It's June 16, 2024, 06:51:13 AM
"According to Dr. Dre co-writer J-Flexx, this song was originally written by him, then Dre scrapped his vocals and wrote to it, but RBX heard the beat in the studio at Dre’s house and wanted it, so Dre gave RBX the beat. This song was written in 1996 and briefly reunited Dre with Chris “The Glove” Taylor. Three members of Dre’s “Soul Kitchen” 1996 Aftermath production team wrote this."
wow…always loved that track…now knowing it could have been even better is crazyman I love Tha Dogg Pound but they didn’t do that beat justice…Pac went HAM on that track
So, All Eyez On Me then?I can’t imagine 2Pac on the beat to Blunt Time, it sounds like it would be too slow for him. Maybe I’m wrong, either way I’d love to hear his version of it. Hopefully it leaks one day.
Alright this is gettin weird.. because yeah, I looked into it and J-Flexx did this joint with Dre the same day that they did "California Love". What a great day in rap history that day in the studio. But then also J-Flexx did "Been There Done That" for Dre. But that also had to be at Death Row because Flex stayed with Death Row and didn't leave when Dre left. So now you gotta wonder what other joints from Aftermath Presents were already done by Dre before leaving. So what the fucc did he do over at Aftermath?So now it's changing the way I look at the Aftermath Presents album. It's starting to look more like prime Death Row heat that Dre had stashed, and then when he left Death Row he took the stash to Aftermath and didn't do much else with it.So... is the dopeness on Aftermath Presents really just a product of how great Death Row was and not an indication of anything that followed at Aftermath? What if all the dope shit was Death Row Dre and the weak shit was Aftermath Dre?...anyway, it's just interesting because the Aftermath Presents album was presented like it was some fresh start and new era for Dre denouncing gangsta rap and moving on to Death Row but now it seems more like that album was just a product of Prime Death Row era.
pac was just fine on slow beats ala i ain’t mad at ya
not sure exactly though homie, because "Blunt Time" is more like a hype banger in spite of been a smooth track---while "I Ain't Mad At Ya" is more like heartfelt joint like "Dear Mama" which Pac had many great ones like that like "Can You Get Away", "It Ain't Easy being Me" and so many more.I think what the O.G. post meant is can Pac make a hype track the way RBX did over a smoothed out beat.
well blunt time is a weed songhere’s somewhat of a weed song he did on a similar tempo
lol yea ok another song called blunt time produced by dre from that era obviously i already discussed it wit x before posting homie
Ahh come on cuzz “Krazy” is another “I Ain’t Mad At Ya” or “Lord Knows” type track I even remember crying to it and wanting to legit commit suicide listening to it at 16We talking about hype tracks
why does blunt time need to be a hype track? pac coulda easily taken that and made it some laid back type stuff wit the slow flowu tellin me u can’t picture pac on that beat?
Well the hook was already there… Pac woulda spit some shit like “Blunt time and I’m up and AdamBustin at these suckaz bullets scatteringThey sayin Pac is a maad manBut I ain’t listening Faked my death and became a legendmakeveli enterinExit see my enemies at the crossroadsBudsmokers Only just like BoneWhen I die tell the Outlawz smoke my ashesTell my bitchez it’s still on Full of that thug passion !!!”Then Meth comes in like“Pac hit me up bat signal that’s the WU…Nah I can’t write for Meth
Who’s that homie at the forum that does the AI??We need an AI Pac “Blunt Time” quick