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http://www.youtube.com//v/izC-8bTziHEi'll give u an example of what i mean. the first two niggaz rappin on the track (K-Rock and MC Mack) are on that gangsta shit while whole time tha beat kinda puts u in a dark trance even though there's no real references to demonic worship and all of that. and the last nigga on tha track (Scan Man) is on sum horrorcore crazy type of shit (it's actually kinda wack but u see what i mean). Scan Man references cutting up bodies and that type of shit and devilish references while the other two niggaz don't and never really have from all of what i heard (especially MC Mack who be rippin shit all tha time). this track is kinda like a fine balance between the two genres except Scan Man is really tha only nigga on here doing that horrorcore shit but at tha time this is kinda tha reason why I fell in love with the whole entire Prophet Posse from tha jump (they were artists with it but they kept it hood at tha same time and executed it damn near perfectly even though today i'd probably skip over today alot of what i liked back then).Listen to this shit in a system and that muthafucka bangz too. some OLD Heads and some youngins (i'm talkin maybe 14 and below) really don't realize how influential and pioneering DJ Paul and Juicy J were to this game of rap. a few people were experimenting with it here and there back in tha day but nobody was doing it like the Triple Six Mafia. they had to change their name in 95' from Triple Six Mafia to Three 6 Mafia just to make their shit more sellable. Tha funniest thing that gets me is that Juicy J and Project Pat's father is a preacher and still is to this day i believe lol.
Quote from: Hollywood Bilderberg Group™ on September 04, 2011, 08:41:42 PMhttp://www.youtube.com//v/_deinljetI4i'll give u an example of what i mean. the first two niggaz rappin on the track (K-Rock and MC Mack) are on that gangsta shit while whole time tha beat kinda puts u in a dark trance even though there's no real references to demonic worship and all of that. and the last nigga on tha track (Scan Man) is on sum horrorcore crazy type of shit (it's actually kinda wack but u see what i mean). Scan Man references cutting up bodies and that type of shit and devilish references while the other two niggaz don't and never really have from all of what i heard (especially MC Mack who be rippin shit all tha time). this track is kinda like a fine balance between the two genres except Scan Man is really tha only nigga on here doing that horrorcore shit but at tha time this is kinda tha reason why I fell in love with the whole entire Prophet Posse from tha jump (they were artists with it but they kept it hood at tha same time and executed it damn near perfectly even though today i'd probably skip over today alot of what i liked back then).Listen to this shit in a system and that muthafucka bangz too. some OLD Heads and some youngins (i'm talkin maybe 14 and below) really don't realize how influential and pioneering DJ Paul and Juicy J were to this game of rap. a few people were experimenting with it here and there back in tha day but nobody was doing it like the Triple Six Mafia. they had to change their name in 95' from Triple Six Mafia to Three 6 Mafia just to make their shit more sellable. Tha funniest thing that gets me is that Juicy J and Project Pat's father is a preacher and still is to this day i believe lol.three six are innovators of horrorcore rap, no doubt...but lynch, sicx, and raided came before them, homie. same with esham and necro. three six was not the first, they were just some of the biggest and are definitely innovators, but there was horrorcore way before 'em.
http://www.youtube.com//v/_deinljetI4i'll give u an example of what i mean. the first two niggaz rappin on the track (K-Rock and MC Mack) are on that gangsta shit while whole time tha beat kinda puts u in a dark trance even though there's no real references to demonic worship and all of that. and the last nigga on tha track (Scan Man) is on sum horrorcore crazy type of shit (it's actually kinda wack but u see what i mean). Scan Man references cutting up bodies and that type of shit and devilish references while the other two niggaz don't and never really have from all of what i heard (especially MC Mack who be rippin shit all tha time). this track is kinda like a fine balance between the two genres except Scan Man is really tha only nigga on here doing that horrorcore shit but at tha time this is kinda tha reason why I fell in love with the whole entire Prophet Posse from tha jump (they were artists with it but they kept it hood at tha same time and executed it damn near perfectly even though today i'd probably skip over today alot of what i liked back then).Listen to this shit in a system and that muthafucka bangz too. some OLD Heads and some youngins (i'm talkin maybe 14 and below) really don't realize how influential and pioneering DJ Paul and Juicy J were to this game of rap. a few people were experimenting with it here and there back in tha day but nobody was doing it like the Triple Six Mafia. they had to change their name in 95' from Triple Six Mafia to Three 6 Mafia just to make their shit more sellable. Tha funniest thing that gets me is that Juicy J and Project Pat's father is a preacher and still is to this day i believe lol.
fuck r u talking about, these niggaz were putting out tapes (as a group and individually) starting in 1990/1991. do u know how long these niggaz been in tha game homie? u don't know about tha real 666 my nigga. i'm aware that Lynch/Sicx/Raided been out pretty much just as long but 666Mafia weren't biting off of them niggaz.http://www.youtube.com//v/x8HHMIRrCM8
Quote from: Chamillitary Click, literally. on September 04, 2011, 03:29:22 PMLOL @ NIK thinking he's lyrical. & LMFAO @ NIK thinking he's better than Tyler, The Creator.NIK, just because you rhyme "I get digits on my pivot & live it because I'm livid" doesn't make you lyrical. You just throw rhyming words together & lyrically you rap about murdering women via bush.better lyrically, no doubt...as far as rhyme-structure and mechanics go, tyler is really whack. as far as on a multi-syllable tip, tyler is awful. almost anyone can flip syllables better than tyler. dude's simple, his rhyming mechanics and techniques aint impressive at all.
LOL @ NIK thinking he's lyrical. & LMFAO @ NIK thinking he's better than Tyler, The Creator.NIK, just because you rhyme "I get digits on my pivot & live it because I'm livid" doesn't make you lyrical. You just throw rhyming words together & lyrically you rap about murdering women via bush.
necro was born in 1976he was rappin in the 80s? u tryin to idolize ur fellow white man 2 much there NIKCC
Quote from: NIKCC on September 04, 2011, 08:01:09 PMQuote from: Chamillitary Click, literally. on September 04, 2011, 03:29:22 PMLOL @ NIK thinking he's lyrical. & LMFAO @ NIK thinking he's better than Tyler, The Creator.NIK, just because you rhyme "I get digits on my pivot & live it because I'm livid" doesn't make you lyrical. You just throw rhyming words together & lyrically you rap about murdering women via bush.better lyrically, no doubt...as far as rhyme-structure and mechanics go, tyler is really whack. as far as on a multi-syllable tip, tyler is awful. almost anyone can flip syllables better than tyler. dude's simple, his rhyming mechanics and techniques aint impressive at all.rhyming multi-syllable is only impressive if you say something that makes sense. Is that line cham posted really yours? Because its meaningless and an awful rhyme. Rapping something meaningful with single syllable rhymes >>>> saying gibberish by rhyming random words together.
but who had actually heard of them niggaz though (other than MAYBE Esham in certain circles)? Three 6 was selling out shows and getting banned from clubs in 92' and they were selling out tapes ALL ACROSS THE SOUTH way before "Mystic Stylez" had ever came out. I know becuz my sister's ex from way back yonder who was from Alabama told me him and his boyz used to bump that shit when they were teenagers in high school (keep in mind this nigga graduated in 95 which is the year "Mystic Stylez" came out). I also know becuz when i waz a youngin i did all of the studying i could on Three 6 Mafia. i see what you're saying but nobody heard of Brotha Lynch and them niggaz outside of Sacramento and MAYBE a few spots close to that in 86' my nigga. XRaided's FIRST demo tape (i think all of it) from 1991 is on YouTube [but basically them niggaz were local just like Lil' Jay waz before he became Young Jeezy]. And i didnt even hear of Necro until like 2/3 years ago so if he had a hit or two u have to define hit becuz i ain't never heard that shit. Tha only white rappers from back in tha day who had HITS were The Beastie Boys, Snow, House Of Pain, Mark Whalberg, and Vanilla Ice. They came out all around the same time i'll admit that but Three 6 actually blew up and had their own sound doing it and the rest of em didn't. How many people before "Season Of Da Siccness" had actually heard of Brotha Lynch before that other than niggaz watching the news on that XRaided shit? I think you're kinda getting local niggaz (at tha time) mixed up with Innovators and game changers. I've read about where these niggaz got their influences from and it wasn't any of them niggaz from what i remember. I grew up on that Siccmade shit so i feel u but i think Three 6 had tha ball first with that 1, their posse was like 60 deep back in tha day. Between them and The Wu Tang u couldn't have had a bigger crew back in tha day (and all of them niggaz actually rapped and released albums too)
Necro BiographyNecro was born in Brooklyn, New York and grew up in the Glenwood Housing Projects, where he lived for eight years from about 6 years old to age 14, when he moved to Canarsie. He is the son of two Israeli expatriates and of Israeli and Romanian ethnicity.[3] Necro's father was a Romanian born Israeli combat soldier and his mother an Orthodox baalat teshuva.[4]He began his musical career at 11, playing guitar in a death/thrash metal band named Injustice. But in due time, he made a transition from metal to hip-hop.[4] In 1988, he started rapping after being influenced by his older brother, rapper Ill Bill. Necro derived his stage-name from the Slayer song "Necrophobic". Before that he called himself "Mad Mooney", which was a character from a Clive Barker book. He made his first demo in about 1990 and won a demo battle contest on the Stretch Armstrong and Bobbito show on WKCR 89.9FM.