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Tairrie B on Wikipedia, the free encyclopediaCode: [Select]Birth name Teresa BethBorn January 18, 1965 (age 43)CaliforniaGenre(s) Alternative metalHeavy metalHip-HopNu metalAssociated acts Tura SatanaMy Ruinthe LVRS (Spoken Word Side Project)Tairrie B (born Teresa Beth on January 18, 1965[citation needed] in Anaheim, California) is an American singer.She was originally a rapper, but later became an alternative metal singer.In the start of her career, she was on Ruthless Records under the tutelage of Eazy-E from N.W.A.After being released from her contract by Eazy-E literally a couple of weeks before he died,she then formed Manhole (later renamed Tura Satana), My Ruin and the LVRS (Spoken Word Side Project).In the late 1990s she was romantically involved with Fear Factory vocalist Burton C. Bell.Discography[edit]Solo artistPower of a Woman (1990) (Comptown/MCA)Single White Female (2005) (Self Released Via www.myruin.com)[edit]ManholeAll Is Not Well (1996) (Noise Records)The Early Years 1993-1996 (2005) (Self Released Via www.myruin.com)[edit]Tura SatanaAll Is Not Well (reissue of 1996 original with bonus live tracks) (1998) (Noise Records)Relief Through Release (1998) (Noise Records)[edit]My RuinSpeak And Destroy (1999, UK release; 2000, US release) (Spitfire)A Prayer Under Pressure Of Violent Anguish (2000, UK release; 2001 US release) (Spitfire)To Britain With Love... And Bruises (2001 UK release; 2005 US release)(Live-Studio) (Snapper Classics UK)The Shape Of Things To Come (2003) (EP) (Century Media)The Horror Of Beauty (2003) (Century Media)Ruined And Recalled (2003) (Recall)Blasphemous Girl (2004) (Recall)The Brutal Language (2005) (Rovena Recordings/Undergroove)Throat Full Of Heart (2008) (Rovena Recordings/Cargo Records UK)Alive On The Other Side (2008) (Rovena Recordings/Cargo Records UK}[edit]LVRS (Spoken Word Side Project)The Murder Of Miss Hollywood (2003) (Self Released Via www.myruin.com)The Secret Life Of Lola Burns (2004) (Self Released Via www.myruin.com)Death Has Become Her (2006) (Undergroove uk)
Birth name Teresa BethBorn January 18, 1965 (age 43)CaliforniaGenre(s) Alternative metalHeavy metalHip-HopNu metalAssociated acts Tura SatanaMy Ruinthe LVRS (Spoken Word Side Project)
Track Listing:01 Intro (Feat. Quincy D III)02 Swingin' Wit' T03 Anything You Want (Feat. Eazy-E)04 Vinnie Tha' Moocha' (Feat. Everlast)05 Step 2 This06 Murder She Wrote07 Packin' A Punch (Feat. Quincy D III)08 Let The Beat Rock09 Player (Feat. Dr. Dre; Eazy-E; The D.O.C.)10 Schooll's In (Feat. Schoolly D)11 Ruthless Bitch
Quote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less
It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music.
Quote from: Dre-Day on December 05, 2008, 01:25:28 PMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less seriously, he's married to a white women she´s white?
Quote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less seriously, he's married to a white women
it would be an understatement if i said that Tarrie B is arrogant
besides, was she jealous of NWA?
I saw that she never had a brother or sister, so i guess that explains everything
Quote from: Dre-Day on December 06, 2008, 09:52:34 AMbesides, was she jealous of NWA? Where did you get that from?
Quote from: Dre-Day on December 06, 2008, 09:52:34 AMI saw that she never had a brother or sister, so i guess that explains everything What?
damn Chad, can you hook up that Dre and D.O.C. track?!Really interested to hear it
and props on the Schoolly D produced track, never knew him and Eazy collabbed
Quote from: JohnnyL on December 06, 2008, 01:25:52 AMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less I know what you mean, man. You can find some interesting information in some of those old articles.One thing I found interesting from the pics you posted of the liner notes is that QD3 was producing music way back then.I didn't realise he'd been working in the industry that long. He's done some pretty cool tracks for Pac and Tech N9ne.You crazy? (joking)He's the son of Quincy Jones QD3 has been around since the start fucking with T-La rock and all.... breakdancing (and good at it too).QuoteQuincy Jones III From Wikipedia, the free encyclopediahttp://en.wikipedia.org/wiki/QD3While in his early teens, Jones discovered breakdancing. Jones is regarded as one of the pioneers of the Swedish hip hop scene.He took the pseudonym Snoopy and together with Karl Dyall he had a hit with the rap song "Next Time" in 1986.The song was taken from the soundtrack of the cult movie Stockholmsnatt in which Jones played the one of the lead characters.By the age of 16, he had earned his first gold record.At the age of seventeen, Jones decided to relocate to the United States.There, he briefly attended his father's alma mater, the Berklee College of Music, where he met Roland Garrett.However, as the school did not offer what Jones was looking for musically, he dropped out.He moved to The Bronx, where he lived with his friend T La Rock.Jones practiced and perfected his craft at Power Play Studios with future Hip hop legends like Rakim and KRS-One.Let me take you back to late 85,early 86 QD3/Quincy singing,rapping,dancing Disey and Ziggy did the graffiti backdrop.http://www.youtube.com/v/CUJXiIm_riM&hl=en&fs=1
Quote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less I know what you mean, man. You can find some interesting information in some of those old articles.One thing I found interesting from the pics you posted of the liner notes is that QD3 was producing music way back then.I didn't realise he'd been working in the industry that long. He's done some pretty cool tracks for Pac and Tech N9ne.
Quote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less
It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music.
Quincy Jones III From Wikipedia, the free encyclopediahttp://en.wikipedia.org/wiki/QD3While in his early teens, Jones discovered breakdancing. Jones is regarded as one of the pioneers of the Swedish hip hop scene.He took the pseudonym Snoopy and together with Karl Dyall he had a hit with the rap song "Next Time" in 1986.The song was taken from the soundtrack of the cult movie Stockholmsnatt in which Jones played the one of the lead characters.By the age of 16, he had earned his first gold record.At the age of seventeen, Jones decided to relocate to the United States.There, he briefly attended his father's alma mater, the Berklee College of Music, where he met Roland Garrett.However, as the school did not offer what Jones was looking for musically, he dropped out.He moved to The Bronx, where he lived with his friend T La Rock.Jones practiced and perfected his craft at Power Play Studios with future Hip hop legends like Rakim and KRS-One.