It's May 31, 2024, 08:25:28 PM
Quote from: ironmike on April 21, 2009, 03:25:00 AMactually i think in kurupt's most earliest work, he made references to 6-0 , and snoop even on his 213 demo tapes with warren was reppin gang affiliations.at that time, snoop was reppin the insanes, but i guess he never got initiated into them, and later became a member of the 20's.No he didn't, he sold drugs and knew Crips but i don't think was a real gangbanger. Come on now, on "Murder Was The Case" soundtrack he was claimin the 60's.
actually i think in kurupt's most earliest work, he made references to 6-0 , and snoop even on his 213 demo tapes with warren was reppin gang affiliations.at that time, snoop was reppin the insanes, but i guess he never got initiated into them, and later became a member of the 20's.
Quote from: Okka on April 21, 2009, 03:35:30 AMQuote from: ironmike on April 21, 2009, 03:25:00 AMactually i think in kurupt's most earliest work, he made references to 6-0 , and snoop even on his 213 demo tapes with warren was reppin gang affiliations.at that time, snoop was reppin the insanes, but i guess he never got initiated into them, and later became a member of the 20's.No he didn't, he sold drugs and knew Crips but i don't think was a real gangbanger. Come on now, on "Murder Was The Case" soundtrack he was claimin the 60's.i was going to edit my post and say "supposedly" later became a member of the 20's, but i just left it.i dont know if he is or not as a fact, but snoop claims he is a member of the 20's. do you know as a fact he isnt or....?
I have arguements but its pointless to argue with you because your so obsessed with dre that it blinds for seeing anything else.Hence your odd thought that somehow dre would be where he is without suges help.
Ha ha did it?I can't see my karma rating on my phone that's straight up making me laugh.I'm not backtracking anything I stand by everything I said.I only did this for amusement.I said it before I love to argue.everything in music boils down to an opinion anyways theirs no real right or wrong.I just like pissing people off...and yes I'm like this is in real life I can't help it.I tell everyone I'm an asshole and well its pretty much true
lol, he was claimin 60's?.... wow, thats the first time i heard that. which song did he say that?
^^lol, that aint referring to 6-0.thats referring to gettin a six from rolling the dice, and saying it with a crip lingo/slang. dice games being commonly played in the hood.
Quote from: Biggzy on April 20, 2009, 05:00:56 AMwats wrong with ownin the masters n shit? dnt 4get- nate, snoop, warren g n most of dpg had fuck all b4 suge signed em.. nate said his self that they didnt even have enough money 2 get to the deathrow studios n they spent most nights in there coz they didnt have much place else 2 go.. then came along big suge who gave these bitches everythin n the ungratefull fucks went n bit the hand that fed em!!!dre stole half the shit from other not so well known producers at deathrow.. n u red about the production 4 makavelli- when pac used the producers that no 1 wanted 2 use n then snoopy n rest of dpg bitches turn around n start moanin that pac get the best production n shit... come on, wat the fuck was all that shit bout!!there were gangbangers at deathrow but that gave the rappers a sense of protection.. thats why deathrow could diss whoever they wanted.. dpg werent real gangbangers anyway.. fake ass bitches.. What does anyone need protection from in the studio? It's a work enviroment. You have security at the doors to keep the wrong people out in the first place. Death Row had excellent security. Hence, no need to have gangbangers in the studio. Many have disputed that this was one of Suge's worst contributions to the music business. People view the studio as sacred. There shouldn't be anyone in there that isn't producing, performing, or in some way or another, contributing directly to the production of the records. And what is this "everything" that Suge gave them? Let's look at this objectively. Suge helped them make a name for themselves but he was well compensated for it. They don't owe Suge any more than Suge should owe Jimmy Iovine. It's a business. At least for Interscope's part, Suge was a multi-millionaire. The artists on Death Row all left with no money. Many of them were bankrupt. Should they all be thankful to Suge for the opportunity to make him rich? I mean, if it's only about the fame then what seperates Death Row from all these other major labels? Shouldn't every artist just stay put on whatever label gave them their first break? After all, that label "made" them? Doesn't that make Suge an ingrate for biting the hand that fed him when he dissed Interscope? After all, as long as someone puts your face on TV and voice on the radio, you owe them your livelihood even if they are making a killing off your publishing. That's just how it goes.
wats wrong with ownin the masters n shit? dnt 4get- nate, snoop, warren g n most of dpg had fuck all b4 suge signed em.. nate said his self that they didnt even have enough money 2 get to the deathrow studios n they spent most nights in there coz they didnt have much place else 2 go.. then came along big suge who gave these bitches everythin n the ungratefull fucks went n bit the hand that fed em!!!dre stole half the shit from other not so well known producers at deathrow.. n u red about the production 4 makavelli- when pac used the producers that no 1 wanted 2 use n then snoopy n rest of dpg bitches turn around n start moanin that pac get the best production n shit... come on, wat the fuck was all that shit bout!!there were gangbangers at deathrow but that gave the rappers a sense of protection.. thats why deathrow could diss whoever they wanted.. dpg werent real gangbangers anyway.. fake ass bitches..
Quote from: mastdark81 on April 19, 2009, 05:17:28 PMYou put hip hop artistry strictly in the hands of these big rich executives that don't have any sense of what the true form of our music is and you get the music of today. You really think it was much different back then? The music might have been different but the executives were still calling the shots then.
You put hip hop artistry strictly in the hands of these big rich executives that don't have any sense of what the true form of our music is and you get the music of today.
dre was a star before he went to death rowhe wouldve continued to be a star in the industry but without the DOC talking Dr Dre into doing the Chronic Dre's career wouldn't be what it is