WILLY NORTHPOLE (June 2008) | Interview By:
Javon Adams

Dubcnn recently sat down with
Phoenix, AZ, rapper Willy
Northpole to get the lowdown on this much talked about new talent. In this We
discuss his single "Body Marked Up", which has been constantly gaining
momentum throughout the past months and get details on his anticipated debut
album. Willy also talks to us about misconceptions of being a signed artist,
working with Ludacris as part of DTP and describes himself as an artist.
As ever, you can read this exclusive interview below and we urge you to leave
feedback on our forums or email them to
Javon Adams.
..........................................................................................
Interview was done in June 2008
Questions Asked
By:
Javon Adams
Willy Northpole Interview Audio:
Listen Here
(Part 1)
Willy Northpole Interview Audio:
Listen Here
(Part 2)
..........................................................................................
Related Media
Willy Northpole -
True Story
Willy Northpole -
Hood Shit
Willy Northpole & Don Cannon -
Street Kings: 28 Grams (Mixtape)
..........................................................................................
Due to technical difficulties the first two minutes of this interview were
lost. Here is a recap of Willy Northpole’s comments. In the opening exchange
of the interview Willy talks about his busy schedule. The Dub Magazine car
show that was held the day before where Willy performed in front of his
hometown. As a surprise he brought out the CEO of DTP, Ludacris. Willy also
let the Dubcnn folks know that he is from Arizona. We asked him if he was
ready for the whirlwind of attention that his single, “Body Marked Up” is
about to bring. He replied that he is definitely prepared for the ride and
touched on his great experience on Rap City just a few days prior.
Interview picks up from that point.
Dubcnn: So with cities that haven’t had a national impact as far as
aspiring artists it seems that the talk is always about how they want to be
the first to put their city on the map. You have an opportunity to do that for
Phoenix, for the state of Arizona. Any pressure with that?
When I get that question, it’s a good pressure not a bad pressure. It feels
good to do it. To even be a possible n-gga to actually do that, hell yeah,
it’s a good pressure. I know I can do it. Everyday that I wake up I know I
gotta work hard. I don’t take no days off man. What time is it right now?
2:30? 9:30 (in the morning) I did a radio interview, just came from the big
concert yesterday, know what I’m sayin’? I wake up, checked out of the hotel
and went straight to it, know what I’m sayin’? To the radio station, so it’s
just like that’s the only pressure, me doing what I gotta do.
Once people hear my music I feel like I’m gonna gain a fan so I don’t feel no
pressure as far as whether they’re going to like me or not. It’s just my work
ethic and what I’m gonna going.
Dubcnn: Do you feel the support from your hometown?
I’m not even gonna lie to you. When I was walking through that show yesterday
man...I got witnesses and it’s on camera. I felt like Michael Jackson walking
through that motherf-cker.
Dubcnn: So, tell me how does that feel? When you saw the reaction from the
crowd, the reaction, the looks on their faces, how did it make you feel?
First I thought they were there for Luda. Then I forgot, we are in Phoenix,
you know? We are in Phoenix. A lot of people do look at me as THAT dude. And
Luda came and left. After he left, my line wrapped around the whole facility
for autographs. I was signing autographs until the lights went off. They were
turning the lights off in the building. Security was like, “Well, he’s still
here he wants to keep going.” I just kept, knocked everybody out man.
That’s why I feel like I’m in a good position. My city has responded. In
Arizona it’s hard to get a good response if you’re not doing it the right way.
And they responded to me well. I had a few haters come up, you know try to
throw little jabs here and there. But you know it’s nothing that was ever
going to affect me because I got too much people that love my sh-t n-gga!
Dubcnn: I read somewhere where you said that your music used to sound ‘real
west’. Do you think that’s where artists fall into a trap by trying to sound
like an artist from the West Coast or from the East Coast or what’s hot?
A lot of times people think that’s what you gotta do. If that’s you, then
that’s you. Its not that my music used to be West, I used to just focus on the
negativities from what I’ve been through growing up. Instead of just showing
my emcee skills I used to just talk about the hood, where I was from, dah dah
dah dah dah. Which is still cool, but in order to be that broad artist you
can’t be a rapper you have to be an artist. You gotta learn how to step out
the box man and take chances. A n-gga ain’t gotta look tough all the time with
a screw face, know what I’m sayin’?
Its really just do what you gotta do. And when I write my music I try to
appeal to all markets, you know what I’m sayin’? Not just the n-ggas in the
hood, not just black folks, not just the white dude that’s going through it or
the esse that’s going through it. I’m trying to appeal to everybody. That’s
why I say that...I used to be real West influenced but around the time when I
first got out of jail I started listening to East Coast music. First it was
all West Coast music, then I went to jail and started listening to East Coast
music from Jay-Z to all these other artists. I just blended it all and created
my own sh-t.
I don’t feel like I sound like nobody. I get comparisons sometimes but I
really think I’ve found my...When I was coming up I was trying to mimic other
n-ggas, you know, the people I looked up to. But now I think I’ve found myself
to where I’m gonna be my own trendsetter.
Dubcnn: Tell the people out there what’s the biggest misconception about
being signed. When they think of the fast cars and the fast life, what’s the
biggest misconception?
They got it f-cked up. N-ggas really got it f-cked up. Like, y’all see them
artists walking around with fast...you can believe it when you see it with the
Luda’s, the Jay-Z’s, the CEOs, the Puffy’s. But n-ggas gotta work hard for
that sh-tt. That sh-t don’t come over night. Unless you’re a dumb ass artist
or unless you still trapping in the streets or whatever you gonna do. You
can’t just get it like that.
When people see that all they see are the girls. All they see is the outside
of it. They don’t see how you gotta impress a label every single day to stay
their number one priority, know what I’m sayin’? You gotta wake up every
morning, keep recording, you gotta work out. You can’t be in no bullsh-t. You
wanna slap n-ggas up but you can’t do s#it like that no more. You gotta stay
focused. Keep your circle small and just grind it out.
You gotta have a management team that’s willing to work. People around that
are willing to work. You can’t have no homies. A lot of homies just wanna hang
around and stand in front of you when you taking pictures. Know what I’m
sayin’? You gotta cut n-ggas like that off. Just everything, you know? You
lose friends, you gain friends, you hurt, you cry, all that sh-t. People don’t
see that because all they see is the “Body Marked Up” video or the Rap City’s
or the concerts. They don’t see on the inside how hard I’m workin’ for this sh-t.
Even my physical health, you know what I’m sayin’? A n-gga goin’ on a diet,
trying to eat right so I don’t get winded on stage know what I’m sayin’?
*laughs* So, it’s hard man, it’s a hard job but its what I do. I don’t have a
9 to 5 so its nothing else to do but what I’m doin’, know what I’m sayin’?
It’s kinda like a long term investment. Its not going to come now but as I’m
giving it legs its going to pay off. My people tell me I’m the hardest working
artist at the label. I’m recording every single day. Besides Luda, they say
I’m the hardest working artist but that’s just me. I don’t see it as working
hard. I love being in the studio making new music. I love signing autographs
and all that sh-t. That s#it is crazy.
Who wouldn’t want that sh-t? A lot of n-ggas front like, “I ain’t in it for
the fame!” Then what the f-ck are you in it for then n-gga? You could make
money doing something else. What you wanna rap for if you not in it to have
fun, to have wealth and to live your life and do this and do that? That’s just
my opinion. So anybody who say that shh-t, get off that sh-t. I love that sh-t!
Throw me the f-cking lights, n-gga! Give me all the shine. It’s like John
Gotti and them n-ggas. They was, you know…I don’t mind, I don’t mind. I’m not
doing nothing illegal. I’m just focusing on my music and having fun with it. I
love motherf-ckas that recognize me and say my music did this or did that for
them. Or that they like this song or that song. You know what I’m sayin’?
Dubcnn: Yeah. So, speaking of that spotlight, you obviously signed to DTP.
You work with Luda and you have Chaka Zulu as well. I’m sure they mentor you
and try to teach you. What’s the biggest thing that they have taught you? The
biggest lesson learned that has helped you out or that they taught you?
The thing about Chaka, Chaka and Luda are like two totally different
individuals. Chaka is the CEO of Disturbing Tha Peace with Luda. Also he is
the manager of Luda. He manages Luda, know what I’m sayin’? Chaka is more like
the, I’m not going to say ‘father-type’ n-gga but he’s more like….We had a
dinner for Ludacris’ restaurant opening. Chaka is the type to come fix your
tie and make sure you’re straight. He’ll do some sh-t like that for me.
Dubcnn: The little things that mean a lot
The little things. He teaches me how to hold a mic and how to talk to my
peoples but it’s also Jeff Dixon too. He’s Chaka’s brother. There’s three CEOs
of Disturbing Tha Peace and Jeff is one of them. So Chaka and Jeff is more
like the n-ggas that look out for me. Like, they might say “I don’t know if
you wanna wear that. It looks too bright.” They look out for me on that area.
Luda teaches me the politics like on what to say at these radio stations.
Because a lot of the radio stations try to take jabs at each other and try to
put the artist in the middle of that sh-t. You know what I’m sayin’, the two
sides. And Luda is teaching me how to balance that s#it out…How to take photos
and different poses. He’s showin’ me sh-t like that. So, they’re both bringing
two different...and on top of that it’s a family.
I don’t think a lot of n-ggas can connect with they’re CEO’s the way I connect
with mine. When I go to New York I stay in they spot. I stay in their condos,
know what I’m sayin’? When I’m in Atlanta I stay at Luda’s house. So it’s a
balance of friendship and business but I value their opinion. Them n-ggas sold
millions and millions of records. So, I can’t think like a local n-gga no more
and think that my opinion matters. They definitely take my opinion into
consideration. If I just don’t want to do some sh-t they won’t make me do it.
But at the same time there might be a beat or two that I might disagree with
and they might say, “This is the one.” I’ll rap over it and it comes out hot
as hell. That’s what they do, that’s what they here for.
Dubcnn: Now, when I think of Luda I think of his charisma on the mic. You
can definitely tell when he has been on a track. What’s the one word that
describes Willy Northpole?
On the mic?
Dubcnn: Yeah, in general. Like Luda with the way he emphasizes some of his
syllables and just that charisma.
He’s animated
Dubcnn: Yeah. What’s the one thing that describes Willy Northpole?
Man, I really think, honestly the word...Cannon told me. What was the word?
Polished. DJ Cannon told me I’m a real polished artist. He said every once and
a while you run across a good polished artist. He heard my album and he heard
what I did to his mixtape and the n-gga was like, “You polished! You remind me
of an up and coming, like a Jay or somebody.” Just a real polished flow.
Even from the way I dress. I don’t tough talk on the mic. I don’t try to get
the crowd to fight n-ggas and sh-t like that. I just get on, do me with a lot
of energy, know what I’m sayin’? I don’t even think I need a hype man to be
honest with you. It just looks good for now you know. But I think the word
Polished. My delivery mixed with the polish…ok, when people see me they see
“Body Marked Up” and say Ok, just another West Coast soundin’ ass n-gga. But
when you listen to the album I have broad music man. Even some sh-t that
Daughtry can sing on, you know what I’m sayin’? You feel me? It goes from
“Body Marked Up” to that, so…
Dubcnn: You touched on the album. Is it done? Are you in the process of
recording it?
It’s never done until…
Dubcnn: …they say its done.
Until they say it’s done. But, the only fight we’re having right now is what
songs are we going to use. Because I have so many songs that I can take it to
a totally different...if I take this group of songs I can be viewed as this
artist. Or if I take this group of songs I can be viewed as that kind of
artist. I got songs that they say is too big for the first album that they
want to put on the second album. Like big songs, you know? Big subjects, big
topics and they’re saying, “That’s for the second album. That’s too big.” I’m
talkin’ about the hits, you know what I mean? And its just like…I say put the
sh-t out that’s my opinion. If it’s hot, it’s hot. Don’t sleep on it for two
years. *laughs* And expect me to really be comfortable with it as a single.
You know what I mean?
Dubcnn: Yeah. Now when you talk about ‘hot songs’ it always leads to,
“Who’s the producer on the track?” The way the industry is when you see an
artist come out and they say, “I have this hot producer, this hot producer and
this hot producer.” Do you find yourself having to fight against getting that
hot producer to use up most of your budget to that hot name?
I got beats from a lot of n-ggas man. A lot of big names that I didn’t use,
know what I’m sayin’? I don’t care about the name. That sh-t don’t sell no
more man. You could have Just Blaze, Timbaland and all kinda hot n-ggas on
your album and your budget is gone. And your sh-t don’t sell sh-t. Music is
changing man. From the “Oochy Wally’s” to the “Get Silly’s”, it’s just
changing. Don’t get me wrong, “Get Silly” will smack but it’s just a change in
music. It doesn’t matter who is producing what anymore.
It’s a good sound. And I think 50 was one of the first n-ggas that was doing
that. You know, just listening to random n-ggas beats and ….
Dubcnn: Yeah and if its hot regardless of who produced it.
I was at his house, I stayed at his house for a little while. They have, like
stacks of CDs in the studio. N-ggas used to just listen to beats with random
ass producers and he used to just pick them sh-ts.
So, as far as big names I have a couple that’s recognizable that’s been in the
game. But I don’t have any Dr. Dre’s, no Timbalands. I don’t feel like I need
that right now. There’s nothing wrong with having a beat by Dre but I
don’t…this album
Dubcnn: To use up everything you have to have a beat by Dre doesn’t make
sense.
Yeah
Dubcnn: You were talking about how you feel comfortable in voicing your
opinion to, say Luda or Chaka. How active, at this stage in your career, how
active are you?
To?
Dubcnn: In terms of guiding yourself. I know that sometimes get into a
position and they say, “Whatever you want me to do is what I’ll do.” So, how
active are you?
Like I said, I value their opinion but if I don’t like it then I don’t have to
do it. You feel what I’m saying? Like, I don’t have to do anything. Like, we
shot a video with my own money from my own budget. The label didn’t want me to
put it out yet. They were like, “Wait”. It was the colors in the video and
some other sh-t. But they always say, “If you feel like that’s what you wanna
do, just do it.” And that’s the words of Jeff Dixon, Chaka’s brother. He’s
like the Kareem of the Roc, know what I’m sayin’? The silent…he’s not really
in the limelight too much like Chaka and Cris but Jeff is definitely boss on
the label.
Jeff is the type of person to say, “Willy, I don’t want you to do this my n-gga
cuz I’m lookin’ out for you. I don’t think it would be a good look if you do
this. I don’t think it would be a good look if you say this in your music.”
Because I’ve said some s#it that was disrespectful in my music that I actually
changed because I value their opinion. Not because they made me but because
they asked me. They was like, “You might not want to say that because you’ll
offend a lot of people if you say that.”
My thing is it’s a freedom of speech and you just say what you wanna say. But
at the same time I gotta think of a business man. If I want McDonalds to
sponsor a n-gga and Pepsi to get a hold of a n-gga, you know?
Dubcnn: Yeah, I hear you.
So, whatever they say, I value it and me and my manager Tiffany J we make the
final decision on what we feel is best for the career. But we definitely take
everybody’s opinion into consideration.
Dubcnn: So, you talk about your career. I read where you said you wanna be
listed as one of the five elites in the game. What’s it gonna take for you to
be one of the five elites?
Consistency. I think mixtapes alone can put you in that category. When Papoose
first came out people were going crazy over the way he spit.
Dubcnn: Good point.
Now what I’m sayin’? So, Papoose, I don’t really know what he’s doing right
now but I know that he’s a hot rapper. I know he’s good at what he do.
*Momentary pause in interview*
Dubcnn: So, you were saying about Papoose?
So Papoose came in and stamped himself as a lyricist. Lupe Fiasco came in and
stamped himself as a lyricist. You know, five elites, I think it’s a new
generation. It could be a new generation of five elites. You know the old
generation was Pac, Biggie, Jay-Z, Nas you know what I’m sayin’? We change
with the generation. Just like it was Jordan, Kareeem, Magic and now there’s
Kobe, Iverson, Shaq, it’s them n-ggas now. You know what I’m sayin’? So it’s
the same thing with rap. Rap Changes, so I definitely think I can be in the
category for this generation. Hopefully looked at as a Biggie or Pac, one of
them n-ggas in the future.
Dubcnn: And consistency is what will get you there. So, what is something
that people would be surprised to know about you? I saw before where you said
that you like to look at the Discovery Channel.
Discovery, I’m a...I like to watch politics on CNN. I love that sh-t. I’ll go
buy some food, go home and watch that sh-t like it’s a movie. I like daytime
TV. *laughs* Maury Povich and sh-t like that. That’s my laid back time though,
if I have my little girl over. You know just chill, let her play around while
I’m watching TV or something. That’s my laidback day.
Um, I crack a lot of jokes. A lot of n-ggas might think I’m serious all the
time. I crack jokes. Me and my n-ggas be roastin’ all the time. That’s all we
do. And, you know, I like to work out.
Dubcnn: I’m trying to get like you. I need to go home and do me some push
ups myself. *laughs* I was reading where you said that regardless of what it
is you are ‘Willy everyday’ and nothing changes about you. But my question is,
in order to get to that elite status with that consistency do you feel that
you might have to step out or elevate parts of your personality to get that
attention? Not change who you are but…
When I say I’m Willy everyday I don’t mean….when n-ggas say ‘keep it real’
they can get the f-ck out of here with that sh-t. I’m gonna keep it 100 all
the time and that ain’t got nothin’ to do with keep it real. When you say,
“I’m keepin’ it real” that means you question what you’re doing you know what
I’m sayin’?
But when I say ‘Willy Everyday’ I mean I’m not gonna change the person I am.
Meaning I’m not going to try to act tough all the time. I ain’t gonna try to
impress n-ggas or anything like that. I’m just gonna do me and have fun with
this music cuz that’s what I wanna do. I’m never going to change that person.
But as far as my music and stepping out of the box and collabing with folks
that people wouldn’t normally collab with, hell yeah I’ll do that. That’s just
me as an artist, know what I’m sayin’?
Dubcnn: So when we sit down right around New Years what would you have
accomplished for 2008?
For 2008? I would feel by that time my single should be moving a little
further. I accomplished a single and it’s a good street anthem. I can see me
growing as one of the top mixtape emcees cuz I’m goin’ in on these mixtapes. I
finished one with DJ Cannon, Green Lantern. Of course DJ Skee and Smalls down
South. Then I’m touching on all these other little mixtapes, hostin’ ‘em. Just
being a beast along with these DJs. Just building the legs before the machine
even kicks in.
They were trying to give me a release. They’re still trying to push me this
year but if my s#it ain’t out then I’m not coming out. They’re not about to
flop me, I feel I’ve worked too damn long and too hard for them to just throw
me out with the wolves like a little piece of bread and just have me get
eaten. Even though I’m a good artist but a lot of good artists flop, know what
I’m sayin’? Because of the buzz, the ethics and things like that but my s#it’s
gonna be right before I come out. So, December 31st the nation should know who
I am. Big time
Dubcnn: Any last words? I know you have a crew (Man Up Squad). You want to
talk about them? What do you want to leave dubcnn with?
As far as the squad, man we just like brothers. N-ggas go through sh-t. Some
n-ggas is on and some n-ggas is off. But we’re still 100 and everybody is
still squad. It’s always gonna be squad. Everybody has each other’s numbers
and everybody keeps in contact with each other. We’re not as tight as I would
want it to be that’s part of my job and a few leaders of the squad to get
things back together and really back to what it was.
Because as far as emcees, ain’t nobody f-ckin’ with the squad. There’s no
emcees out there that are better then what we do and I promise you that. If we
could just get our s#it right and get passed the bulls#it...we let a lot of n-ggas
in and it got bigger than what we wanted it to be. We got up to 100 members.
We had Man Up n-ggas in New York, down South. N-ggas in Man Up Europe, Germany
hittin’ us up talkin’ ‘bout they the Man Up Squad. It was just getting a
little bit out of hand so calm it down and get it a little bit more organized
and come back with it though. But that’s part of my job, part of my duties and
Cinque’s job. There’s a lot of big heads up there, you know Fraze, Raymond
Redd and a lot of them dudes, we just have to get it right.
As far as Dubcnn, thank you for having a n-gga on it. It’s good and I hear a
lot about y’all. I was expecting some controversial questions but *laughs* I
escaped this one pretty easy.
Dubcnn: Nah man, next time we talk maybe I’ll bring some controversy to the
table but I wanted to let the people know who you were.
Shout out to the whole West Coast. I know they check this out. The whole
Southwest. You know I used to live on 110th and Vermont in Cali so, you know I
have a little bit of CA roots. Not too much, I’m from Arizona but I used to
live out there for a couple of years.
Dubcnn: Alright, thanks for your time man.
.........................................................................................
Willy Northpole Interview Audio:
Listen Here
(Part 1)
Willy Northpole Interview Audio:
Listen Here
(Part 2)
.........................................................................................
|