It's August 31, 2025, 02:36:03 PM
What's the big deal? Bush was basically a Pharrell album as far as who had artistic control. Missionary is a Dre album as far as who has artistic control.Weren't Snoop and Dre at odds over how many songs to include? Looks as if Dre won out. IIRC, Dre wanted 15 traccs.
If he did it would be his in-house Death-Row homies and from elite MCs of the time like Kurupt, RBX, Rage etc...on the same page as himself but we also know Snoop wrote classics by himself too, that's undisputed.
I thought the same thing!
LOL! You think they actually sampled him? Super random but oddly fits
One of the best Snoop's Dogg song in my opinion is on Dupri's Soundtrack (Life in 1472), "Protectors of 1472" produced by Preemo.
Nope, Dre wanted 13 tracks and Snoop wanted 16 tracks.Guess they settled for 15.
any word on D.O.C's involvement in this?
Yes, I know!!! There's are other cartoonists who could do the art.
I did 2 artwork concepts for the album a few months ago… on my instagram page & paying homage to the OG Joe Cool cover.Also on my site at djageproductions.com
Gorgeous sounds great, i like the beat and the hook, but i think that Snoop’s verses feel a bit unnatural.With Dre's habit of making Snoop repeat lines to perfect every word, it feels like the verses were recorded in separate parts and pieced together, which disrupts the flow and makes it sound disjointed. I know that recording verses in separate parts always been a thing, but here it feels too noticeableOverall, I like the track but i hope that the rest of the album is better.
He sounded like a lost puppy on that one.
I felt like that when i heard the album for the first time. Whispering flow, no convidence. Like he was on drugs. A few years later i saw the godfather movie. Vito Corleone is whispering as well. Started listening to the album again and realised freestyle conversation was one of the sickest flow/beat combos ever. After that the dj pooh tracks doggyland, 2001 became the future funk blueprint to me. Very creative one of a kind album.