was obviouse outkast was part of earhtoneIII, whatever, i dont wanna argue bout stupid shit like this...

[Ro J. Simpson]

outkast and dre wud me soooooooo dope...