Author Topic: its not all good at the aftermath  (Read 1256 times)

LyRiCaL_G

Re:its not all good at the aftermath
« Reply #15 on: September 06, 2003, 04:14:55 PM »
all im sayin is i hope its bullshit cuz i got much love fo melman.........speakin of it though, if its tru his left, we can take alot of wot his sayin as truth cuz his done alot of shit with dre but i hope non of this is true and source jus tryna cause mo bullshit

peace
 

The Watcher

Re:its not all good at the aftermath
« Reply #16 on: September 06, 2003, 07:56:21 PM »
Em has left Aftermath too
army of the pharaohs never make love songs
we finger fuck bitches with freddy krueger gloves on
- celph titled

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anticipate the shots like obama at the podium
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Dope Money Clean

Re:its not all good at the aftermath
« Reply #17 on: September 06, 2003, 10:54:42 PM »
they said rakim lefted because dr. dre had him in there with c-list producers. dre would throw him 1 track and not even sit wit him.

What about that interview  THAFORMULA.COM did with Rakim , he said he was in the studio with Dre all the time , and they were working real close with each other. He basically said Dre was a studio rat.

LOL @ Dre throwing him 1 track and then leaving. That sounds like horseshit to me.  ;D
 

jrfloyd76

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Re:its not all good at the aftermath
« Reply #18 on: September 07, 2003, 07:23:13 PM »
its seems like the whole issue is dissin aftermath. 50 is on the cover but they didnot interview him. its just to sell mags i think. it has articles on former 50's friend saying how he blew up and dissed every1, it states that he is a fake. it also talks about rapprs with bodyguards. it states mel-man changed his name to Hillstorian. they have picvtures with all of the former producers together. its on pages 100-103 in the october issue of the source.
 

real talk

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Re:its not all good at the aftermath
« Reply #19 on: September 07, 2003, 07:43:38 PM »
I don't understand you Dre/Snoop?dpg dick ridas for flaming this guy who was only passing the info. The shit is true thought they interviewed all of them and even have pics with Mel-Man and all of them. You dick ridas made be upset but it's true.
 

Lincoln

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Re:its not all good at the aftermath
« Reply #20 on: September 07, 2003, 07:53:45 PM »
I don't understand you Dre/Snoop?dpg dick ridas for flaming this guy who was only passing the info. The shit is true thought they interviewed all of them and even have pics with Mel-Man and all of them. You dick ridas made be upset but it's true.

word......

Most hip-hop is now keyboard driven, because the majority of hip-hop workstations have loops and patches that enable somebody with marginal skills to put tracks together,...

Unfortunately, most hip-hop artists gravitated towards the path of least resistance by relying on these pre-set patches. As a result, electric guitar and real musicians became devalued, and a lot of hip-hop now sounds the same.

Paris
 

Don Jacob

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Re:its not all good at the aftermath
« Reply #21 on: September 07, 2003, 11:23:09 PM »
all this "seems" like shit  and is glossed over with so called "proof" from the sorce but the fact remains this



dre's  been having the SAME damn signiture sound since what? since 1999/98 and inbetween those fucking 5 year , HOW MANY people/producers have worked under him?? how THAT many different people can come up with the same typa beat .......hurts this whole argument. the only consistant name attatched to all these beats is dr. dre......i've heard  scott storch on his own......sounds nothing like the shit he did for dre. the fact is this  dre hires help. Dre beats are just that DRE BEATS.




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Don Seer

Re:its not all good at the aftermath
« Reply #22 on: September 08, 2003, 01:49:16 AM »
someone post some scans up and clear this up :)
 

real talk

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Re:its not all good at the aftermath
« Reply #23 on: September 08, 2003, 02:09:58 AM »
someone post some scans up and clear this up :)

I have the mag, but no scanner :(  But if you want I can type out some of the interview. But if you guys get the Source out there its the one with 50 cent on the cover, and it has a pic with Mel-Man, Chuck, Eric B and some other dude plus an interview as well.
 

real talk

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Re:its not all good at the aftermath
« Reply #24 on: September 08, 2003, 02:12:38 AM »
all this "seems" like shit  and is glossed over with so called "proof" from the sorce but the fact remains this



dre's  been having the SAME damn signiture sound since what? since 1999/98 and inbetween those fucking 5 year , HOW MANY people/producers have worked under him?? how THAT many different people can come up with the same typa beat .......hurts this whole argument. the only consistant name attatched to all these beats is dr. dre......i've heard  scott storch on his own......sounds nothing like the shit he did for dre. the fact is this  dre hires help. Dre beats are just that DRE BEATS.




Sounds like you in denial. I can see if it was one person or just a few but over the years it's been ton of producers who say Dre jack they beats. Now everyone couldn't just be lying on Dre.
 

Hittman2001

Re:its not all good at the aftermath
« Reply #25 on: September 08, 2003, 02:32:58 AM »
i found an interesting article about Ron Feemster aka Neff-U...i talks about the tracks he helped out on, co-wrote, instruments....etc

http://www.songwriteruniverse.com/feemstar.htm
 

real talk

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Re:its not all good at the aftermath
« Reply #26 on: September 08, 2003, 02:41:30 AM »
i found an interesting article about Ron Feemster aka Neff-U...i talks about the tracks he helped out on, co-wrote, instruments....etc

http://www.songwriteruniverse.com/feemstar.htm

interesting article, do you know how old is it? and also that guy Neff claimed he produced the entire Coors Light Commicial beat in the Source Mag.
 

Hittman2001

Re:its not all good at the aftermath
« Reply #27 on: September 08, 2003, 02:55:36 AM »
i'm assuming its somewhat recent because of the mentioning of the track Not Today with Mary J. Blige and Eve.  at first the track was known as "The Bullshit"....also i think its a monthly online magazine and the article seem to be the most recent, so i'm thinking its this month's edition
 

Dedicato

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Re:its not all good at the aftermath
« Reply #28 on: September 08, 2003, 05:14:37 AM »
BULSHIT

Stat Quo Interview with Aftermathmusic.com:

Aftermathmusic.com: So, you worked with Dre and Mel Man in LA. How was the work with them in the studio?

Stat Quo: It’s beautiful. When you talk about Dr.Dre, he is a legend man. He is hip-hop’s Quincy Jones. You know what I mean. He is the guy that has never really lost at anything he is done. And the fact that he hasn’t really worked with any artists up out of the south, and they negotiating to sign me right now. It’s just a beautiful thing because he is taking me to another level. Just being around him and learning and talking to him. Just being with him in his presence has taken me to another level. Then you talk about someone like Melman, who has been apart and been around Dre for years. It has gotten to the point that if you’re talking to one, you are talking to the other one. So at all times of the day when I’m talking to either one of them, I’m just getting knowledge. Teaching me so much and learning how to really be an artist and not just be a rapper and put an album out, and be here today and gone tomorrow.

Aftermathmusic.com: You are unsigned right now. Is your work with Dre and Mel an indiction that you'll sign to Aftermath?

Stat Quo: I'm negotiating with Aftermath, it’s not final yet. We're about 85% done with the deal. There was an article in the Source that said I was signed with the Drama Family. No I’m not signed with the Drama Family, they misquoted him when he said that. That’s not true as far as what things that they’re saying about me in there. Shout out to Big Chuck. I’m not signed to the Drama Family. I’m negotiating to sign directly with Aftermath.


The Interview will be up mid of this week
« Last Edit: September 08, 2003, 05:18:01 AM by Dedicato »
 

eNgIeS

Re:its not all good at the aftermath
« Reply #29 on: September 08, 2003, 05:42:29 AM »
I don't believe any of these beatmakers who claim Dr. Dre took production credits from them.  They probably program the drums and play the keyboard and think they just produced a song.

Exactly, I think its a similar situation with how Daz claimed to have produced some songs on Chronic & Doggystyle, but I am more inclined to believe that he co-produced them, same with Warren G co-production some of The Chronic

There are producers who got in the game coz of Dre that will tell you what Dre did. He had those guys like Scott Scorch & that do stuff, but Dre was always giving those guys directions giving the musicians behind the keyboards, symphasizers & all that other shit, instructions on which key to press or note to hit.

Theres many people who work with Dre who will confirm that. DJ Quik is one of those guys. He said how Dre would just think of a melody & hum it, then put it out there & build it up from there. Scott Scorch has said how Dre was in charge how he gave Scott directions & stuff, & look at Scorch now he is making his own beats. Its like Dre teaches em

they said rakim lefted because dr. dre had him in there with c-list producers. dre would throw him 1 track and not even sit wit him.

What about that interview  THAFORMULA.COM did with Rakim , he said he was in the studio with Dre all the time , and they were working real close with each other. He basically said Dre was a studio rat.

LOL @ Dre throwing him 1 track and then leaving. That sounds like horseshit to me.  ;D

Exactly

The Source is just doing anything they can right now to sell because they know they are dead, that XXL, Rap Pages & Murder Dog are becoming bigger & bigger & that the Source doesnt have access to 3 of the industries biggest names, in Dr.Dre, Eminem & 50 Cent. Those last 3 guys are some of the biggest names out there right now, esspecially 50.

They've already lost white readers after the "racist" issue, pretty much every fan of 50 Cent, Dre & Eminem, real hip hop heads which were once there main market know that The Source is not a credible magazine, & hasnt been for a long time

Bottom line is, Source will continue with these scandelous articles to try & keep them a-float, while people continue to jump off the sinking Titanic that is the Source onto the XXL boat, & the people who do stick with the Source will go down with it