I love netbangin and talking gangsta shit on dese keys... but one thing I will never do... not in words... and not in typing, is misuse "scary".  That's always been the most annoying ebonics black spin on Standard English.

I know you already know this cause you are a high IQ Jew who just happens to speak hip-hop lingo, but for the other folx at home.

The correct phrase is "scared" not "scary".  I will use them below in their proper (white) form.

1.  The gazelle was scared of a lion.
2.  The lion is the alphamale of the jungle and therefore the lion can be scary to other animals.  The gazelle was scared of the lion.

 

Let me put it another way...

Imagine if some unknown artist came out and just dropped some shit like "Keep Their Heads Wringin".  And it was the only thing we'd ever heard from them and it was presumed they'd written their own lyrics, etc.

We would be saying this guy is the second coming of Nas/Rakim/ and the new #1 rapper/lyricist in the game

"I rock tha mic and flip my tongue like a dyke"

I see what you saying though

I had heard that about Tha Realest but I didn't know that about YGD

YGD said it in one of his interviews

In this video, legendary Bay Area rapper B-Legit sits down with Big Court on the Holdin' Court podcast, sharing his journey from the streets of Vallejo, California, to becoming a hip-hop icon alongside his cousins E-40, D-Shot, and Suga-T as The Click.

Key discussion points include:

Early Kinship and Experiences Big Court and B-Legit reminisce about the long-standing connection between the Bay Area and Kansas City, with B-Legit recalling his first visit to Kansas City in 1991 for an in-store at Seventh Heaven (0:28-2:30). He humorously shares a memorable experience in Kansas City where they had to find a "bootlegger" because liquor stores were closed on Sundays (4:04-4:52).
Vallejo's Influence and Music Scene B-Legit explains Vallejo's identity as a military city surrounded by water, which led to a diverse migration of people from the South, influencing its unique culture and sound (5:01-7:00). He also highlights Vallejo's rich musical talent pool, noting that artists often performed in talent shows to display their skills (11:01-12:30).

E-40's Early Life and Character B-Legit describes a young E-40 as a charismatic character with diverse talents, including drawing, playing drums, and dancing. He emphasizes E-40's ambition and entrepreneurial spirit from a young age, even recounting how E-40 would contribute half of his McDonald's earnings to his mother (12:43-14:52).
Transition to Music and "Exit Plan" The conversation delves into the mid-1980s, when the rise of rock cocaine influenced their environment. B-Legit explains that while they had jobs as cooks, they observed the street activity and eventually viewed music as an "exit plan" from that life (15:06-27:00).
Grambling State University and Networking B-Legit shares how attending Grambling State University in 1986 broadened their network, allowing them to meet people from different regions and gain popularity on campus through their "Armaada rap" (19:00-24:00).

Challenges of Independent Hip-Hop The video touches on the high costs of early independent music production, including expensive studio time for reel-to-reel recording ($500 per reel) and video shoots ($5,000 for their first video) (29:00-30:50). He discusses how The Click started as MVP (Most Valuable Players) with a clean sound before evolving into The Click, releasing explicit music after being inspired by groups like N.W.A (33:46-34:25). They also pioneered independent distribution by selling their records on consignment at local liquor stores (33:00-33:50).

I guess he doesn't want to pay his artists, that's why he uses AI