KRUSHADELIC
(May
2007) | Interview By: Noncentz
Dubcnn today sits down with with an
original Hyphy pioneer and Dangerous Crew member Krushadelic. Dangerous Crew
fans will remember Krushadelic from his productions on Goldy’s "In The Land of
Funk" album, but his contributions go much deeper in the game with Underground
Rebellion, S.N.O.P. and others. In Part 1 of this exclusive interview with
Krushadelic, we discuss his humble beginnings, how he got into the
entertainment and music business, the birth of "hyphy" and the origins of
S.N.O.P. and Underground Rebellion.
Please note that this interview was conducted by a Dubcnn Community (Dubcc.com)
forum member. He and a team of members have been heavily discussing
and promoting the work of the Dangerous Crew as a whole. Thanks go out to;
Lamont, Raiders, Akcranker, SJ, GP and EazyE for their help and support in
bringing the Dangerous Crew back into relevance. There will be more from the
Dangerous Crew on dubcnn over the coming weeks. ..........................................................................................
Interview was done by phone in May, 2007 Questions Asked By:
Noncentz (Guest Contributor)
Krushadelic Gave Dubcnn.com A Shoutout! Check That
Here
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www.myspace.com/krushadelic
www.myspace.com/thedangerouscrew
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Dubcnn: For those of us who don’t
know, who is Krushadelic?
I started out with the group Underground Rebellion. We was the first group
from West Oakland. Like $hort was putting it down for the east, we was the
first ones from west oakland to actually come out with records and stuff. So
I’m like a 17-year vet. This year marks my 17th year of actually putting out
records and stuff. I was actually rapping around and in the game since like
’85. So actually I’m like a 22-year vet, but 17 years of really putting out
records.
I’ve put out over 22 projects through my own company. Got 10 videos, I put out
movies and DVD’s and stuff like that. A few comedies with people like DC Curry
and a lot of comics from ComicView, the Russell Simmons Def Jam comedies and
stuff, so I got these connections with that. It’s like an overall
entertainment type of company. I been putting it down for the Bay for a long
time.
Dubcnn: When did you first realize that music and entertainment is what you
wanted to do?
It was already imbedded in me because I come from a long line of musicians in
my family. The Pointer Sisters is my cousins, and it go even farther back than
them. Louis Armstrong is my cousin, too. My daddy used to be a part of Robert
Winters & Fall, you know the old school song “I’m You Magic Man” that was on
top of the charts back in the early 80’s and stuff like that. They did the
whole Soul Train thing, and tours. That’s what my daddy was doing, and even
though I didn’t grow up with him in the household all the time, it was already
in me. So naturally, I just followed in his footsteps and grew in to the
music.
I just knew that that was what I wanted to do at an early age. I actually
thought I was gonna be a singer or something like that, but by the time rap
hit around in like ’79 I was getting kind of interested in the hip-hop stuff.
Like the record Rapper’s Delight, and then I heard Run-DMC and that’s when I
really decided that that’s what I wanted to do.
Dubcnn: What instruments do you get down on and actually play?
I get down on the keyboard. I learned to play the keyboard after I started
putting out records. I was already putting out records and was like a typical
hip-hop producer that would take records and sample them and scratch them in
and stuff like that. And then hip-hop started to evolve and added a lot more
live instrumentation into it. I used to bring my daddy and uncle to the studio
with me to play the instruments until I had got my chops together. But right
now, I play keyboards and stuff. I play everything.
Dubcnn: Who was your inspiration to get in to doing hip-hop or rap music?
Like I was saying before, Run-DMC. They really had it poppin’ and I went all
of their shows when I could. That’s why even now I give a high-energy show
myself because when I used to go to those hip-hop shows back in the day, those
rappers were really performing and giving shows, as opposed to just walking
side to side. It was a real show with intros, a middle, and an ending. That
era of hip-hop is what inspired me to want to make records and to continue
because of course you have to go along with the times.
Dubcnn: Speaking of going along with the times, what are your thoughts on
the hyphy movement going on out there in Oakland?
It’s a cool thing, but the whole hyphy thing is actually like a pattern of
what I used to do and still do. Cuz when we came out with that Underground
Rebellion, we was the hyphy rappers. Everybody was in to the slow-roll funk
and Too $hort stuff like that, and we was the ones from West Oakland rapping
on the up-tempo beats. We was the ones jumping around, I had dreads and was
wearing the big, colorful shades even back then. This whole hyphy movement
right now is almost like a mirror image of what I done, back in the early
90’s.
We put our first record out in 1990, and people used to tell us we was ahead
of our time. We was the first rappers to sideshows and stuff in our videos. We
used to get our videos banned and stuff because they used to say the car
tricks was too illegal and they didn’t want to show that to the masses. So we
had to go through the point of breaking down all those walls to make this
become accepted. We made a video called “Rotten Apples” back in the day, where
we talking about us being these hyphy-type of rappers. We wasn’t calling it
hyphy then, but we was saying we hype! We hyper. Hyperactive! In the video we
was talking about how people was tripping off our “stunna” shades. We called
them “stay-highs” back then those were our trademarks back then cuz they was
colorful with red, blue and purple ones kind of. They was tripping off our
dreads and the whole little get-down.
So the kids that grew up listen to our sounds, seeing our energy, and doing
our dances, they done took it to another level by being energized, doing turf
dances, and going dumb with it. And if you talk to $hort and any of them,
they’ll tell you that Krush is the first one. Like if you look at that “Parlayin’”
video with Banks and Goldy that’s on your site [referring the the
Dangerous Crew MySpace
page] , that’s me in there with the dreads doing all those crazy dances. And
that was back in ’94. So history don’t lie.
Dubcnn: So the hyphy movement is really an extension of what you was doing
15 to 20 years ago.
Yeah, it’s an exact extension of it. I mean it’s all about researching where
it came from. Everything starts with somebody. Somebody gotta be the first one
to do it, and then people come after that to take it to their own different
levels so the game can evolve into different things. Where people can put
their own twists, styles and spins on the situation. So as this hyphy movement
continues, and people start really looking in to it and researching, my name
is popping up a lot more. People get interviewed and get asked where this
“hyphy” thing came from, and my name would have to come up.
People talk about the Keak’s, the Mac Dre’s and they all my dogs, and I been
knowing these cats for a very long time. I had gotten down with Mac Dre doing
some touring and things before he had got killed. I was with him like 2 weeks
before had got killed. Keak Da Sneak, when he was 14-15 years old, I was
putting out records back then. All that Fa Sheezy stuff? All that developed
from me. On my first record that came out in 1990, if you read the credits on
there, you’ll see us talking about Breezy, and Fa Sheezy came about cuz it was
another way for us to rhyme talking about we going to see our breezy fa sheezy.
My boy Keak was hanging around us, so of course they was gonna be going around
saying it too. And then he and E-40 get on record with E-40 saying 3xKrazy
talking about they taught him how to say Fa Sheezy, and he was on a major
label, compared to us. So he put it out there on a bigger platform. Then Snoop
got a hold of it, and he put it on an even bigger platform.
Now the word is what it is to this day. I even had a record out years an years
ago called “The Inventor of Fa Sheezy”. I don’t cry about the situation cuz
all it does is prove all the hard work I’ve been putting in is in the fabric
of hip-hop.
Dubcnn: How did Underground Rebllion come to be?
We started out rapping in like ’85. We was just some of the locals around. It
wasn’t like it is now, with rap being over-saturated. So if you was a rapper
and had made any kind of noise, then you was somebody in the hood. And they
used to have a local station out here that helped blow-up a lot of the
independent artists, such as the Too $hort’s, the Hammer’s, the Dru Down’s,
the Master P’s and so on. Master P used to be originally be up out of here
when he first started rapping. He was from Richmond and everything. We all
used to do these talent shows together. That’s kind of how the hip-hop
community was building up in Oakland, you know, with Dangerous Dame, Ant
Banks, MC Ant, Terry T and all that. So everybody knew everybody.
So eventually as it kept growing in ’85-’86, by the time ’88-90 came in,
people started finding ways to get these records out. Like mine came out in
1990. So how we came to be (Underground Rebellion), I used to produce other
artists out here in the Bay Area who was also trying to get their first record
out too. Me and my cousin was already a group, and we was in the studio during
this time and ended up putting a record down. And with our lunch money came up
with a 12” called “Let’s Get Funky”. We got it to some of these DJ’s and
stuff, and from there, we established our name and our group as artists
actually coming out of the Bay Area, not just some locals with a demo tape. So
that kind of put us on the map.
A few months later we came back with another called “They Ain’t Diggin’ The
Way We Came At’em”, and we put that one on 12” and cassettes. And that was our
first one that actually got distributed to all the stores and all around. We
wound up selling like 20,000 of those. From there, we dropped another one
called “Don’t Tweak”. And we came out with a video for that one, which was the
song “Rotten Apples” that I was telling you about earlier. And that was in
’93. I had another group called S.N.O.P. that I worked with and we ended up
selling like 30,000 with them. All that kind of opened our company up and we
started rolling then. And all that was a year later in ’94.
Dubcnn: And about that time is when you hooked up with Too $hort and The
Dangerous Crew?
Stay tuned for Part 2 with Krushadelic, where we get answers to this question
and much more...
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Krushadelic Gave Dubcnn.com A Shoutout! Check That
Here
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