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  Dubcnn Blog - Dollars and Sense (By Eric Engelwood) 
  
  Dubcnn is always looking to expand its writing staff to include some of the 
  best writers online and with this new Blog we are delighted to have lined up 
  Eric Engelwood to present this series of articles that will fall under the 
  newly formed Dollars and Sense Blog. 
  Eric runs a consulting firm and 
  Lyay.net in his spare 
  time. 
 Whether it be a weekly dissection of the latest news and events or his 
  historical glances at events gone by you are guaranteed to be entertained, 
  informed and taken on a journey of thought that is sure to provoke discussion.
     July 2008 
  | June 2008 
	| May 2008     July 2008  
	   Dollars and Sense: 
	Third 
  Edition (Friday July 4th, 2008)
 Don’t Cry, Dry Your Eyes
 By Eric Engelwood
 
 So everybody and their sister thinks the West Coast is hurting. Message 
  boards, interviews, everywhere you look, there seems to be a general sense of 
  pessimism surrounding the West Coast. Things couldn’t be farther from the 
  truth. There’s a vibrant and quality music scene on the West Coast and it’s 
  just a matter of time before we get our turn. Record Labels are taking notice 
  and it’s only bound to get better.
 
 On the new artist side, we’ve got Jay Rock, Ya Boy, Roccett, Bishop Lamont, 
  PacDiv, Young De, Taje, Dubb, Young Maylay, G Malone, Roscoe Umali, Clyde 
  Carson, K Dot, Damani, Bangloose, Bad Lucc, and Problem. I’m sure there are 
  others I missed, but those were just the artists that came to mind when I made 
  a quick list. We’ve got a wide variety of artists complimenting a large 
  spectrum of hip-hop. Gangsta, swagger, punchline, hipster, and backpack 
  rappers, the West Coast has it all.
 
 On the new producer side we’ve got Infra Red, Terrace Martin, Dae One, THX, 
  FOC, Disko, Dem Jointz, Focus,and a bunch of others I’m sure I missed. These 
  producers have consistently put out quality work and can do beats from 
  hardcore to G-Funk to RnB.
 
 The talent is there. The record labels seem to be taking notice. Both Problem 
  and PacDiv recently signed deals with Universal Records. G Malone is going 
  getting a big push from Cash Money. Westurn Union is putting their debut album 
  out through Koch and of course Bishop Lamont is over at Aftermath.
 
 When you hear people talking about how the West Coast is dead until Detox 
  drops, just shrug it off because it’s simply not true. Take the time to listen 
  to some new artists and I’m sure there’s something there that you’ll like. The 
  West isn’t dead, in fact I’m gonna go out on a limb and say we’re about to 
  enter a very good era that’s gonna rival the good old days fans so fondly 
  remember. You heard it here first.
 
  
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  June 2008  
	   Dollars and Sense: 
	Second 
  Edition (Friday June 13th, 2008)
 People like free, but will it translate into sales?
 By Eric Engelwood
 
 So I had my iTunes on shuffle trying to come up with something to write 
	about when it dawned on me: The West Coast is at the forefront of marketing 
	in the music industry. iTunes played me Crooked I’s Hip-hop Weekly #19. That 
	track was followed up by Bishop Lamont’s City Lights, which was followed up 
	by Problem’s I’m toe up remix. The West Coast is putting out quality music 
	for free, so how will artists make money? Will this tactic of "free music" 
	pan out or will we see another generation of angry West Coast rappers 
	shunned by the industry?
 
 Think about it for a second: Crooked I put out 52 weeks of free music. 
	That’s nearly four albums worth of free music. Bishop Lamont has put out 
	three album quality mixtapes in a little over a year. Artists regularly put 
	fully mixed and mastered tracks on Dubcnn, Lyay.net and countless other 
	media outlets for free. This is a brand new way of marketing and it’s time 
	for artists to take advantage of this new model. Welcome to music 2.0.
 
 Artists are building grassroots fanbases , but are they utilizing them 
	accordingly? In order to succeed, touring, direct to fan sales, and other 
	revenue streams should be examined. For every artist that puts out a track 
	for free, there should a plan to make money behind it. Will that track get 
	that gets the club jumping translate into touring money? Can you license 
	that song about your favorite booze to the booze company for a commercial?
 
 For the New West artists reading this - Imagine for a second that you NEVER 
	made a cent from selling a physical CD or a track online. How would you make 
	money from your music? If you can list three things off the top of your head 
	then you’re in good shape. If not, get brainstorming. Like I said in my last 
	blog post: Throw some sh*t at a wall and see what sticks. Think about 
	different ways of monetizing your music in other ways than just selling 
	tracks or CD’s.
 
 The music industry is going through a sea change, but with the right angle 
	the West Coast can come out ahead. The sooner artists realize the way of 
	making money in the music industry has changed, the sooner they can come up 
	with new ways to get their paper.
 
  
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	May 2008  
	   Dollars and Sense: First 
  Edition (Friday May 30th, 2008)
 Attention New West: GET YOUR PAPER
 By Eric Engelwood
 
 I’ve said it over and over, the music industry is changing. No longer can 
  artists put out a hot track, get signed to a major label, and live fat. You’ve 
  gotta put a total package together. Youtube, ringtones, endorsing products, 
  blogging, iTunes and twitter. These are all different areas West Coast artists 
  should be looking into and attacking aggressively.
 
 It’s been clear over the past 6 years that major labels aren’t giving the West 
  Coast a shot, so what to do? Whine and complain or sack up and start creating 
  an independent fan base on your own?
 
 Put thought into your promotion. Posting the same MySpace bulletin 15 times 
  over the space of an hour isn’t doing anything but pissing people off. Your 
  time would be MUCH better spent contributing to the discussion at 
  Dubcc or 
  Sohh. People will pay 
  attention to you if they know you're posting on the same site they are. It's a 
  quick and easy way to gain fans and see feedback on your product. Sure there 
  will be haters, but fuck them. They don’t buy music anyways.
 
 Didn’t get a track on the new Madden game? Sponsor a Madden 08 tournament or 
  player. Sure it’s nerdy, but you can bet you’ll create “Die Hards” and you’ll 
  get your music out to a WHOLE new market. Look for a local beer or product and 
  include it in one of your songs. I don’t want to tell you to “think outside 
  the box” because that quote is trash. What’s happened with the internet is 
  that the box has become so big, ideas that you think wouldn’t have a chance in 
  hell, work splendidly.
 
 Stay ahead of the curve, but not so far ahead that people don’t understand 
  what you’re trying to do. Try and identify upcoming trends and catch them 
  early. With the internet, there are a LOT of different avenues to make money 
  off your music and personality. There are hundreds if not thousands of ways to 
  reach new fans. The hardest OG in Compton and a 12 year old French boy can 
  both be your fans thanks to the Internet, so market accordingly. Sure some of 
  these ideas might be hot trash, but if I've even got you thinking about 
  marketing yourself in different areas this post has done it's job.
 
 Remember: There is no rule saying how you can market yourself, so throw some 
  sh-t at the wall and see what sticks. What’s the worst that could happen?
 
  
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