It's August 27, 2025, 03:14:11 PM
+----------------+------------------------------------------+----------------+| || Artist : Bizarre || Album : Hanni Cap Circus (Advance) || Bitrate : VBR kbps || |+-------------------------------[Release Info]-------------------------------+| || Label : Sanctuary Urban || Year : 2005 || Genre : Rap || Ripper : Kournikova || Rip date : 2005-06-21 || Store date : 2005-06-28 || Size : 101 megs || |+--------------------------------[Track List]--------------------------------+| || 1. Public Service Announcement (Skit) 0:26 || 2. Intro 1:38 || 3. Gospel Weed Song 3:35 || 4. Fuck Your Life feat. Sindee Syringe 4:29 || 5. Fat Father (Skit) 1:46 || 6. Let The Record Skip 2:45 || 7. I'm In Luv Witchu 2:44 || 8. Rockstar 3:01 || 9. Ghetto Music feat. Swifty, Stic Man And King Gordy 4:33 || 10. Life Styles (Skit) 1:22 || 11. I'm So Cool 4:18 || 12. Porno Bitches feat. Big Boi And Devin The Dude 4:38 || 13. Crush On You 2:54 || 14. Bad Day 5:08 || 15. I Need A Friend 2:57 || 16. One Chance 4:03 || 17. Hip Hop feat. Eminem 4:31 || 18. Doctor Doctor feat. Obie Trice 3:43 || 19. Coming Home feat. Raphael Saadiq And Kuniva 3:46 || 20. Nuthin' At All feat. D12 4:30 || ----------------------------------------------------------------------- || 66:47 || |+-------------------------------[Release Notes]------------------------------+| || D12 Baby... you know who he is... Bizarre! || || Enjoy! || || In these turbulent times of war, trashy reality TV, divided blue and red || states, and cardboard politically correct censors, there is one man who || can rise above the madness. There is a force willing to fight for the || underdog and the downtrodden. There's an individual who takes pride in || being a role model for millions of kids in need of guidance in a violent || and sex-obsessed world gone out of control. || Unfortunately, that man is Bizarre. || || What else can be said for the weirdest member of Detroit's notorious || platinum plus hip-hop crew D12 (Dirty Dozen). Indeed, in past lyrical || outbursts, Bizarre has boasted of engaging in S&M orgies with midgets, || bumping off (late) comic actor John Candy, and mistakenly picking up || transvestites in a drug-induced haze while recklessly wheeling a Harley || Davidson. || || Having delivered his brand of demented comic relief meets sicko lyrical || brilliance on D12's SoundScan-topping releases Devil's Night (2001) and || D12 World (2004), Bizarre is once again poised to piss off the status || quo with Hannicap Circu s , his solo debut on Redhead Records/ Arsenal || Entertainment/Sanctuary Urban. And while such a seemingly disturbing || album title is bound to stir protest among P.C. enforcers, Bizarre || maintains there's a more conceptual meaning behind the madness. || || Hannicap Circus finds Bizarre stepping out from the motley crew safety || net of D12 members Eminem, Kon Artis, Swift, Kuniva and Proof. And || according to the hip-hop wildman, it's about damn time. His public || fistfights for control over the Dirty Dozen against “leader” Marshall || Mathers have become legendary in music industry circles (“Marshall was || just asking to be punched out,” riffs Bizarre.) The ongoing rivalry || picks up from where D12's 2004 hit “My Band” left off on his first || single “Rock Star.” On the fast-paced Slim Shady produced track, Bizarre || proclaims his dominance as an artist who has exceeded the likes of || Elvis, The Osmonds, and Kiss combined. Who could argue? “I'm the man, || the lead singer of the band, on stage for thousands of fans/I used to be || a dancer for Hammer, if you look you can see me in the camera,” Bizarre || flips in his trademark husky flow. || || On “Bad Day,” an hilarious reworking of Ice Cube's 1992 West Coast || classic “It Was A Good Day,” Bizarre is backed by hip-hop producing || legend Erick Sermon and unleashes a witty dose of off-centered || story-telling. “I gotta go because I got on flip-flops, if I slow down || then my feet will drop/Had to stop at the red light, everybody laughing || at my yellow dirt bike,” says the dejected rapper. The brazen “Gospel || Weed” (producer TK) proves that nothing is sacred in the warped mind of || Bizarre. And the x-rated R&B fueled “Porno Bitches,” produced by D12's || Mr. Porter and featuring fellow comedic rhymer Devin tha Dude and || Outkast's own Big Boi, finds the deranged emcee claiming, “I love porn, || but niggas be hating/R. Kelly ain't got nothing on the shit I be || making.” || || In keeping with Bizarre's unpredictable showmanship, Hannicap Circus' || maddening diverse range of collaborations, from stic.man of the || politically conscious group Dead Prez to fellow offbeat Detroit emcee || King Gordy, more than makes sense. But it's the autobiographical || coming-of-age tale “Hip Hop” (Hi Tek) and the heartfelt family || dedication “Coming Home” (Raphael Saadiq)” that's sure to surprise || longtime Bizarre followers. “Whenever I leave, I know it still hurt,” he || testifies over the latter soulful track that also features fellow D12 || spitter Kuniva. The song, which conveys Bizarre's pain of leaving his || wife and kids behind for the pitfalls of the road, is a side of the man, || born Rufus Johnson, rarely visualized in his music. The self-described || “eccentric family man,” who now calls Atlanta home, says he wanted to || use Hannicap Circus to show there's another side to his wildman persona. || |+----------------------------------------------------------------------------+
9. Ghetto Music feat. Swifty, Stic Man And King GordyIsnt this the same dude that cried on MTV Punk'd when he got stopped by the police???
overall this cd is pretty hella funny and the beats are cool
Quote from: Masta T on June 22, 2005, 09:11:13 AM9. Ghetto Music feat. Swifty, Stic Man And King GordyIsnt this the same dude that cried on MTV Punk'd when he got stopped by the police???he has tears because of the wind
Hittman is not a real person. He was a computer program generated by Dr. Dre and Mel Man back in the mid 90's. When Dre started treating Mel-Man like shit, Mel infiltrated the computer and put a virus in the hittman program
Home
Help
Login
Register
Print
