DJ AMBIDEKSTRES (August 2008) | Interview By:
Javon Adams

Being a DJ is a tough job. You have to compete with hundreds of other good and
not so good DJs so it takes a good one to really stand out. Enter DJ
Ambidekstres from the Mixtape Mobb.
Hailing from San Jose, CA this up and coming Mixtape Master is unusually
skillful and set on becoming the gold standard for DJs in the West Coast. Find
out what new projects are on the horizon and get a behind the scenes look into
how a mixtape is created. Make sure you spell his name right and make sure you
keep your eyes on this DJ.
As ever, you can read this exclusive interview below and we urge you to leave
feedback on our forums or email them to
Javon Adams. ..........................................................................................
Interview was done in August 2008
Questions Asked
By:
Javon Adams
DJ Ambidekstres Interview Audio:
Listen Here
DJ Ambidekstres Gave Dubcnn A Shoutout:
Listen Here
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Dubcnn: Dubcnn: Alright Dubcnn with DJ Ambidekstres welcome to dubcnn how are
you doing man?
Thanks. Thanks for having me man. I’m just out here doing it movin’ as
much as possible.
Dubcnn: I hear you. Well tell the folks where you’re from.
Well, I’m from the Bay Area. South Bay Area, San Jose. I’ve moved throughout
the Southwest as well through New Mexico and Arizona and I’m back out here
now.
Dubcnn: Now I used to live in the Bay Area myself, in San Jose and I
remember when compilations were the in thing and now mixtapes have kind of
taken over. Now everybody seems to have a mixtape so how hard is it to cut
through the clutter as a DJ and make a name for yourself?
You pretty much have to decipher yourself away from the 6000 mixtape DJs in
San Jose alone. You pretty much have to create a new lane with new marketing
ideas and kind of set yourself a part from what 5000 other DJs are doing as
well.
Dubcnn: Now I know networking is important in any industry but how valuable
is networking to you as you make a name for yourself?
I’m just trying to basically network as much as possible and pretty much
networking is the main thing as far as Deejaying and mixtapes are going.
Basically everybody has teamed up especially here in the Bay Area. It’s pretty
much a small industry as far as that goes and we aren’t out there necessarily
as far as nationwide. Networking is a huge thing as far as where you’re trying
to go. Basically build that new lane and take the whole team with you.
Dubcnn: Speaking of team I know DJs often roll in units and you’re a part
of the Mixtape Mobb right?
Yes, I’m a part of the Mixtape Mobb. We got Ra2K in there and we got a few
other DJs worldwide. A lot of us actually came out from the South Bay Area and
pretty much just teamed up and we’re doing something positive and make a
movement. Basically become the new team of the West Coast.
Dubcnn: Now I’m curious, when you have teams of DJs and you have a group
like that how does that work? How is that beneficial for the DJs involved?
Basically, as far as the whole team that we have you just have a whole team of
networkers. So basically everybody that I’m messing with I can throw towards
RA2K and when RA2K got somebody new that I don’t f*ck with he can throw it
towards me. Its just a networking door that opened up for me as far as the
Mixtape Mobb.
Dubcnn: Ok. Explain the process of creating a mixtape and maybe how each
mixtape is different. Explain that process and how you go about that.
Basically the way I start it is by figuring out what the new lane is and what
the new idea is going to be. Right now I’m working on the “New Blood of the
Bay”. I actually got volume one out already with Willie Joe so y’all can peep
that out online.
But you basically just get yourself a marketing idea, find out what’s good and
what’s going to be the new thing and pretty much just push it towards that.
From there you just get in touch with the type of people that you are going to
do. Or if it’s an artist mixtape you record the whole mixtape as it is. Some
of them have freestyle joints so it kind of just depends on what I’m trying to
pick at that point.
Dubcnn: So, kind of along those same lines when you have those different
ideas…you said you are working on the “New Blood of the Bay” so what is your
approach with that aside from bringing out new talent I would imagine. What is
your approach?
The approach I took with that one is…in the last couple of years the Hyphy
Movement kinda got it’s roar and kinda seen its downfall as well. What I
learned from that is like everyone took the recognition of the E-40’s and Too
Shorts and pretty much used that as a stepping stone. So I pretty much went
out and grabbed everybody that was new, I grabbed Willie Joe that was the new
face of the Bay…I went out and got tracks with everybody as far as the
Hoodstars and Fab and got all kinds of new sh*t from them. I took that and
linked it up with the Old School vibe and had a few of them do some of the Old
School joints and that’s where we got the ear from all of the Old School
stuff. So I got the respect from the Old School cats as well as the younger
ones who never really grew up on them.
Dubcnn: As your star starts to rise…I know a lot of DJs for example
somebody co-signed by Funkmaster Flex or whatever DJ that’s really
established…are you getting to that point that if you co-sign somebody that
it’s kind of like a stamp of approval?
I’m trying to get to that point. I’m trying to basically become the new (DJ)
Drama of the West Coast so that is basically the idea. I’m trying to push it
towards that route. I think I have a little respect from the crews out here as
far as the DJs coming out of the Bay and I’m trying to take some more of that.
Dubcnn: Now, kind of switching gears a little bit, I see from the picture
on you myspace page that you embrace technology. I recently spoke to DJ
Rhettmatic from the World Famous Beat Junkies and I asked his opinion on
programs like Serato and how it relates to the DJ. He uses Serato and he
thinks it’s a great tool but he feels sometimes that maybe some of the newer
DJs…that it masks some of their deficiencies. What is your take on technology
and the DJ?
I appreciate it actually both ways. I think when you come up, growing up you
see all the vinyl and see that they kind of came from almost nothing. I think
the ability to add a Serato to that, although you get a lot of flack when
people say your only a ‘technology DJ’ and that (to do) a mixtape ain’t gotta
have no skills…basically you gotta match what you learn from the Old School
and what you take from the New and create that new lane. Basically just take
advantage of both sides because without technology we wouldn’t have half the
sh*t we have right now.
Dubcnn: That’s true. When I spoke to him he pointed out that now you can
carry thousands of songs on a Jump Drive or something like that as opposed to
carrying these heavy crates. So it helps as far as travel is concerned.
Oh yeah, especially that because pretty much everything you want you have it
at any point. If you need to go an download that you don’t have to go buy a
crate or buy the record or carry that with you to seven different cities if
that’s what you’re going to do.
Dubcnn: So who are some of the artists you are working with right now?
My new artist right now, I’m pushing Jessie L. He is from the South Bay as
well. He has the new album coming out pretty soon. I’m working with Willie Joe
on the “New Blood of the Bay” like I said earlier. He’s got his team the Water
Boys, shout out to the Water Boys Entertainment in Vallejo, CA. They’re doing
it real big. I’m about to drop a mixtape called Oakland Dynamite with Do Dat
from the Water Boys. Shout out to Willie Joe again. Basically I’m trying to do
everything I can. I’m in the works right now with Erk the Jerk as well a few
other people who will remain nameless at this point because it ain’t final.
Trying to do as much as possible.
Dubcnn: I’m not trying to get you to divulge any secrets but what is the
process like when you see an artist and you want to work with them in terms of
doing some exclusive type of mixtape? What is that process like? Is it a
negotiation process or is it just how you vibe together?
It’s pretty much the relationship between the two. There have been points
where artists where I’m just emailing and not really talking much and you
pretty much just get what they have at that point. What I try to do is build a
relationship with them and that way your input is a little more valuable
because you have one opinion and they have one and you both see where you’re
coming from. And at that point a little more creativity comes in mind and you
kind of find a medium ground and basically build something new that you’re not
used to.
Dubcnn: It seems like DJs are really multi-talented because they produce or
do A&R work, maybe they run a promotion business and stuff like that. You
define yourself as being unusually skillful so what else do you do besides
being a mixtape DJ?
Well, I got the name Ambidekstres from sports in high school because I
actually use both hands as far as that went. I got into the DJ game more so
because I wanted to engineer. So as far as being unusually skillful, I’m
trying to basically do everything possible. As far as being an A&R, as far as
engineering, deejaying and whatever is really needed at that point I’m on it.
Dubcnn: Ok, I got you. So any last words for dubcnn? Tell the folks how
they can look you up and how to spell your name when they look you up on
myspace.
Yeah, that’s the most difficult part about it. Some people call me Deks and
some people don’t know what an ambidextrous person is. You can check me out on
MySpace.
You can check out the music at your local Rasputin’s, Street Life and your
local music store. Get online at the myspace like I say. You can go to
calimixtapes.com
and everybody just be on the look out for the new face of the mixtape game in
the West Coast.
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DJ Ambidekstres Interview Audio:
Listen Here
DJ Ambidekstres Gave Dubcnn A Shoutout:
Listen Here
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