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If L.A.X. reveals one thing about The Game, it's that his relationship with Hip-Hop is one of love and hate. As much as he feels he doesn't belong in today's often shallow climate, he couldn't bear to leave it as it is. Unfortunately, Jayceon Taylor isn't going to single-handedly rid the world of ringtone rappers, simplistic production and repetitive hooks with his third album. That would be unrealistic. However, by unveiling one near-impeccable love letter to circa '93 boom-bap, Game forces his contemporaries to raise the bar and instil a matching passion in their own work. L.A.X. is a triumphant stepping stone towards creating a modern day Hip-Hop culture that the mid-90s would willingly father; an era in Hip-Hop that The Game would be proud to claim as his own.
QuoteIf L.A.X. reveals one thing about The Game, it's that his relationship with Hip-Hop is one of love and hate. As much as he feels he doesn't belong in today's often shallow climate, he couldn't bear to leave it as it is. Unfortunately, Jayceon Taylor isn't going to single-handedly rid the world of ringtone rappers, simplistic production and repetitive hooks with his third album. That would be unrealistic. However, by unveiling one near-impeccable love letter to circa '93 boom-bap, Game forces his contemporaries to raise the bar and instil a matching passion in their own work. L.A.X. is a triumphant stepping stone towards creating a modern day Hip-Hop culture that the mid-90s would willingly father; an era in Hip-Hop that The Game would be proud to claim as his own.i didn't find any strong arguments for that statement i still think that a 4.5/5 rating is way too high; i guess we weren't listening to the same album
Quote from: Dre-Day on September 10, 2008, 06:43:17 AMQuoteIf L.A.X. reveals one thing about The Game, it's that his relationship with Hip-Hop is one of love and hate. As much as he feels he doesn't belong in today's often shallow climate, he couldn't bear to leave it as it is. Unfortunately, Jayceon Taylor isn't going to single-handedly rid the world of ringtone rappers, simplistic production and repetitive hooks with his third album. That would be unrealistic. However, by unveiling one near-impeccable love letter to circa '93 boom-bap, Game forces his contemporaries to raise the bar and instil a matching passion in their own work. L.A.X. is a triumphant stepping stone towards creating a modern day Hip-Hop culture that the mid-90s would willingly father; an era in Hip-Hop that The Game would be proud to claim as his own.i didn't find any strong arguments for that statement i still think that a 4.5/5 rating is way too high; i guess we weren't listening to the same albumWord? To me, his music is far more substantial than so many of his peers - tracks like "Never Can Say Goodbye" and "Letter To The King" back this up, IMO. Even his single, "My Life," has more meaning than just about any other Hip-Hop jumpoff out right now. With that said, it's substance, to me, that separates the era of Hip-Hop that Game loves with that of today. Concepts and messages are largely M.I.A. in MAINSTREAM rap - we all know this is the age of "ringtone rap." Game, on the other hand, sometimes reminds me of a throwback to early solo Cube. He shares his passion for speaking out and being the best at his craft.So, yeah, if some of his more two-dimensional contemporaries check out L.A.X. - and a lot of them surely will - hopefully it will motivate them to bring increased meaning to their output. That, in turn, would breed a better modern-day Hip-Hop environment - hence those lines you highlighted. That's just my thinking anyway.Thanks for the feedback, all!