It's April 26, 2024, 12:56:59 PM
I remember buying it the day it came out as well. This was before I had the internet in '99. I would buy the Source every month and check for what was coming out, this was around the time that No Limit was dominating the charts. But I was still riding with Death Row and even purchased Chronic 2000 which came out the following year. But RR&GB was the last great Death Row studio album like you stated.
Exactly what I thought And I have the same story. I would check the shelves every month for the Source and if it was somebody on the cover I was a fan of I would buy the issue. Interestingly enough, headz like you will remember that Snoop actually snagged the Source Cover the same month Daz was dropping and both Snoop had a feature in the magazine (for leaving Death row) and Daz had a feature for dropping RRGB. (I lost this classic issue some years back on a plane ride). So Daz actually dissed Snoop in that Source issue calling him "Hollywood". Snoop had dropped a banger with Kurupt for the Caught Up soundtrack "Ride On" and was in between Death Row and No Limit at the time--stranded. And Daz made a heroic effort to deliver the album he did at that time. I thought "In California", great single could be enough to bring back the West and bring back Death Row when he delivered with a great album. The album came in at #6 the first week and then didn't really make no noise commercially after that. There was some excitement about a month or so later in April when Snoop signed with No Limit. Went to a midnight sale at blockbuster music (ya'll remember those?) when the album dropped in July 98'. That was a cool scene to see so many fans lined up (in Kansas City) to pick up Snoop's album at midnight. I put the album in and kept flipping through for a banger and got to the last track and realized it was dog shit.
This album was trash. Sounded totally different to what I was expecting (classic G-Funk).I dunno about his best solo, but I liked Dazamataz. And looking forward to NY, LA or whatever it's gonna be called with Capone.
Wasnt trash but it did sound different case in point compare; do what i feel vs our daily breadI rest my case..Now dazmataz is his best work post dogg food.
It was a solid album. Gold - Platinum is reasonable for it IMO. It just lacked that 'superstar' presence, and Daz wasn't somebody who was going to be the front runner of the label. I think Suge was right in making him head producer and having him as a feature rapper only. Kurupt's albums were the same. Combined, and with the right structure behind them, they could churn out another Dogg Food. I enjoy the album, think it's solid, with a rarity that I can play it from start to finish, but it's not one of my top favourites, and I know it won't resonate with a larger commercial fan base