Author Topic: Warren G Jumps On B.o.B.'s "Nothin' On U" + Drops Coast2Coast Mixtape (Download)  (Read 781 times)

Conan

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I really don't understand the fans who say: "_______ should make music like he used to during the '93-'96, Death Row era." You do realize that if he were to do so, the resulting album would probably only sell to a handful of the members of this board? It would then likely be considered a greater flop than anything they've previously released.

Like Snoop said in the interview with Nima a while back, music is a job for these people. Most of the fans who loved the music of that era have grown up, and, as I wrote in my Cypress review, Hip-Hop has always been considered a young mans game. The majority of people paying for rap music aren't the grown men that remember firtst listening to Doggystyle. They're the adolescents helping Gucci sell more than Snoop, and paying for their favourite Drake ringtone. You want a sustained career? Well, guess what - you have to make some compromises. Whether it's Snoop working with The-Dream or Warren jumping on a B.o.B. track, artists are constantly expected to adapt with the times. Do so or get left behind. And, for the record, it is a compromise - Warren may be on these "pop" songs you don't like, but listen closely. The style is the same. It's still the same Warren flow loyal fans are accustomed to.

Finally, Warren's at a stage in his career where he should be able to make these decisions without the constant criticism of those who once supported him. Dude has given you so much great music that, like it or not, you should at least respect the route he has chosen to take.

"Want my old shit? Buy my old albums." - Jay-Z
Artists get most there money from shows so alienating their fanbase is actually a bad idea.
Snoop's last albums didn't sell shit, why? His fanbase doesn't like it.

Artists making pop-music have a harder time then artists who just make music for themselves and there loyal fans since pop crowds move on easier.

Raekwon made a sequel to his debut, he didn't compromise or anything and sold more then snoop.
That's not an exception, Blackout! 2 sold 63k first week, also more then MIW.
Let's not forget that both these albums were dropped in the same week as BP3 & Relapse respectively.
Em & Jay are pop-acts but are also seen as 'real hip-hop' which means that sales of Rae, Red & Meth would be higher had they dropped in antother week.
So stop with the 'they need to move on shit' it's a bad move.

Stop acting like Rae and Red/Meth aren't the exceptions to the rule. We could go back and forth citing examples of this all day, but here's a few relevant to this discussion: Dogg Pound (separately and collectively), Quik, even Warren (try telling me In The Mid-Nite Hour isn't West Coast sonically) have all dropped albums trying to appease their die-hard fans. They hardly set the world alight.

Part of the reason Rae's album got so much attention was because it WAS a turn-up for the books. Here was an uncompromising album that actually got the acclaim and (some would argue) sales it deserved. Rae's sales were really a drop in the ocean, though, for an album backed by such a tireless promotional campaign. It's also no coincidence that both these albums, at least with their titles, are trading off former glories. Creating a sequel to a classic work is always going to garner some serious attention. Finally on this point, Red and Meth did compromise in places. Some of the tracks on there maybe lacked autotune, but that's not to say there weren't joints on there with mainstream intentions.

As for Snoop... it's no secret that the marketplace is becoming singles-driven, with the disparity between single sales and album sales growing greater by the day (check the latest XXL Freshmen issue - great article on this subject.) MNW gave him two of his biggest singles of recent memory - "Gangsta Luv" and "I Wanna Rock" both charted higher than anything lifted from Tha Last Meal, if I'm not mistaken.



I doubt those 2 singles been bigger than "Beautiful", "Drop It Like Its Hot", "Sign" or even "Sexual Eruption"

If anything, that supports my point. All those singles were atypical Snoop releases: Justin on "Signs," autotune of "Sensual Seduction," Pharrell on the others. Snoop's biggest hits have come from when he DOES embrace pop music.
"Shit ain't all peaches and cream, and I ain't Sara Lee, bitch!" - Lloyd Banks

"I'm Morpheus in this Hip-Hop Matrix, exposing fake shit." - Common

"With consecutive platinum hits, I up my status. Ain't no more Calvin Broadus!" - Snoop

"Look at all these conscious rappers - guess who influenced them?" - KRS One
 

Dogg Ly Dogg

I really don't understand the fans who say: "_______ should make music like he used to during the '93-'96, Death Row era." You do realize that if he were to do so, the resulting album would probably only sell to a handful of the members of this board? It would then likely be considered a greater flop than anything they've previously released.

Like Snoop said in the interview with Nima a while back, music is a job for these people. Most of the fans who loved the music of that era have grown up, and, as I wrote in my Cypress review, Hip-Hop has always been considered a young mans game. The majority of people paying for rap music aren't the grown men that remember firtst listening to Doggystyle. They're the adolescents helping Gucci sell more than Snoop, and paying for their favourite Drake ringtone. You want a sustained career? Well, guess what - you have to make some compromises. Whether it's Snoop working with The-Dream or Warren jumping on a B.o.B. track, artists are constantly expected to adapt with the times. Do so or get left behind. And, for the record, it is a compromise - Warren may be on these "pop" songs you don't like, but listen closely. The style is the same. It's still the same Warren flow loyal fans are accustomed to.

Finally, Warren's at a stage in his career where he should be able to make these decisions without the constant criticism of those who once supported him. Dude has given you so much great music that, like it or not, you should at least respect the route he has chosen to take.

"Want my old shit? Buy my old albums." - Jay-Z
Artists get most there money from shows so alienating their fanbase is actually a bad idea.
Snoop's last albums didn't sell shit, why? His fanbase doesn't like it.

Artists making pop-music have a harder time then artists who just make music for themselves and there loyal fans since pop crowds move on easier.

Raekwon made a sequel to his debut, he didn't compromise or anything and sold more then snoop.
That's not an exception, Blackout! 2 sold 63k first week, also more then MIW.
Let's not forget that both these albums were dropped in the same week as BP3 & Relapse respectively.
Em & Jay are pop-acts but are also seen as 'real hip-hop' which means that sales of Rae, Red & Meth would be higher had they dropped in antother week.
So stop with the 'they need to move on shit' it's a bad move.

Stop acting like Rae and Red/Meth aren't the exceptions to the rule. We could go back and forth citing examples of this all day, but here's a few relevant to this discussion: Dogg Pound (separately and collectively), Quik, even Warren (try telling me In The Mid-Nite Hour isn't West Coast sonically) have all dropped albums trying to appease their die-hard fans. They hardly set the world alight.

Part of the reason Rae's album got so much attention was because it WAS a turn-up for the books. Here was an uncompromising album that actually got the acclaim and (some would argue) sales it deserved. Rae's sales were really a drop in the ocean, though, for an album backed by such a tireless promotional campaign. It's also no coincidence that both these albums, at least with their titles, are trading off former glories. Creating a sequel to a classic work is always going to garner some serious attention. Finally on this point, Red and Meth did compromise in places. Some of the tracks on there maybe lacked autotune, but that's not to say there weren't joints on there with mainstream intentions.

As for Snoop... it's no secret that the marketplace is becoming singles-driven, with the disparity between single sales and album sales growing greater by the day (check the latest XXL Freshmen issue - great article on this subject.) MNW gave him two of his biggest singles of recent memory - "Gangsta Luv" and "I Wanna Rock" both charted higher than anything lifted from Tha Last Meal, if I'm not mistaken.



I doubt those 2 singles been bigger than "Beautiful", "Drop It Like Its Hot", "Sign" or even "Sexual Eruption"

If anything, that supports my point. All those singles were atypical Snoop releases: Justin on "Signs," autotune of "Sensual Seduction," Pharrell on the others. Snoop's biggest hits have come from when he DOES embrace pop music.

Well Gangsta Luv features The-Dream and I Wanna Rock is a big ass sample used billions times too
 

Dre-Day

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I really don't understand the fans who say: "_______ should make music like he used to during the '93-'96, Death Row era." You do realize that if he were to do so, the resulting album would probably only sell to a handful of the members of this board? It would then likely be considered a greater flop than anything they've previously released.

Like Snoop said in the interview with Nima a while back, music is a job for these people. Most of the fans who loved the music of that era have grown up, and, as I wrote in my Cypress review, Hip-Hop has always been considered a young mans game. The majority of people paying for rap music aren't the grown men that remember firtst listening to Doggystyle. They're the adolescents helping Gucci sell more than Snoop, and paying for their favourite Drake ringtone. You want a sustained career? Well, guess what - you have to make some compromises. Whether it's Snoop working with The-Dream or Warren jumping on a B.o.B. track, artists are constantly expected to adapt with the times. Do so or get left behind. And, for the record, it is a compromise - Warren may be on these "pop" songs you don't like, but listen closely. The style is the same. It's still the same Warren flow loyal fans are accustomed to.

Finally, Warren's at a stage in his career where he should be able to make these decisions without the constant criticism of those who once supported him. Dude has given you so much great music that, like it or not, you should at least respect the route he has chosen to take.

"Want my old shit? Buy my old albums." - Jay-Z
Artists get most there money from shows so alienating their fanbase is actually a bad idea.
Snoop's last albums didn't sell shit, why? His fanbase doesn't like it.

Artists making pop-music have a harder time then artists who just make music for themselves and there loyal fans since pop crowds move on easier.

Raekwon made a sequel to his debut, he didn't compromise or anything and sold more then snoop.
That's not an exception, Blackout! 2 sold 63k first week, also more then MIW.
Let's not forget that both these albums were dropped in the same week as BP3 & Relapse respectively.
Em & Jay are pop-acts but are also seen as 'real hip-hop' which means that sales of Rae, Red & Meth would be higher had they dropped in antother week.
So stop with the 'they need to move on shit' it's a bad move.

Stop acting like Rae and Red/Meth aren't the exceptions to the rule. We could go back and forth citing examples of this all day, but here's a few relevant to this discussion: Dogg Pound (separately and collectively), Quik, even Warren (try telling me In The Mid-Nite Hour isn't West Coast sonically) have all dropped albums trying to appease their die-hard fans. They hardly set the world alight.

Part of the reason Rae's album got so much attention was because it WAS a turn-up for the books. Here was an uncompromising album that actually got the acclaim and (some would argue) sales it deserved. Rae's sales were really a drop in the ocean, though, for an album backed by such a tireless promotional campaign. It's also no coincidence that both these albums, at least with their titles, are trading off former glories. Creating a sequel to a classic work is always going to garner some serious attention. Finally on this point, Red and Meth did compromise in places. Some of the tracks on there maybe lacked autotune, but that's not to say there weren't joints on there with mainstream intentions.

As for Snoop... it's no secret that the marketplace is becoming singles-driven, with the disparity between single sales and album sales growing greater by the day (check the latest XXL Freshmen issue - great article on this subject.) MNW gave him two of his biggest singles of recent memory - "Gangsta Luv" and "I Wanna Rock" both charted higher than anything lifted from Tha Last Meal, if I'm not mistaken.


tha dogg pound jocks the south hard ::)

Will_B

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Now that's my shit!!


Got this on repeat.

G-Dubs the boss right now. He's doing good work gettin his voice heard. Any West Coast artist that gets on a track like this (especially one so many years into his career) and pulls out something fresh has to be given his props :)

lovin this shit he's droppin, like Snoop did when the Chuuch series started - why should spittin a new verse over a track mean he's 'fallen off'? ;D



Anyway I went out and bought The G Files on friday to show support.

Keep it coming :D
 

TRU 504 BoY

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I visit other sites and I never seen so much complaining than I do when I come on to this site. I'm surprised some of you haven't started a petition for warren to force him to go back to G-funk style of music. G files wasn't that bad.
It's been 15 years, music has changed since then. Just like every decade or more, rock music changes its sound or like any other genre. Get used to it. I may not like some of the music thats coming out from other artists either, but there's plenty of music out there to listen to from the newer artists.
 

Blood$

this song has been dope, Warren G did his thing on it, and even though it's offtopic The G Files was a good album  8)
 

Dre-Day

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I visit other sites and I never seen so much complaining than I do when I come on to this site. I'm surprised some of you haven't started a petition for warren to force him to go back to G-funk style of music. G files wasn't that bad.
It's been 15 years, music has changed since then. Just like every decade or more, rock music changes its sound or like any other genre. Get used to it. I may not like some of the music thats coming out from other artists either, but there's plenty of music out there to listen to from the newer artists.
like i said, Warren needs to reinvent himself, not copy what the next man is doing.

Fatdodger

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This shit's cool what can i say warren did his thing on this but to tell you the truth the best flow warren had was when knoc was ghostwriting for him and dre also i like the new song him and the hustle boyz spotlight warren really shines on that.

REAL WESTCOAST G






I REP THAT WEST
 

Mista Rosa

i still prefer to hear warren g that not hearing him at all. Warren G spits good on those songs and they are given for free so no complaining about that. Regarding his solo work, i really don't wanna hear pop shit or what the man next door can do ,like it was said. Warren G got mad skills so just do your work the best you can, keep it real, and fans will be happy..
"There's one more thing I'd really like for you to do, never leave me alone..."
 

kuruptDPG

dope remix, 1st time me hearing this bob trak, beat is dope

downloadin the mixtape now

lol at the arguments
 

MistaNova

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i still prefer to hear warren g that not hearing him at all.

I agree with that. DLing the track now :).

Edit: Track's dope, Warren G's verse is real smooth.
« Last Edit: April 01, 2010, 07:12:14 AM by Iveus »
 

LooN3y

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after hearing the track im reluctant of dling the mixtape, dont  get me wrong i like warrens verse but goddamn i cant stand all these westcoast niggas going on these pop mainstream beats.


with the exception of crooked i.
818

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Rud

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its great to go through a thread seeing some opinions being shared. Props to all, especially Nima and Conan

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KURUPTION-81

No doubt Warren wants to appeal to as many people as possible, with any luck this will get warrens name out there to some of these "kids" buying music.

"My greatest challenge is not what's happening at the moment, my greatest challenge was knocking Liverpool right off their fucking perch. And you can print that." Alex Ferguson
 

Dre-Day

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not really, this is a mixtape