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Quote from: Dre-Day on December 05, 2008, 01:57:50 PMQuote from: Chad Vader on December 05, 2008, 01:53:18 PMQuote from: Dre-Day on December 05, 2008, 01:25:28 PMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less seriously, he's married to a white women she's white?check google Maybe I'm color blind but; If you're bored and want some info on Dre's family (wife/kids) and former girlfriends; (link) came over it,when I googled Dre's wife... so don't kill me
Quote from: Chad Vader on December 05, 2008, 01:53:18 PMQuote from: Dre-Day on December 05, 2008, 01:25:28 PMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less seriously, he's married to a white women she's white?check google
Quote from: Dre-Day on December 05, 2008, 01:25:28 PMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less seriously, he's married to a white women she's white?
Quote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less seriously, he's married to a white women
Quote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less
It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP. But really, I think that's the only track from her that I bothered listening to. I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance. But that being, said, I didn't even find anything all that compelling about that track. Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it. On the other hand, that track sounds very dated to me. And not in a good way. Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion. I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music.
Quote from: Chad Vader on December 06, 2008, 01:58:13 AMQuote from: JohnnyL on December 06, 2008, 01:25:52 AMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less I know what you mean, man. You can find some interesting information in some of those old articles.One thing I found interesting from the pics you posted of the liner notes is that QD3 was producing music way back then.I didn't realise he'd been working in the industry that long. He's done some pretty cool tracks for Pac and Tech N9ne.You crazy? (joking)He's the son of Quincy Jones QD3 has been around since the start fucking with T-La rock and all.... breakdancing (and good at it too).QuoteQuincy Jones III From Wikipedia, the free encyclopediahttp://en.wikipedia.org/wiki/QD3While in his early teens, Jones discovered breakdancing. Jones is regarded as one of the pioneers of the Swedish hip hop scene.He took the pseudonym Snoopy and together with Karl Dyall he had a hit with the rap song "Next Time" in 1986.The song was taken from the soundtrack of the cult movie Stockholmsnatt in which Jones played the one of the lead characters.By the age of 16, he had earned his first gold record.At the age of seventeen, Jones decided to relocate to the United States.There, he briefly attended his father's alma mater, the Berklee College of Music, where he met Roland Garrett.However, as the school did not offer what Jones was looking for musically, he dropped out.He moved to The Bronx, where he lived with his friend T La Rock.Jones practiced and perfected his craft at Power Play Studios with future Hip hop legends like Rakim and KRS-One.Let me take you back to late 85,early 86 QD3/Quincy singing,rapping,dancing Disey and Ziggy did the graffiti backdrop.http://www.youtube.com/v/CUJXiIm_riM&hl=en&fs=1Interesting stuff, man. I knew that he was Quincy Jones's son.But I had no idea that he'd been producing for so long, or that he had been into breakdancing.I think I have even read a couple interviews with QD3 before, but I think the interviewers focused mostly on either 2pac or TechN9ne.
Quote from: JohnnyL on December 06, 2008, 01:25:52 AMQuote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less I know what you mean, man. You can find some interesting information in some of those old articles.One thing I found interesting from the pics you posted of the liner notes is that QD3 was producing music way back then.I didn't realise he'd been working in the industry that long. He's done some pretty cool tracks for Pac and Tech N9ne.You crazy? (joking)He's the son of Quincy Jones QD3 has been around since the start fucking with T-La rock and all.... breakdancing (and good at it too).QuoteQuincy Jones III From Wikipedia, the free encyclopediahttp://en.wikipedia.org/wiki/QD3While in his early teens, Jones discovered breakdancing. Jones is regarded as one of the pioneers of the Swedish hip hop scene.He took the pseudonym Snoopy and together with Karl Dyall he had a hit with the rap song "Next Time" in 1986.The song was taken from the soundtrack of the cult movie Stockholmsnatt in which Jones played the one of the lead characters.By the age of 16, he had earned his first gold record.At the age of seventeen, Jones decided to relocate to the United States.There, he briefly attended his father's alma mater, the Berklee College of Music, where he met Roland Garrett.However, as the school did not offer what Jones was looking for musically, he dropped out.He moved to The Bronx, where he lived with his friend T La Rock.Jones practiced and perfected his craft at Power Play Studios with future Hip hop legends like Rakim and KRS-One.Let me take you back to late 85,early 86 QD3/Quincy singing,rapping,dancing Disey and Ziggy did the graffiti backdrop.http://www.youtube.com/v/CUJXiIm_riM&hl=en&fs=1
Quote from: Chad Vader on December 05, 2008, 12:52:04 PMQuote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less I know what you mean, man. You can find some interesting information in some of those old articles.One thing I found interesting from the pics you posted of the liner notes is that QD3 was producing music way back then.I didn't realise he'd been working in the industry that long. He's done some pretty cool tracks for Pac and Tech N9ne.
Quote from: JohnnyL on December 05, 2008, 12:03:25 PM It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music. Don't worry about me you don't have to explain anything. Not really a fan either,not when the album dropped or now. I just browsed trough some old magazines looking for some other shit,scanned the interview fast to see if there was any interesting that I could post.I found the part about Dre having a big ego and that he's a racist interesting enough to bring up... nothing more,nothing less
It's hard for me to form much of an opinion of Tarrie B. I remember the song she did with Eazy from her "Power of a Woman" LP.But really, I think that's the only track from her that I bothered listening to.I admit that it probably only interested me because Eazy was on the song, and I didn't give the rest of it a chance.But that being, said, I didn't even find anything all that compelling about that track.Some of Eazy's remarks during the song were pretty funny, but that's about the only thing I really found memorable about it.On the other hand, that track sounds very dated to me. And not in a good way.Perhaps if I heard her rap over some more contemporary sounding production, I could better form an opinion.I'm not saying this to tear the chick down or anything. I actually think that it's pretty cool that she's still out there trying to make music.
Quincy Jones III From Wikipedia, the free encyclopediahttp://en.wikipedia.org/wiki/QD3While in his early teens, Jones discovered breakdancing. Jones is regarded as one of the pioneers of the Swedish hip hop scene.He took the pseudonym Snoopy and together with Karl Dyall he had a hit with the rap song "Next Time" in 1986.The song was taken from the soundtrack of the cult movie Stockholmsnatt in which Jones played the one of the lead characters.By the age of 16, he had earned his first gold record.At the age of seventeen, Jones decided to relocate to the United States.There, he briefly attended his father's alma mater, the Berklee College of Music, where he met Roland Garrett.However, as the school did not offer what Jones was looking for musically, he dropped out.He moved to The Bronx, where he lived with his friend T La Rock.Jones practiced and perfected his craft at Power Play Studios with future Hip hop legends like Rakim and KRS-One.
Chris "The Glove" Taylor From Wikipedia, the free encyclopediaChris "The Glove" Taylor was one of the DJ pioneers on the West Coast[1].Ice T first appearances on wax were on his records "Reckless" (from "Breakin'") and "Tibetan Jam" both in 1983[2]He was later signed to Electrobeat Records. During this period, he was also in a crew called the The Radio Crew before he became a solo artist.The Radio Crew consisted of Ice T, Super AJ, and The Egyptian Lover. They put out one EP for the documentary "Breaking And Entering".His most famous record is "The Itchiban Scratch" in 1985 which is an instrumental that samples young children singing"The Grand of Duke Of York" around a Japanese style theme.He also made a records with Victor Flores who currently is chief engineer at ATM Studios, called"Breakmixer 1 + 2" and appeared on the famous Motown hip hop record "Scratch Break" by the Motor City crew.More recent credits are on Dr Dre's albums The Chronic andDr. Dre Presents the Aftermath on which he received mixing credits and on The Firm's album as a producer.Chris "The Glove Taylor" (from 83/84)Reckless from 1984 raps by Ice-T
Po' Broke & Lonely?Genre: Rap Active: '90sMajor Members: Michael Lynn, Chris "The Glove" Taylor, Ruben CruzBiographySigning to Eazy-E's Ruthless Records in 1990, the rap trio Po' Broke & Lonely? would go on to sue the label a few years later, putting a halt to their recording career while the courts handled the situation. It started when Eazy and Dr. Dre first met the group, consisting of rappers Chris Taylor, Michael Lynn, and Ruben Cruz. Their laid-back sound and sexist gangsta rap lyrics appealed to Eazy, and so they signed to Ruthless within the year. Their debut was guided by Dre and Eazy, who helped the group pull together several tight beats and a similar sound to their own N.W.A. When N.W.A. started to fall apart and accusations of missing money started flying between their two mentors, the group sought to leave the label before they were caught up in the situation. Eazy wouldn't let them out of their contract, creating a tension between Ruthless and the group while they tried to put together a follow-up. In 1992, Taylor helped Dre put together The Chronic, a landmark rap album that had enough anti-Ruthless sentiment to effectively destroy any negotiations between Eazy and Po' Broke & Lonely? The group grew frustrated with their situation, and by 1994 they had brought the matter to the courts. Before much could be decided, Eazy died of AIDS and the group was dropped from the Ruthless roster. They signed to Arista and attempted to restart their career in 1995 with Forbidden Vibe, but after a four-and-a-half year absence from the music scene, the group was all but forgotten by the fast-moving hip-hop crowd. Quietly dissolving a year later, both Cruz and Taylor would become regular collaborators with Dre in the following years. ~ Bradley Torreano, All Music Guide
dre dances like a homo
Its only right to interview her asap. Can anybody out there locate her?
QD3 interview in Rap Pages November 1993
Q.D. III - Soundlab (Qwest Records - 1991)