It's June 04, 2024, 06:32:08 AM
The last album Amaru did consider was an album titled "Pac's Kids" - An album featuring music enthusiasts within the TASF (Tupac Amaru Shakur Centre for the Arts) and was briefly mentioned as a consideration during the Afterschool Enrichment Class. It would be an album of unreleased 2Pac recordings featuring additional vocals from aspiring rappers, and production by students studying sound production. The idea behind it was pretty cool. It was an album of 2Pac's giving back to the youth by allowing them to appear on it. Afeni was really behind it, however it wasn't considered a big selling point by distributors, and necessary funding was seen as secondary to the actual development and running of the centre itself so the idea was scrappedThere were plans of videos around the centre, and submitted art work, and ideas solely from students at the centre, and other talented young individuals
^^^right^^^I don't wanna disrespect Afeni at all but she jah did fuck up Pac's legacy with her decisions. But if I was Pac I probably woulda just had momz handle my Estate so it's not like she's at fault 100%. Pac was already herold as a Hero from all walks of life but for some reason she tried to turn Pac into that he wasn't and it backfired. "R U Still Down" was the shit and all but after that it was pretty much disappointments from there on out (maybe with the exceptions of some movies here and there). The real problem is she didn't stick to the winning formula that Pac had invested his energy into and created, she just thought that updating his instrumentals and guest appearances would suffice but NOT ONCE did anybody anywhere whether in the Streets on the Internet EVER co-sign new producers and newer artists featured on his tracks. All of that was solely Afeni and Amaru's decision and fault and it's why they've dwindled the 2Pac Shakur brand over the years (significantly i should add). Now Pac's remixed album are virtually worthless and uninteresting and nobody's really checking for em (sorry but i have to tell tha truth). it's been just abuncha shitty remixes thrown ontop of timeless music. Even when i was a Pre-Teen and i didn't know shit about marketing or Hip Hop like that I knew not to fuck with Pac's music and if u did all it would is backfire on u. "Ballad Of A Dead Soulja" and a few other tracks past "Greatest Hits" were the only really good Pac tracks released after his transition. I'm not saying that he's outta tha paint completely but there's really been no reason to stick around for Pac other than the reason of it being Pac. 10 years from now EVERYBODY will be playing the Original 2Pac Shakur collection (with the exception of very few songs here and there) and that's not just becuz the 90's gets more love nuertally but becuz that's the bulk of quality Makaveli music. with that said God Bless 2Pac
This would have been a good album, and a completely different take on a retail 2Pac release. Similar, but unlike The Rose That Grew from Concrete, it would contain student involvement on a more creative level than just rapping out 2Pac poetry. It would be their own, as well as previously unreleased 2Pac verses included on tracks. Pretty much everything from song arrangement, verses, production, mixing, CD art work, video concepts to street promotion would all be done by centre for the arts students. It would be like a creative student project "featuring" 2Pac, than a 2Pac album featuring kids, if that makes sense, but obviously the marketing would have likely been different to sell it. Afeni and others at Amaru were really behind itThat was one idea of what to do with the remaining 45 unreleased tracks they have left, some of which are incomplete and unfinishedThe future of Amaru and the 45 unreleased Tupac songs is to do the same as above but on a far smaller scale, by using a handful of tracks at a time rather than releasing full retail albums. Amaru have NO intention of releasing any more "new" 2Pac albums. They may in the future decide to re-release the existing catalogue remastered with the latest technology at that time, remixes of earlier work/albums, or assisting music to documentaries, which will contain existing 2Pac songs that are already out there
The real problem is she didn't stick to the winning formula that Pac had invested his energy into and created, she just thought that updating his instrumentals and guest appearances would suffice but NOT ONCE did anybody anywhere whether in the Streets on the Internet EVER co-sign new producers and newer artists featured on his tracks. All of that was solely Afeni and Amaru's decision and fault and it's why they've dwindled the 2Pac Shakur brand over the years (significantly i should add). Now Pac's remixed album are virtually worthless and uninteresting and nobody's really checking for em (sorry but i have to tell tha truth). it's been just abuncha shitty remixes thrown ontop of timeless music.
It was a success. But at what cost?You'd be a moron to not already know that a posthumous 2pac album would sell. 10 years from now folks will be playing all of Pac's original material, not some Jazze Pha or Frank Nitti remix with a feature that woulda only worked if Pac was alive. Like I said, some songs are alright, but the bulk of Pac's work released after 99' isnt that great. The instrumentals and the guest appearances are all fucked up.