It's May 16, 2024, 09:50:02 AM
This album grows on you.I like it more after every spin.
Merged a lot of the topics. Unless it's somethig really new and important post all news here.The album has mad replay value, last time it was like this was Ultimate Victory. Just put this in the car, it's definetly a sonic experience. Probably the best produced cd since 2001.
I can't think of any better. GRODT, Documentary, Massacre and Big Bang were also very well produced cds but they all had tons of different producers, so the vibe wasn't as cohesive as on Relapse.
Quote from: Meho on May 15, 2009, 04:06:46 AMI can't think of any better. GRODT, Documentary, Massacre and Big Bang were also very well produced cds but they all had tons of different producers, so the vibe wasn't as cohesive as on Relapse.i see your point, but despite the fact that Relapse is basically done by one producer, it doesn't have that much of a cohesive vibe in compared to other albums that had similar input from Dre.
Quote from: From Dre-Day to Helter Skelter on May 15, 2009, 06:22:55 AMQuote from: Meho on May 15, 2009, 04:06:46 AMI can't think of any better. GRODT, Documentary, Massacre and Big Bang were also very well produced cds but they all had tons of different producers, so the vibe wasn't as cohesive as on Relapse.i see your point, but despite the fact that Relapse is basically done by one producer, it doesn't have that much of a cohesive vibe in compared to other albums that had similar input from Dre.Relapse works well within its concept. Which other albums have had similar input from Dre? 2001...before that, Doggystyle?
We Made You (feat. Charmagne Tripp)Produced by Dr. Dre & EminemAdditional production by Doc IshKeyboards by Mark BatsonChours vocals by Charmagne TrippMixed by Dr. Dre
Prelapse to the Relapse Special Part 1:Part 2:Part 3:Doesn't know where the accents came from, they just morphed into creation. He doesn't care what anyone thinks anymore. He's just going to do him for now on. While he was a huge Christopher Reeves fan the paradox of Reeves being superman and becoming a paraplegic has always been an interesting but amusing paradox. His goal is to get you to laugh at the most fucked up shit he spits. He admits he is an addict and talks about that process.Insane: how a rhyme goes bad, it means nothing at the end of the day. I want to see how far I can take this before people actually puke.Bagpipes from Baghdad: Certain people just got to get it. Some people become permanent fixtures in my lyrical mixtures and not just to quote the record but its true. Certain people in the industry have just become my enemy over the years. Hello: Re-Introduction since he hasn't been here in the past 4 to 5 years. It's a acquittance to Marshall and Shady. Same Song and Dance: Trick was to get women to dance to it and not know what the fuck they're listening too. A twisted manipulation of the standard dance song.Stay Wide Awake: a demented serial killer love song, blames television for the creation of itOld Times Sake: a fun record, it is what it isMust Be the Ganja: It must be the smell of the weed, the henny in the studio with Dre that's got his mind in the zoneDeja Vu & Beautiful: part of album where you put jokes aside and sums up his past couple of years. Deja Vu is the actual even that happened, gives people an idea of where he's been in the past 4-5 years. Beautiful is where he was battling everything and had yet to come to the realization that he was an addict. Only song used on the record when he was high. The time period was fucking horrible but the track captures that for him. Only song that he felt was good enough for the record from that time period.Underground: Metaphorically speaking, the subject matter and the shit he talks about is an attempt to take it back to his days when he didn't give a fuck about what he had to say. Back to the hip-hop shop days, the dirty dozen days where he wasn't famous and didn't have to hold back his tongue. This is the kind of shit he used to spit for punchlines and is him going back to those days.