It's August 27, 2025, 11:11:51 PM
thanks for posting
Thanks for the read!I always thought the reason WA never put out the 2Pac album was because they couldn't manage to come up with the money to make it happen. Knowing now how much money they blew, it's astonishing they never put up the money to make the 2Pac album happen, considering that it clearly would have made them more money than everything else they released, combined!
A new Pac album wouldn't have sold shit actually [no disrespect and may God bless the dead], maybe 50-60k TOPS when it was all said n done. There's not too much left in the DR Vaults done by Pac that isn't already avaliable unless youre talking about brand new Remixes which was everybody's issue in the first place And Guest Featured songs from the "One Nation" album which r probably out there in one way or another (before the Official release)Why would u buy something that has been on YouTube a year(s) before and is still there? Sure you'll get a better quality version of "I'm Dumpin" and shit like that but as far as flipping a profit on that I cant see it. Not only do u have to pay to package it and distribute it you also have to pay Afeni/Amaru and Sample Clearances among other things probably. Say on average the album is going for $12 [on average] and it sells 60k or 100K, that's $720,000 & $1,200,000. Now factor in everything I just put out (which isnt everything really), you wouldnt make any money. And keep in mind that this is Pac we're talkin about, so all of those Sample'd Artists are gonna want sum kickback. Which is crazy becuz DR/Afeni (pre-WA) actually had the opportunity to put things out Original at first and turn a profit (if ppl weren't being a Greedy Headache about it). I want new Pac material but as far as Business goes I just can't see it. They'd be relying heavily from Sales on i-Tunes and Amazon which is definitely a more feasable way to get their money back (which I've campaigned for before ftr) but they'd still have to pay those Fees and Dues. So therefor it's possible but unlikely. Not having YouTube and Facebook in places like Asia will help but Again, you're trying to turn a profit. You've just spent $24,000,000 on an investment and now AFTER that you have to spend anywhere from 250,000 to $1,000,000 just trying to release the thing properly which in turn gives u a "$800,000" return and u still have to kick some of that money out as well as put money back for "your" next release. Where's the money?
Quote from: Hollywood Bilderberg Group™ on December 11, 2012, 06:15:06 AMA new Pac album wouldn't have sold shit actually [no disrespect and may God bless the dead], maybe 50-60k TOPS when it was all said n done. There's not too much left in the DR Vaults done by Pac that isn't already avaliable unless youre talking about brand new Remixes which was everybody's issue in the first place And Guest Featured songs from the "One Nation" album which r probably out there in one way or another (before the Official release)Why would u buy something that has been on YouTube a year(s) before and is still there? Sure you'll get a better quality version of "I'm Dumpin" and shit like that but as far as flipping a profit on that I cant see it. Not only do u have to pay to package it and distribute it you also have to pay Afeni/Amaru and Sample Clearances among other things probably. Say on average the album is going for $12 [on average] and it sells 60k or 100K, that's $720,000 & $1,200,000. Now factor in everything I just put out (which isnt everything really), you wouldnt make any money. And keep in mind that this is Pac we're talkin about, so all of those Sample'd Artists are gonna want sum kickback. Which is crazy becuz DR/Afeni (pre-WA) actually had the opportunity to put things out Original at first and turn a profit (if ppl weren't being a Greedy Headache about it). I want new Pac material but as far as Business goes I just can't see it. They'd be relying heavily from Sales on i-Tunes and Amazon which is definitely a more feasable way to get their money back (which I've campaigned for before ftr) but they'd still have to pay those Fees and Dues. So therefor it's possible but unlikely. Not having YouTube and Facebook in places like Asia will help but Again, you're trying to turn a profit. You've just spent $24,000,000 on an investment and now AFTER that you have to spend anywhere from 250,000 to $1,000,000 just trying to release the thing properly which in turn gives u a "$800,000" return and u still have to kick some of that money out as well as put money back for "your" next release. Where's the money?Damn.......Well said, not much to say to that! I guess we should be happy 4 tha shit that leaked during there neglegance, lol!
When WA first purchased the company for that much money I already knew then and there that that amount of money was too much. I would've paid between a $5mill-$8mill range [which is a little generous]Not only that, I would've gotten in talks with Dre (mainly), Snoop (secondly), Daz (thirdly), and mostly everybody else before I even signed up to bid. Why spend Millions of Dollars for something u cant even take full advantage of. And knowing the history between those 3 (especially Dr. Dre; especially 'specially Dr. Dre) why would I even take such a risk on the NIEVE thought of them complying, especially with the stigma attached to them at the time that their Old shit was better than any of their Newer shit. The purchase of Death Row Records is one of the most hilarious Investments in Pop Culture I've ever heard of considering how they did it. I would've had pre-signed contracts with all/most of the Death Row era artists beforehand. Unless I was some filthy rich billionaire/multi-hundred millionaire that was driven by passion than dollars then aint no way Im paying 24 fuckin million dollars for a something i can only use 30-40% of thats actually profitable (and thats a generous percentage if u think about it). Im the biggest Ruthless Family Tree fan and supporter you'll ever meet, but I also have common sense
*i'd figure u'd bs but thats alright becuz i had no expectations lol
unless WA is gettin paid decently (individually) off of spins for "Deep Cover", "Nothin But A G Thang", "Gin N Juice", and "California Love" in the second Decade of the 2000's then No, licensing wouldnt have gotten them anywhere but a delayed bankruptcy which in turn looks like what actually happened. as far as the "Sentimental Value" of Death Row Records is concerned, $24,000,000 is a steal and a blatant robbery. But as far as Economic Value is concerned it's hilariously overpriced. ESPECIALLY when u dont know exactly what you're ACTUALLY getting and u dont really have anybody on board ESPECIALLY your breadwinners (Dre, Pac, and Snoop). Between 1999-2002 it would've made more sense but in 2008/2009 u've got to be kidding me. I have no problem putting the cape on for Death Row Artists (during and after) or should i say Telling the Truth. But thats literally one of the funniest things I've ever heard in my life. The catalogs should've been sold between $3,000,000 - $6,000,000 knowing what we all know and there's no real Real Life reason to think otherwise. That would just be "naive boyhood dream thinking". Death Row isnt worth anything without those 3 and tha dogg pound
Sentimental value has nothing to do with business at all and I'm not sure why you would even bother to introduce it into the conversation. You don't need a Dre or Pac to figure out what you're actually getting. Capitol/Priority has owned all of Ruthless' classic catalog and that of Ice Cube's, they've had to go through the same legal loopholes as anyone else and they aren't suffering those losses. Ruthless, itself, has kept the lights on all these years without putting out scores of unreleased albums on CD so there's something to be said for living off the royalties.