It's August 31, 2025, 02:40:45 PM
Back in the day, so many unforgettable moments. I remember picking up The Chronic on cassette the day it dropped and going to The Wherehouse for Doggystyle’s midnight release. I lived through Ruthless and Death Row eras. In Los Angeles, we had Westside Radio and Friday Night Flavaz—people would stay up late, recording world premieres off the radio.I still remember the night Warren G and Nate Dogg premiered “Regulate” on Power 106. Warren even talked about another track he had with Nate called “Gangsta Groove” and accidentally played a snippet on the radio. The night DJ Jam played the OG version of “What Would U Do?” Those were amazing times, and this sound was all so new to us.I’ve been following this discussion and agree with the disappointment around “Gorgeous.” For me, I expected something groundbreaking from Dre. But, as others have pointed out, since the Scott Storch, Mike Elizondo, and the 2001 crew, Dre hasn’t found a new signature sound. From Straight Outta Compton, N4L, The Chronic, Doggystyle, 2001, to The Documentary, Dre always moved the needle.Which brings me to Missionary. Everything about this project feels like a letdown so far. “Gorgeous” didn’t live up to the hype. I’ve tried to get into it, but it’s just not what I expected from Dre and Snoop. My friend Chris, who engineers for Snoop, got to hear the full album and sequenced it. He told me, “just wait,” but wouldn’t say more. I’m hoping the rest of the album is better, but I’m not optimistic.Dre has too many producers involved now. The tracks are incredibly short, and I just don’t have a great feeling about this album. Granted, I’m not expecting a sequel to Doggystyle in terms of sound but this isn’t even close. It was an incredible ride while it lasted.
Bad Intentions was a BANGIN track fo sho
I’ve never heard of this “Gangsta Groove” snippet being played…did it have Nate on it too?
He only played a brief part—just Warren. I still have the tape somewhere, along with him talking about the song.Warren G also mentioned “Regulate” would be on an upcoming soundtrack, which turned out to be Above the Rim, and later his album. Originally, the G-Funk Era tracks had Snoop on the hook for ‘This DJ’ and Tha Dogg Pound on another track. From what I remember, Suge got involved, and Warren had to remove the songs with DR artists.
Tha Dogg Pound was on G Funk Era? Do you know the song?I never knew that. They were on What We Go Through on his second album, but never knew they recorded something for his first.
Drink with the Champs interview with Snoop n Dre 11.16.24
I remember reading Damion “Damizza” young’s book and his take on Bishop Lamont’s “Grow Up” which was a perfect tracks for Bishop or even a good song for Dre to return with. Never the less the track was and still is amazing.But Interscope pulled the records out a cease and desist in effect for power 106 not to play it. And the station that helped Dre and his team get rich off the spins of their music got a invite to listen to the final version of “ Grow Up” with Marsha Ambrosia on the hook and Damizza shared his disconnect with the final mix that had lost its hip hop edge and sounded over produced … Case in point here a great song amazing beats and delivery flow from Snoop, but an over produced song with a busy vocal hook that isn’t being much to the chorus .. Dre hasn’t been on the scene with young artist and or let alone tried to make music outside of his team of aftermath shit he barely did anything with Kendrick Lamar … while Dre is the GOAT producer it comes at a fault … he wants it all too polished and nothing fun and dirty these days …
Please find that tape and post the snippet. I've never heard anything about this song. Would be great to hear a scrapped G Funk Era track as Warren G unreleased stuff is pretty hard to come by.