It's August 21, 2025, 10:39:55 PM
wow, well this one was a lot better than anyone expected it to be.happy he released a very lengthy album in todays 2-verse attention span era/tiktok era.loads of good songs on here - great features and doesn't really lag at all!
Does everyone really like this album? I think there are a few really good tracks but most of it is kind of bland and the beats don’t move me. I’ve always been a fan of Redman too.When you listen to this next to Missionary, for example, it’s like no contest how sub par this album sounds.
Bro you were just complaining about sccit comparing everything to Hibernation Shivers now look at you doing the same thing comparing a Redman album to missionary To me they’re not really comparable. Two different feels. Redman always created an atmosphere through all the little skits and I enjoy his sense of humor. Yeah the beats might not all be amazing but Redmans charisma and character make up for it. I thought Kush with Snoop was a highlight
Bro aside from this response, I’m going to make ONE fucking post in this thread commented on the album. I’m not about to post 500 times in here like your boy Scitt in the Missionary thread.
Redman - Muddy Waters Too | ReviewRedman’s Muddy Waters Too is a triumphant return for the Brick City legend, dropping nearly three decades after his classic 1996 album Muddy Waters. For many, that original LP remains his magnum opus—a gritty, funk-fueled showcase of charisma, humor, and bars. To see Redman come so close to matching it after almost 30 years is nothing short of remarkable. At 32 tracks and 80 minutes, this project is massive, yet it never drags—a rarity in today’s EP-dominated landscape. Redman bucks the trend of brevity and delivers quality and quantity, giving us a proper full-length experience.From the jump, Funk Doc Spock sounds energized, confident, and in top form. His humor, wordplay, and wit are as sharp as ever, while his flow feels timeless. Whether it’s the hard-hitting opener “Da Fuck Goin’ On?”, the soulful Jersey anthem “Don’t You Miss,” or the stoner-friendly “Kush” with Snoop Dogg, Redman navigates a range of moods without missing a beat. Tracks like “Lite It Up,” an epic posse cut featuring Queen Latifah, Naughty by Nature, Rah Digga, and more, underline his dedication to the culture.Despite a lineup of producers—Erick Sermon, Rockwilder, Khrysis, Rick Rock, and Redman himself, among others—the album feels surprisingly cohesive. The beats balance classic boom bap with modern touches, creating a gritty yet polished soundscape. Highlights like “Dynomite” with Sheek Louch and “Pop da Trunk” show Red’s versatility, shifting between funky, hardcore, and even trap-inspired beats with ease.Redman’s infamous love of skits is present but doesn’t interrupt the flow too much, making the album more enjoyable as a whole. This year saw plenty of veterans drop strong projects, but Muddy Waters Too is the standout. Redman proves he can still hang with the best, delivering a long-awaited sequel that’s fun, consistent, and deeply rooted in Hip Hop. For those craving an album with personality, humor, and bars galore, this is a must-listen. Props to Reggie Noble for showing us all how it’s done.