It's May 23, 2024, 02:16:58 PM
I hear you. These songs are the ones I thought should've been scrapped. I think they were an appeal to the younger crowd but they totally interfere with the theme of the album. However, "It's Everywhere" with Uncle Murda is cool to me. Soopafly produced Doggysylin' and Catch A Vibe (I think he did some ad-libs on there too during the chorus if I remember correctly). DPG has pledged allegiance to and support for Deathrow so we'll see what that turns into but yeah, they should've been featured along with Tha Eastsidaz. If Deee & Goldie had verses on Doggystylin' it would've been next level for that track (plus it would've been longer, which is always good). We'll see what Super Bowl Sunday reveals about the future of the original gang. But I'm buying this album. There's enough there to enjoy despite my criticisms.
Bacc On Death Row and only Nate? Comon. What sense does it make to name the album like that.
Soopafly produced Doggysylin' and Catch A Vibe (I think he did some ad-libs on there too during the chorus if I remember correctly).
one more snoop album with battlecat's average productions... i don't understand why doesnt he give him his best works?You may react wtf!!! when i say "average bc" but have u guys ever listened to battlecat's live instagram shows and beats he played? there are incredible beats and bangers but snoop never gets one of em. he keeps picking weak ones instead bangers. i hate that.
You know how you can buy grades of weed from brick pack dirt all the way up to bionic bubonic chronic and points in between? Beats are like that. A throwaway beat is cheap because no one else wants it, it gives you a marketing angle and you give up less publishing points. A certified banger that everyone knows is hot costs. Upfront and back end. On top of that it will require proper mixing because any decent producer isn't going let his heat be killed with trash quality fidelity that doesn't knock and there are usually increased legal costs as well and various other behind the scenes things that up the price. There it is. Thats why Snoops projects sound cheap because they are. He generally buys cash up front beats to skip all of the above and just keep churning out releases. Take a couple of big names, two more has beens and fill the rest out with Soundcloud level beats and thats the project done after its been ran through a Fruity Loops loudness filter and shared with an MS Paint cover. If he gets a smash hit he scores big as the profit is all his. If it bricks, it doesn't matter because the recoup is low and he doesn't have anything else to pay. All that money he makes he could easily release 1 A1 album every two years instead of 6 crappy amateurish drops but he is a business, not an artist. Its about keeping the Snoop Dogg brand out there because he knows suckers will eat it up as he has die hard Stans waiting to jump on his jock. Personally I won't and don't support that kind of "artistry" because its obvious he doesn't respect those who made him what he is but then Snooper Dooper has always been a conman and you suckers keep letting him get away with it. At least his pimp thing was real because he certainly knows how to hoe his fans.
The key factor here is "Brand" so he will be able to claim Death Row, have merchandise but not the catalogue
Some of ya'll set yourselves up for failure by expecting a 9o's era Death Row type release. It's still Snoop Dogg we are talking about here.I'll reserve judgment until I hear the entire thing but the snippets that I have heard sound promising.