It's May 13, 2024, 12:17:10 AM
see my thread on daz producing doggystyle to get a better idea
Quote from: Sccit on August 20, 2018, 10:46:49 AMsee my thread on daz producing doggystyle to get a better ideaThis is different. He didn't really work with/for Dre.
Quote from: dj coma on August 20, 2018, 10:07:35 PMQuote from: Sccit on August 20, 2018, 10:46:49 AMsee my thread on daz producing doggystyle to get a better ideaThis is different. He didn't really work with/for Dre.so how did he “produce” fuck wit dre day?
Quote from: Sccit on August 20, 2018, 11:07:48 PMQuote from: dj coma on August 20, 2018, 10:07:35 PMQuote from: Sccit on August 20, 2018, 10:46:49 AMsee my thread on daz producing doggystyle to get a better ideaThis is different. He didn't really work with/for Dre.so how did he “produce” fuck wit dre day?He produced that Jewell version on Death Row Greatest Hits. He didn't have anything to do with the original.
Kevyn Lewis worked with Death Row where he became sort of Death Row in-house producer from 1996 when Dr Dre leave Death Row and a lot of RnB groups came (mainly from Motown & Warner). So he produced a lot of stuff for Death Row for 6 Feet Deep, Guesss, Bad Girls Of The Industry (B.G.O.T.I.), Guess (formerly Guesss) Michel'le and other Death Row rosters. That's why a lot of his work appeared in "Death Row's Greatest Hits" and "Christmas On Death Row" but there's also a lot of unreleased / Gridlock'd OST leftover tracks (performed by Theresa Griffin or B.G.O.T.I) which were prodcued by this guy. During summer 1996, Kevyn Lewis also co-produced / helped MC Hammer for his Death Row album (they mixed his album at Music Grinder Studios).