CHRIS LE (June 2009) | Interview By: Jose Ho-Guanipa

Chris Le is a young up and coming music video director hailing from Salt
Lake City. Only twenty years of age he’s managed to accomplish more in a
short time than many much older than him. Taking an unconventional route to
getting involved in the hip-hop game he used his wide array of artistic
skills in graphic design to design mixtape covers and MySpace covers for
such major artists as the Game and Sean Kingston. He’s now parlaying his
talents to the screen and has begun directing music videos for several major
artists, most recently for Glassses Malone on “Sixty Million Dollar Flow”
for the “Next Day Air” Soundtrack. We got a chance to sit down and chop it
up with him.
As ever, you can read this exclusive interview below and we urge you to leave
feedback on our forums or email them to
jose@dubcnn.com. ..........................................................................................
Interview was conducted in June 2009
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Dubcnn: We all know you as the hip-hop MySpace guy. Can you tell us how
you got into designing MySpace pages for top name rappers and how that
turned into you directing music videos for an artist like Glasses
Malone?
Chris Le: I started designing CD covers and logos for local artists in
my area. With the work I was putting out, it brought attention to many
record labels and more established artists. This was around the time
when MySpace wasn't even that big of a deal yet. My first mainstream
artist I designed a MySpace for was Sean Kingston. After working on his
visuals, the staff from The Black Wall Street camp contacted me about
doing work for The Game. From there, I started getting jobs here and
there from Warner Brothers Music to Def Jam all the way in NYC. Getting
connected with the industry because of my talents in graphic designing
allowed me to introduce my clients to my film work as well. That’s how I
began to establish myself as a music video director.
Dubcnn: Was there a particular individual or group of people
that put you on and really believed in your work in the beginning when
you were first starting out?
Chris Le: Yes, I owe a lot of my successes to DJ Warrior, DJ Skee, The
Black Wall Street Camp, The Game, Purple City, and all the record labels
that worked with me and not to mention, my boy, Andrew Lim.
Dubcnn: When did you make the transition from graphic designer
to music video director? In other words, what was the first video you
shot?
Chris Le: In high school, I was working with a close friend who was
starting out in the rap game. I had a cheap camera, a group of friends,
the artist, and a school lunch cafeteria. In other words, I shot a small
budget video with a school cafeteria scene, haha.
Dubcnn: Did you go to school or get any format training for any
of that stuff (graphic design, film school)?
Chris Le: I have never gone to any school during my career, people just
really believe in my talent. After a while, I decided to take on school
to experience it and bring a degree home for my parents, which I
promised them a long time ago. Besides, it doesn't hurt to learn more
right?
Dubcnn: Was that always the plan for you to become a director or
did it just happen?
Chris Le: I have always had the dream of becoming a director since I was
in elementary school. Originally, I wanted to direct and animate CG
movies like the ones Pixar makes. Hip Hop had a stronger affect over me,
though, so I gravitated towards the music I loved and combined it with
my skills.
Dubcnn: How were you able to create a name for yourself and make
connections with so many big west coast artists being somewhat removed
from the west coast hip-hop scene out in Utah?
Chris Le: I have learned to use the internet as my main networking tool.
Especially social networks like Myspace. Also, I wouldn't say Utah is
out of the loop since it’s located on the west side. Many artists come
and perform here and many celebrities own property because of the
Sundance Film festival. Utah has a fast growing hip-hop scene so people
should respect its grind. We have many artists on the come up including
my artist, Calico, who recently got signed to Purple City in NYC.
Dubcnn: What do you think about the future of hip-hop, the music
industry and the shifting away from more traditional channels of media
like print, radio, and television, to avenues like MySpace and other
places on the internet? Where do you think all this is this headed?
Chris Le: I believe in the future. TV will not exist at all since we can
watch our favorite programming anytime we want on the Internet. With HD
quality videos streaming on the net now, people are turning away from
their TV sets more and more everyday. The Internet will be our main
media that will basically replace everything.
Dubcnn: Who are some of your favorite visual artists, both in
the realm of graphic design and music videos?
Chris Le: Some of the greats I look up to are Fatoe (Designer), Chuck
Anderson (Designer), Hype Williams (Director), Benny Boom (Director),
Lil X (Director), Estevan Oriol (photographer/director) and Mr. Cartoon
(illustrator/designer).
Dubcnn: Is there someone you’d like to model your career after?
Chris Le: I really don't want to model my career after anybody. I'm just
following my own path and seeing what comes to me tomorrow.
Dubcnn: What are some upcoming projects you have on your plate?
Chris Le: Just finished a project for Colby O’Donis (Akon's artist) and
Rick Ross's “Deeper than Rap” campaign. I'm currently working on
projects for BabyGrande Records, Def Jam, and, of course, The Black Wall
Street.
Dubcnn: Which West Coast hip-hop artists would you like to work
with that you haven’t gotten a chance to?
Chris Le: I have worked with tons of west coast artists, especially from
the L.A. area. But two artists I haven't gotten a chance to work with
are Snoop Dogg and Ice Cube. Dr. Dre projects are in the talks right
now. Hopefully I'll play a part in the Detox project.
Dubcnn: Any closing comments or shout outs you’d like to make?
Chris Le: Big ups to the homie DJ Warrior, The Game (thanks for the West
Coast love, I'm returning the shout, he shouted me out in the album
credits on L.A.X. which is very major to me (plus I received a GOLD
plaque for L.A.X.), DJ Skee, Glasses Malone, Jay Rock (Always rockin’ my
T.D.E. logo I designed as a chain), Tommy Gunnz, Calico and Blocks,
Dsepshun, J-Wang, and most of all, my boy Andrew Lim (Wuzi) from the
east side.
Dubcnn: Thanks a lot for your time. Keep your eyes on the
lookout for more of Chris Le’s work. With this much accomplished at only
twenty, he’s only gonna get bigger and better.
Check out
Glasses Malone Sixty Million Dollar Flow (Video)
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