LAROO THA HARD HITTA (October 2008) | Interview By:
Javon Adams

In a world where everybody and their mama can drop a project it is hard to
find music that is timeless. Enter Laroo tha Hard Hitta from The Bay Area.
This emcee comes with his label Timeless Music Inc to not only drop the audio
treat for your ears but with a video division as well. The game is changing
everyday and Laroo is up on technology and diversifying his portfolio. Yes,
you can check for his new release “The Corporation” via Sic Wid It/ 30/30
Records/ Timeless Music Inc but Laroo is venturing into films as well. Read on
to learn about what it’s like to work with 40 Water and what the biggest
lesson is that he has learned so far.
Tha Hard Hitta even tells us
about the biggest mistake he’s made in the music industry. Soak up some game
from this Bay Area rhyme spitter and maybe you too can expand your hustle
As ever, you can read this exclusive interview below and we urge you to leave
feedback on our forums or email them to
Javon Adams.
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Interview was done in September 2008
Questions Asked
By:
Javon Adams
Laroo Tha Hard Hitta Interview Audio:
Listen Here
Laroo Tha Hard Hitta Gave Dubcnn A Shoutout:
Listen Here
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Dubcnn: Laroo what’s good with you man? Welcome to Dubcnn.com
Dubcnn, what that is? Your boy Laroo tha Hard Hitta
Dubcnn: Before I get started…your name Laroo tha Hard Hitta. Where did you
get that from?
That comes from the streets before this rap sh*t even started. It’s kinda
close to my real name so I just ran with it.
Dubcnn: Gotcha. Now the Bay Area is known for it’s independent hustle but
it hasn’t really stepped into the main stream spotlight lately like some other
regions. Artists always seem to be doing ok for themselves coming out of the
Bay. What type of mindset does it take to be a successful independent artist?
Well, first of all you have to believe in yourself and invest in yourself too.
Just push that line and not be scared to put in your own footwork if you have
to.
Dubcnn: I know that you have been in the game for a minute. You had a stint
with AWOL records where you worked with C-Bo, Killa Tay and Marvaless and
whatnot. You’re currently on Sic Wid It, right?
Yeah
Dubcnn: Is 40 hands on with the artists that come through Sic Wid It? How
does that go?
He’s very hands on. He’s been doing this thing for a minute. He’s an
entrepreneur and he’s really the ambassador. Real business man and well
rounded. He just rubs that off on everybody else.
Dubcnn: He just celebrated 20 years in the game, right?
Ya dig? Big business.
Dubcnn: You have your own thing going on with Timeless Music, right?
Yup, Timeless Music Inc fa sho. Under that we have a film division and a
recording studio and the whole nine. Just keeping it moving.
Dubcnn: So let’s touch on that since you touched on being multi-faceted in
the game. Did that come from an interest in doing different things in the
music industry or was it out of necessity?
It comes from just being interested in general but also from having a lack of
resources in some things. It’s like people out in the country…people like
David Banner. If you don’t have the resources available to you sometimes you
have to create them for yourself, you know what I mean?
Dubcnn: Yeah. So the music video, I believe you sent me a link to one of
your most recent music videos and it is very well done and looks very
professional. Was that something that you did? Did you go about securing that
and doing everything for it?
No doubt. I teamed up with my boy Ben Griffin and we formed a production
company. We come together and we put the scripts in and we lay it down. We own
all of our equipment and have our own team. We make it official with the look
we’re bringing.
Dubcnn: Sounds good to me. I know that when you left AWOL in 2001 you went
independent and started Timeless Music you put out your “Hood Journal” project
and also the “Bay Area Muscle Compilation”. You also did a project with Doonie
of The Federation. Along those lines and having been in a couple of situations
and still having Timeless Music what’s the biggest thing that you have learned
along the way?
That it’s 90% business. Artists have to be well rounded. It’s hard to just be
a rapper out here because you have to know your sh*t.
Dubcnn: What’s one of the bigger mistakes you made in the beginning?
I would say when I first went fully independent I think one the first projects
that I ever did I made the mistake of over pressing. I over estimated when you
gotta just test the waters first to see what it will do. The first time I was
just anxious thinking if you do this and do that then it will just bounce
right back to you. I was kind of looking at it like a quick flip like
something you see in the streets. That’s not really how it works. You have to
deal with it like a real business. There are real turnaround times and cut off
dates and invoices. There’s a real business aspect to this.
Dubcnn: It seems like, even if you believe in your project you have to be
more modest with how many you press up in the beginning.
Exactly. Test the water first. Even if you feel that you are the dopest rapper
you still want to keep it modest. Put it out there first. Just because you
think you’re dope doesn’t mean that everybody else thinks you’re dope.
Dubcnn: True indeed. Speaking of being dope, I wanted to round back to Sic
Wid It. Is it a pretty competitive environment over there?
Nah, it’s all family man. There really isn’t any competition. Everybody
communicates and it’s more of a ‘together thing’. Everybody is focused on
trying to make good music. And that’s what I like about it.
Dubcnn: Cool, cool. Now is it Timeless Music and Sic Wid It? Are you really
have a lot of input on your next project? I think it is called “The
Corporation”, right?
Right
Dubcnn: So are you having a lot of input into the marketing of it and the
whole presentation of the project.
Definitely. I’m very hands on with everything I do. You can’t forget about
30/30 Records with Mugzilla too. It’s all a joint venture. But I’m very hands
on with this “Corporation” project. It’s real official.
Dubcnn: So go into a little bit about that “Corporation” project. What can
we expect from it and what is the thought process behind it?
Well it’s really showing the business side of it. This album is going to be
real visual because it’s a new day and age. The visual is so important
now…everybody hearing it and especially from The Bay I’m trying to let people
see it. So with this album I’m really showing a visual of being a businessman,
an artist and a well rounded person. It’s like a corporation…it’s a whole
unit. It has to move as one.
Dubcnn: With all the music that’s coming out in the market today what makes
Laroo somebody that people should check out and become a devoted fan to?
I’m well rounded. I cover all boards. I’m trying to…of course I keep it street
but at the same time…I want my album to be like one big song when you listen
to it. Each song is just a different verse but it all comes together at the
end of the day.
Dubcnn: From talking to you it seems that you have a lot of business savvy.
Is it hard to switch from being an artist and then go to wearing the different
hat that you have to wear when you are taking care of business? Is that
difficult for you or do you pretty much have it down pat by now?
I’m down pat right now but I had to bang my head quite a few times though but
I’m good. The bruises have healed and I’m comfortable with it. I love it.
*laughs*
Dubcnn: I hear you.
It’s a good look and a good thing.
Dubcnn: You shot a video for a song called ’20 Bricks’, right?
’20 Bricks’ with your boy Tha Jacka.
Dubcnn: And you just did one with Keak Da Sneak, right?
Me and Keak did a nice little powerhouse video. It’s called ‘Money and the
Power’.
Dubcnn: I’m sure once people see the videos they don’t have an idea of what
goes into it in terms of putting it all together to make it flow but are you
hands on with the treatment of the video and transferring it from a song to
something more visual?
Yeah. Like I said it’s a new era so now the visual thing is bringing it to
life. We’ve been bringing songs to life. Like a song that you hear and say,
‘That’s cool. That’s slappin’. But when you see it you say, ‘That’s Dope!’.
So for the most part I listen to the songs and I say to myself that’s the
visual. Then I pick out…when I do the treatment to it I usually pick the
locations and get real hands on with the locations and the treatment. I always
try to be real honest with the look, you know what I mean? I don’t want it to
look all animated and crazy. I want it to look honest and realistic so people
say, ‘That’s some real situations.’
Dubcnn: Sounds good. Two or three years down the road when we have another
conversation what will you have accomplished in that time?
Of course the music thing will be on lock in addition to the visual game.
There’s more than just videos because we are going into the movies and into
the whole visual side of things. Of course conquering the online world because
it’s the newest thing with the itunes and downloads. It’s a digital game right
now. Record sales are kind of slow in certain areas depending on who you are.
Of course you have Lil’ Wayne going platinum in a week. But I see big things
man.
Dubcnn: Any last words for Dubcnn?
Shout out to Dubcnn because y’all always keep it 100 and let the people know
what’s happening. Contact your boy! You can always google me. Just type in
Laroo. I’m the best thang smokin’ and the first thang smokin’. Or you can go
to the MySpace
or youtube.com and enter Laroo.
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Laroo Tha Hard Hitta Interview Audio:
Listen Here
Laroo Tha Hard Hitta Gave Dubcnn A Shoutout:
Listen Here
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