It's April 27, 2024, 06:54:44 AM
100...Eazy had on of the most high pitched voices on record without trying too,,,
just chekd and really liked it.yes, the mixin mastering is bad, but we used to it to nowdays with westcoast releases...(shame on them)But overall this project is a good, funny, soulfull tribute to the nwa family tree. and for a tribute album its good. really good!hope they gonna release it on cd too!
https://compton-fashion-center.myshopify.com/collections/the-legacy-collection
DAZ & LIL E - THE LEGACYDogg Pound Records / Rich & Ruthless Records Lil Eazy-E and Daz Dillinger partner up for The Legacy, an album celebrating both Ruthless Records and Death Row Records’ musical and cultural contributions. Beginning with the album’s titular track, Lil Eazy-E, the son of Ruthless Records founder and N.W.A. member Eazy-E, speaks on his lineage and the rite of passage of walking in the footsteps of icons. “Born and raised in this sh*t/ Took all the steps, now I’m blazing this sh*t/ When I’m on stage, you ain’t fading me, sh*t/ NWA paved the way for this sh*t,” the legendary descendant raps atop a track produced by Daz Dillinger and featuring RBX.While West Coast rap’s calling card may be gangsta stylings, that’s by no means an afront to its musical stars’ ability to enjoy the serene surroundings, as evidenced by the breezy standout “Just Like Gz.” On the dedicatory “Eazy,” Lil-Eazy and Daz try their hand at the elder Wright’s classic 1988 hit “We Want Eazy,” delivering bounce to the ounce over a pulsating jam. “Gangsta Memories” and “Make Believe” are also slappers that could pique your interest upon pressing play, making this prideful longplayer a worthwhile one. – PB
DAZ DILLINGER & LIL EAZY - THE LEGACYFirstly, it's pleasing to see Daz heavily back amongst the producer credits, after he has seemingly taken a back step to that on many of his recent albums. Here he produces nine songs and the production is an improvement when compared to many of his albums from the last number of years.A high 3/5. It's easy to listen to from front to back, the rapping and beats are all enjoyable, that make for some bangin' songs like 'Ball Sipp'n', and there are some catchy, likeable hooks. On the flip side, there are no amazing moments and the content is nothing we haven't heard before. The worst moment is the annoying Kevin Slow Jammin James on the end of 'What's the Bizznizz'. Who TF talks like that?Beats: ★★★☆Rapping/Bars: ★★★☆Hooks: ★★★☆Best Tracks: Compton & Long Beach, 8 Ball Sipp'n, Just Like Gz, Eazy, U R Not Who U R, Rest N Peace
bruh what the HELL are u talking about? eazy-e had a high pitched voice.. that’s what he was known for baritone = a low pitch voice, like cpo boss hog or big lurch you off on this one homie
You are right, he did have a high pitched voice. But he also had some bass behind it, its hard to type out an explanation. Like when he prolongs his vocals… “its Eaazzy muthaphuckkin Eeeeeee” you know exactly who it is. Its interesting to hear the differences when you play Eazy E, Lil Eazy, and Baby Eazy back to back from a mixing or sound perspective.
i don’t hear bass in his voice in fact, i hear the opposite .. lil eazy has a deeper voice than his pops
Eqzy-E did rip with a high pitch when he yelled but when he rapped calm, his voice is deep like verse 2 of No More ?s
bro just get 3 and buy 1 of torpor
please i need 1 copy too
don't exaggerate the mastering and mixing.if the song is good ,usually the mastering aint so important. by the way, a few songs are dope but i dont like all the sentimental or nostalgic songs and lyrics or predictable progression chords.A good album
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